Reread of The Judging Eye: Chapter Nine

Reread of The Aspect-Emperor Series

Book 1: The Judging Eye

by R. Scott Bakker

Chapter Nine

Momemn

Welcome to Chapter Nine of my reread. Click here if you missed Chapter Eight!

A beggar’s mistake harms no one but the beggar. A king’s mistake, however, harms everyone but the king. Too often, the measure of power lies not in the number who obey your will, but in the number who suffer your stupidity.

—TRIAMIS I, JOURNALS AND DIALOGUES

My Thoughts

So, pretty self-evident. Rulers’ mistakes (or politicians passing ill-thought-out laws) cost their people. This is an Esmenet chapter, so it primes you to watch what she does. What decisions will she make in this chapter that will cause others to suffer?

Let’s read and find out!

Well, I read this chapter and I thought this was referring to Esmenet. But the only decision she makes is to leave Kelmomas in favor of her audience with Sharacinth. It’s hard to call that a mistake. She doesn’t know he’s a homicidal homunculus pretending to be a little boy. Whether or not Sharacinth lived or died, would not stop Nannaferi cementing her control over the Yatwerians via such a blatant demonstration of the Dread Mother’s power.

So is it Nannaferi the leader? No. She doesn’t make a decision. She’s just Yatwer’s puppet. So is this a critique on Yatwer? A lot of people are about to suffer from her actions. And she is making a mistake in opposing Kellhus.

Kellhus doesn’t appear to make any mistakes here, either.

Honestly, the only mistake is Esmenet with Kelmomas and trusting him. It’s going to lead to him becoming the No-God. That’s a lot of people suffering.

Of course, there will be real mistakes that are made in this storyline ending in Esmenet and Maithanet feuding. Either way, this is a quote that we should pay attention to.

Early Spring, 19 New Imperial Year (4132 Year-of-the-Tusk), Sakarpus

Her face seemed numb for tingling.

Kelmomas asks his mother if Samarmas hears them. She’s clutching tight to his hand as she says, yes because he’s a god’s son. She has her cheeks marked with a line of her dead son’s ashes. She would do this every full moon until she no longer wept.

Even now, she could feel his residue across her cheeks, burning, accusing, as though transmuted, Samarmas had become antithetical to his mother, a kind of poison that her skin could not abide.

As though he had become wholly his father’s.

She has to wear these because the tradition goes back thousands of years as she inters her son’s ashes in the High Royal Ashery in the Temple Xothei. She doesn’t get to keep him in her household’s shrine. This makes her grief public and not “tender and private.” The mobs have gathered to watch her procession to the temple. It’s a “seething carnival of mourning and anticipation.” Even in the bowels of the temple, she can hear them.

What would they say when they saw that her cheeks were dry? What would they make of an Empress who could not weep for the loss of her dearest child?

They pass niches for those interred here, including Ikurei Xerius and Conphas. Theirs are unadorned. She finds it ironic to put her son’s ashes by Conphas. She ignores the offerings left before his urn.

Someday, she thought, all her children would rest in this immobile gloom. Static. Speechless. Someday, she would reside here, cool dust encased in silver, gold, or perhaps Zeümi jade—something cold, for all the substances that Men coveted were cold. Someday the heat of her would leach into the world, and she would be as dirt to the warm fingers of the living.

Someday she would be dead.

She feels relief at the thought and is shocked by it. She sways and is on the floor before she realizes it. Kelmomas watches. She tries to smile. He seems vulnerable like his dead brother. Then he spoke and asks her if Samarmas hears them. She sees her dead son lying broken on the spear he’d landed on every time she sees Kelmomas. The boy clarifies that he means when he thinks things, does Samarmas hear them. He starts crying and she hugs him. She feels like her soul has been split in half, one half grieving with Kelmomas, the other numbed and confused.

How could she protect him? And if she could not, how could she love him?

She laid her head across his scalp, blew at the hairs stuck to the seal of her lips. Her cheeks were wet, but whether the tears were her own she could not tell. No matter. The mob would be appeased. Her Exalt-Ministers would be relieved, for the Yatwerian matter had become far more than a Cultic nuisance. Who would raise voice or hand against a bereaved mother? And Kellhus…

She was so tired. So weary.

“The dead hear everything, Kel.”

Iothiah…

A life lived, no forgotten.

And in its place…

A man in a small room is confused as he stares at a young woman nursing an infant. She grows concern at him and calls him love, asking if he’s fine. She says he looks like he’s dreaming. He gets up and heads to an open doorway and walks outside. He reaches the gate. The baby is crying now as the woman rushes after him, asking what he’s doing. She keeps asking if she did something wrong. He batters her from him and keeps walking.

Two hundred and fifty-seven years before, a Shigeki builder had saved twenty-eight silver talents by purchasing brunt brick form farther up the River Sempis, where the clay was riddled with sand. Aside from the tan hue, the tenement he raised was indistinguishable from the others. Over the course of the following centuries, the flood-waters had twice risen high enough to lave the southernmost pylons. Though the damage appeared minimal, sheets of material had fallen from the base of outermost support, lending it a gnawed looked, which for some reasons, seemed to attract urinating dogs.

It toppled exactly when it should, drawing with it an entire quadrant, collapsing four floors of apartments and crushing all the unfortunates within. There was a roar, a collective peal of screams punched into silence. Afterwards, dust sweeping out and up. The earthen clap and tinkle of raining bricks. The streets packed with shouting passers-by

The woman and her infant were gone.

A life forgotten…

The man walks away, threading through a crowded market place without ever once jostling someone, taking the perfect path. He spots an old woman begging and marches up to her. She looks no different than the other wretches in the temple’s shadow. A poorly thrown coin at the beggar causes her to look up at the right moment and see the man. He helps the old woman stand. She has childish awe on her face and identifies herself as Nannaferi.

The pulse and fork of blood. A voice so close the speaker could not be seen. The pulse and fork of blood behind this place…

“I am the White-Luck… I walk. I breathe.”

Nannaferi says they are siblings while quivering like a girl just past menarche. He wipes away her tears for “a life forgotten.” He calls her beautiful.” She sheds more tears for “what stood in its [a life forgotten’s] place.”

Momemn…

Esmenet, gazing at her stand mirror, glimpses Kelmomas lurking in the corner of her room. She’s thinking about plans, hardly noticing her reflection. She’s gazed at herself too many times for her appearance to hold her attention. She is about to meet with Hanamem Sharacinth, the Yatwerian Matriarch. Kelmomas is spying on her and she pretends not to see him. She remembers how Samarmas and Kelmomas had played this game before. Grief grips her. Finally, she acknowledges her son. He doesn’t answer her right away and she dismisses her body-slaves. Then she asks him where his nursemaid Porsi is before remembering that the woman had been scourged and fired. When he still doesn’t answer, she turns back to her appearance, making sure her clothing is perfect.

“I c-can be Sammy…”

She heard these words more with her breast it seemed than her ears. A flush of cold about the heart. Even still, she continued to face the mirror.

“What do you mean? Kel, what are you saying?”

Our children are so familiar to us that we often forget them, which is why the details of their existence sometimes strike us with discomfiting forces. Either because she watched him through the mirror or in spite of it, Esmenet suddenly saw her son as a little stranger, the child of some unknown womb. For a moment, he seemed too beautiful to be…

Believed.

Kelmomas cries that if Esmenet wants him to be Samarmas he will be. Heartbreak fills her, and she realizes she’d been selfish in wallowing if she was truly mourning Samarmas or not. She tries to speak but is too choked as Kelmomas continues that he looks just like his twin. She rushes to him and sees how her “circles of self-pity” had let her ignore Kelmomas’s pain. Though she grieved, she also knew the truth that children died in a cruel world. She had an internal strength to weather it, but she realizes that Kelmomas has lost himself and doesn’t understand.

I’m all he has left, she thought, stroking his fine, golden hair.

Even still, something dark in her recoiled.

Children. They wept so much.

Esmenet is in the Imperial Audience Hall. It hasn’t changed, other than the banners, from when Xerius was emperor. She remembers something Kellhus told her: “Monuments were as much prayers as they were tools, overreaching arrested in dwarfing stone.” It proves the men like to look strong especially when dealing with Gods. Esmenet is going to need this for her audience with Sharacinth.

She sits on her throne in the center of all the frozen pageantry. Behind her, the sunlight streamed over her, forcing people to see her against the bright sky, especially at sunset when the sun is setting behind her. It makes her feel more powerful as they squint to stare at her. Above, birds fluttered. Some would get caught in a net to keep them from nesting in the rafters. They would struggle to escape, their shill shouts hurting the ears and not inspiring compassion. Sometimes, at night, she would let Samarmas help free the trapped birds.

Orisons (an archaic word for prayer) rise from the galleys, singing praise to Kellhus. This announces the Matriarch’s arrival. Thinking of Samarmas now makes her think of Kelmomas whom she left sobbing and begging her to stay while promising he would be Samarmas.

We l-love you, Mom-mommy… So-so m-much…”

Hearing him use “we” still makes her emotional. But she can’t afford this as Hanamem Sharacinth, the figurehead of the Cult of Yatwer, approaches. Despite custom saying Sharacinth should dress in poverty, she has wealth on her. Maithanet is accompanying her. As the orisons fade, the pair reach them. The Matriarch kneels and addresses her. Esmenet tells her to rise, saying they’re all “children of the Ur-Mother.” The Matriarch agrees and rises. For a moment, she glances at Maithanet as if questioning why he’s not helping her stand then remembers who he is. She’s used to being around subordinates and has trouble showing deference. She acts defensively.

Esmenet bluntly asks about the White-Luck Warrior. Sharacinth isn’t surprised that this is why she’s here. She says she’s heard the rumors. Esmenet calls it treason and Sharacinth agrees. Esmenet is annoyed that Sharacinth speaks to her as an equal. The Matriarch didn’t even offer condolences. Esmenet swallows it and presses Sharacinth for information.

A calculated pause. Sharacinth’s eyes seemed bred to bovine insolence, her lips to a sour line.

Esmenet struggled to draw breath around her outrage. Arrogant ingrate! Treacherous old bitch!

Was this what she had imagined all those years ago, sitting on her sill in Sumna, enticing passers-by with a glimpse of the shadows riding up and down her inner thighs? Knowing nothing of power, Esmenet had confused it with its trappings. Ignorance—few things were so invisible. She could remember staring at the coins she had so coveted, those coins that could ward starvation or clothe bruised skin, and wondering at the profile of the man upon them, the Emperor who seemed to stand astride her every bounty and privatization. To hated. Not feared. Not loved. These were passions better spent on his agents. The emperor himself had always seemed… far too far.

She remembers her life as a whore as she tried to imagine what I was like for Ikurei Xerius III to sit here and she can’t quite understand how she got here. She thinks once when she showed Samarmas a silver coin and asked who was on it. He couldn’t even though it was herself on the coin. She feels grief now. It’s easy picking at her wound to find the pain. She hopes her makeup hides it as she presses Sharacinth for what she’s heard about the White-Luck Warrior. She answers that she’s heard many rumors.

It’s obvious that the plan of honoring the prideful Sharacinth with an audience to swell her ego and make her pliable is not working. Esmenet changes tactics and rebukes Sharacinth, and receives a sneer in answer. This sends terror through her, one only someone with a position of power can feel. A reminder that one day someone else will be in charge. Sharacinth has reminded Esmenet that power “came down to recognition.”

It was all naked force otherwise.

Maithanet roars at Sharacinth with the force of his position. She begins to talk back to him when she is seized by fear. She wheezes as a bright light appears above her. It spirals outward, too bright to look at. Esmenet shields her eyes with her forearm. When she looks again, Kellhus has appeared just as she remembers him, the two demon heads dangling from his belt. He descends to the ground, his presence almost shaking the building. Sharacinth stands stunned while Maithanet kneels. Esmenet doesn’t stare at her husband as he takes his place to her right. She projects confidence like she knew this would happen. She can’t let anyone know it surprises her.

With a mild rebuke that carries the penalty of death, Kellhus asks why she’s standing. She throws herself sobbing to the floor, begging for his forgiveness. He asks if she’ll oppose the sedition and blasphemy. She wails yes.

“For make no mistake, I shall war against you and yours.” The grinding savagery of his voice swallowed the entirety of the hall, battered the ear like fists. “Your deeds I shall strike from the stones. Your temples I shall turn into funeral pyres. And those that still dare take up breath or arms against me, I shall hunt, unto death and beyond! And my Sister, whom you worship, shall lament in the dark, her memory no more than a dream of destruction. Men shall spit to cleanse their mouths of her name!”

The old woman shook, arched back as if gagging in terror.

“Do you understand what I say, Sharacinth?”

Yessssh!”

He tells her to obey Esmenet and Maithanet and to stop being a figurehead but claim the leadership of the Cult then root out the faction opposed to him. It seems like the entire world is behind Kellhus as he orders Sharacinth to hunt down Psatama Nannaferi and end her. Sharacinth begs for Nannaferi. He roars at her demanding if she would offend him in his house. She shrieks and pisses herself. The world seems to return to normal and Kellhus moves to Sharacinth and tells her to taste the air, for her every breath is at his mercy. He tells her not to embrace humiliation and the “shrill poison” of conceit. He tells her to embrace the life he offers her.

Esmenet had heard these words so many times they should have seemed more a recitation than something meant, an incantation that never failed to undo the knots of pride that so bound men. And yet each time, she found herself sinking through the surface, floating utterly submerged. Each time, she heard them for the first time, and she was frightened and renewed.

Over the years, her husband had ceased being many things to Esmenet. But he was a miracle still.

Sharacinth begs forgiveness over and over. Kellhus asks Maithanet to comfort her. He does while Kellhus turns to Esmenet and holds out his hand. She takes them, And he teleports them from the throne room to their quarters where he immediately collapses in exhaustion. She barely gets him to their bed. He calls her wife as he rolls onto his back. She asks how many times he teleported. He can only travel to where he can see, from horizon to horizon. “Many,” he answers.

Simple, her soul whispered. I must make things simple.

“You came…” she began, shocked to find she was already crying. “You came as s-soon as you heard?” She knew this could not be true. Each and every night Mandate Far-Callers spoke with him in his dreams, appraised him of all that happened on the Andiamine Heights and elsewhere. He had come because of the situation with the Yatwerians, because of Sharacinth. Not because of his idiot son.

There were no accidents with Anasûrimbor Kellhus.

She cries in his arms that they’re cursed. He catches her eyes and says it’s only misfortune. She finds his words to be a drug. She protests that the White-Luck is just that then adds Mimara has run away and can’t be found and now Samarmas is dead. She adds people celebrated his death. Kellhus cuts her off to tell her to do no reprisals over that. The Yatwerians are not a people who can be massacred. They are spread across the entire Three Seas, impossible to root out. He says only the Great Ordeal and conquering Golgotterath matters. He talks about how other problems might seem important. She cuts him off to protest their son is dead.

Her voice pealed raw across the polished stone hollows.

Silence. Where for others the lack of response augured wounds scored or truths too burdensome to ignore or dismiss, for her husband it meant something altogether different. His silence was always one with the world about it, monolithic in the way of framing things. Without exception it said, Hear the words you have spoken. You. It was never, ever, the mark of error or incapacity.

Which was why, perhaps, she found him so easy to worship and so difficult to love.

He then speaks her name with such warmth and compassion that she starts crying. He tells her that he doesn’t expect her to take comfort in the Great Ordeal’s importance but to know that it has taken precedence over even the collapse of the New Empire or the death of their son. For a moment, staring into his eyes is liking staring into her own. She understands this. He knows her better than herself and, in fact, had already known the words he told her. “His tone had told her so.”

She asks how much tragedy must happen and he says all of it so long as the world isn’t destroyed. She beats on his chest and asks why the Gods hunt Kellhus. Why they want to stop him unless they want toe Second Apocalypse.

She had chosen Kellhus over Achamian. Kellhus! She had chosen her womb. She had chosen power and sumptuous ease. She had chosen to lay her hand upon the arm of a living god… Not this! Not this!

Kellhus has knows Maithanet has explained this to her, but she is still confused. He talks about how they are different from others, thinking about the future and walking the Shortest Path through the Thousandfold Thought. The Gods are jealous Kellhus has this task. She hears his inhuman voice that had conquered not only the entire world but “first her thighs and then her heart.”

She thought of that final afternoon with Achamian, the day that Holy Shimeh fell.

She sobs that she doesn’t have the strength for this and asks him to put Maithanet in charge. He’s half-Dûnyain. He can handle it. Kellhus says she is strong and Maithanet has his task as Shriah. She demands why her.

“Esmi, you have my love, my trust. I know that you have the strength to do this.”

He says the White-Luck will break against her. She asks how he can know. He cups her face in a haloed hand. He says her fear and grief and regret makes her pure.

Iothiah…

“Cursed!” Nannaferi cried. “Cursed be he who misleads the blind man on the road!”

All old voices failed in some manner; they cracked and they quavered, or they dwindled with the loss of the wind that once empowered them. But for Psatama Nannaferi, the breaking of her voice, which had once made her family weep for its melodic purity, seemed to reveal more than it marred, as though it were but paint, hoary and moulted, covering something furious and elemental. It struck over the surrounding clamour, reached deep into the packed recesses of the Catacombs.

The Charnel Hall is packed with hundreds and lit by torches. Smoke ripples across the ceiling. She curses the thief who steals from those and causes starvation. As she speaks, she’s standing naked and wrinkled, her body covered in white sigils. She’s covered in sweat. Before her on a “slave’s chair” sits the White-Luck Warrior. She then curses the murderer who kills his brother as she parts her legs. Period blood runs down her thighs. She stands proud, showing off the strength of her womb. She is fertile once more. People weep at the miracle. Everyone is roaring as she next curses the whore for choosing “gold over seed, for power over obedience, for lust over love!” She smears her palm in period blood and raises it before the crowd.

“Cursed be the false—the deceivers of men! Cursed be the Aspect-Emperor!”

There are pitches of passion that are holy simply for the intensity of their expression. There is worship beyond the caged world of words. Psatama Nannaferi’s hatred had long ago burned away the impurities, the pathetic pageant of rancour and resentment that so often make folds of the great. Hers was the grinding hatred, the homicidal outrage of the betrayed, the unwavering fury of the degraded and the dispossessed. The hatred that draws tendons sharp, that cleanses only the way murder and fire can cleanse.

And at long last she had found her knife.

She approaches the White-Luck warrior and marks him with a line of period blood across each cheek. These are the wurammi, the counterpart to the lines of ash mourning mothers wear. She preaches about how those in the shadows are always giving because they are weak. But Yatwer knows why the weak are the ones abused. Why the strong do “everything save kill!” She mounts the White-Luck Warrior and impales herself on his penis.

“Because without Givers,” she shouted in a voice hoarse for passion—doubly broken, “there is nothing for them to take! Because without slaves, there can be no masters! Because we are the wine that they imbibe, the bread that they eat, the cloth that they soil, the walls that they defend! Because we are the truth of their power! The prize they would conquer!”

And she could feel it; he the centre of her, and she the circumference of him—an ache encircled by fire. Hoe and Earth! Hoe and Earth! She was an old crone splayed across a boy, her eyes the red of blood, his the white of seed. The crowd before them bucked and heaved, a cauldron of avid faces and sweat-slicked limbs.

“We shall stoke!” she moaned and roared. “We shall foment! We shall teach those who give what it means to take!”

It’s important that he’s young and the father of only one child. He was not yet broken by the world but not at his full strength either. She says that they will no longer just be the “sea that drowns” but the “knife that cuts.” The White-Luck is their knife. As she rides him, the earth kicks like an unborn child in the womb. As she does, she feels his strength filing him. She’s growing young while he becomes older. His youth is transformed into a man worn by the years while she becomes firm and fair. The pair reach their climax.

Beaten and battered she had been tipped in libation. And now the dread Goddess raised her, a bowl cast of gold.

A vessel. A grail. A cup filled with the Waters-Most-Holy. The Blood and the Seed.

“Cursed!” she shrieked in a singer’s heart-cutting voice, high and pure, yet warmed by the throngs, a never-diminishing pool that was passed from palm to palm. She watched the Ur-Mother’s children mark their cheeks with the red line of hatred…

“Cursed be he who misleads the blind man on the road!”

My Thoughts

Esmenet’s guilt is on full display. It’s why she can’t stand having her son’s ashes on her because it reminds her that she was too busy running the kingdom and not paying attention to her son like a mother should have. Now Samarmas has become like Kellhus, something she rebels against. It’s one of the biggest insights into just how much she has come to hate Kellhus over the years.

Who is leaving offerings to Conphas’s ashes? No idea. But it’s also very East Asian. Leaving food is a common thing in Japan and China. I was at the temple where the Forty-Seven Ronin are buried with their lord and his wife. Though they died in 1702, their descendants are still leaving offerings to this day. Cans of Asahi Beer, lit incense, and canned salmon from Hokkaido. If you ever go to Japan, visit the Sengakuji Temple.

Esmenet’s going to outlive most of her children. By the end of this series, Samarmas, Theliopa, and Inrilatas are dead. Serwa is badly wounded. No idea if Kayûtas is alive or dead. Kelmomas is the No-God. Is there anything left of him?

If the dead hear everything, then she must feel even guiltier for feeling this revulsion to Samarmas. In death, he’s become a Dûnyain. No longer human. What she’s always feared. Now she’s afraid Kelmomas will suffer the same fate. He’ll stop being human become something inhuman.

And with that, we switch to the White-Luck Warrior. A young man with a young wife and a new child who has just forgotten everything. He’s about to die with his wife. His life is about to be over, but now Yatwer has possessed him. She has stolen everything from him to make him into the perfect warrior. Beyond a mere Narindar.

We see how the gods see the world. They know the history of everything at once. The history of the building, the man who throws the coin badly, are all known to Yatwer at once. She can guide him through the marketplace because she knows where everyone is going to move because, to her, it’s happened, is happening, and will happen all at once. She delivers the White-Luck Warrior to Nannaferi. At this point, the readers have to understand the Gods are real and are moving against Kellhus.

“Our children are so familiar to us that we often forget them, which is why the details of their existence sometimes strike us with discomfiting forces.” Bakker is addressing the reader using present tense with this sentence before turning it back to Esmenet. He’s including himself in it. This is probably something he’s realized with his own children (I suspect he’s a father, but I do know he’s married).

Kelmomas plays Esmenet like his fiddle. He gets her out of her inward grief and gets her to channel it to him so he can be at the center of her world again. After all, he killed Samarmas to have her all to himself. He can’t let her own pain steal her away either.

Even still, she finds his grief a burden “Children. They wept so much.” She can’t find herself morning for Samarmas because he feels to Dûnyain to her know that he’s dead. It’s like Kellhus has stolen another of her children.

Monuments are like prayers and both overreach. They both seek to go beyond the mortal life. A monument will outlast the man who erected it. A prayer reaches to the Outside to sway a divine being into intervening on this world. They’re both grasping beyond our reach.

Kelmomas failed to capture her attention. He sprung on her right before her audience. This is a test. But she goes with obligation and goes to see Sharacinth. Is it any wonder that the little shit murders her next. He’s killed one person for her love. It’s so much easier to kill the next.

Esmenet is a reminder that the people we see in power, the politicians and presidents and prime ministers, and even the famous actors, might seem remote. Might seem wise and authoritative. But they’re just people. They’re no different than you save, “A beggar’s mistake harms no one but the beggar. A king’s mistake, however, harms everyone but the king. Too often, the measure of power lies not in the number who obey your will, but in the number who suffer your stupidity.”

Remember that lesson. They get mad. Angry. They get offended. They make mistakes. They’re not savors. They’re not mighty. This is the very lesson the Frank Herbert wanted to show with Dune and Paul Atreides over the first three books. He’s a good man. Heroic, even. He’s the sort of man that you want to be your leader. And he couldn’t stop the results of his actions. He could barely keep the ship going straight.

Not surprisingly, Samarmas couldn’t recognize his mother on a coin. The parts of his brain that lets humans see images in patterns might not work with him. He might be able to tell faces apart (yes, that is something that can happen to you where all faces are the same to you because our brains spend a lot of time processing other’s expressions and if that gets damaged this happens). This might also be a hint at the theory that the Anasûrimbor line has nonman blood in it. Nonman cannot see two-dimensional, frozen images. Their art shows things blurring through motion and always has some level of three dimensions to them. Their brains just do not work like ours.

Power is an illusion. You have it because people give it to you. When they stop giving it to you, you either use actual power (violence) to force them to capitulate or you reveal just how empty it truly is.

As ever, Kellhus knows how to make an entrance. This both sets up the end of Book 3 when he returns to her as well as the fact that he can teleport. We’ll see this used greatly in the next books. It also reminds of his planning. He has anticipated when things will happen. When they’ll go wrong. When he needs to act.

Even hating Kellhus, even knowing the truth of him, Esmenet still worships him.

And poor Sharacinth. She got a brute force lesson in dealing with a Dûnyain. No time to pussyfoot around. Break her, remake her, and send her on her way to root out the cult plotting against him. And if it wasn’t for one crazy child, it might have done something.

Probably not since the White-Luck Warrior is already born and hooked up with Nannaferi and she’s about to find her tool in Fanayal.

For one moment, Esmenet wants to believe she’s married to a human. That her husband came because their son is dead. But then she remembers, he doesn’t love. Well, he does, but so weakly as not to matter. He cares for her, but their children, there appears no evidence of that.

Kellhus is never wrong the God is never wrong. How can you love something that isn’t human? That doesn’t make mistakes. That you can’t affect emotionally. She said those words to hurt him because he’s not showing pain. He should be grieving with her, but he can’t. How can she love something like him?

She chooses her children, power, and prestige over Kellhus and is learning how this hasn’t worked out. All her children are not human save Mimara who hates her. She has the power but realizes how hollow it is. The ease comes at the stress and fear of ruling. What seemed luxurious from the outside only reveals more problems. The idyllic life she wanted for herself and children was a lie. Now she has the Gods wanting to kill her family.

It’s clear she regrets not going with Achamian, that she thinks she’s made the wrong choice. Of course, Kellhus never would have let her go. He needed her womb.

“Esmi, you have my love, my trust. I know that you have the strength to do this.” I think these are true words from Kellhus. He does love and trust her. He rescued her from the collapse of the New Empire. I do not think he faked the fatigue. Teleporting all that way is tiring. Serwë, half-Dûnyain and a prodigy with the Gnosis herself, could only teleport a single time without needing rest. To come fetch her at the end of the Great Ordeal, he had to travel four or five times as far. He then spared Kelmomas for her. Love is both what lets Kellhus choose to save the world over stopping his damnation and what also causes him to fail because he could never love enough. He put his all into saving the world and ignored his family. His sons who were of no use to him.

You can tell Esmenet still worships Kellhus because she still sees the halos.

So the White-Luck Warrior sits on the slave chair. He’s here to be bound to Yatwer’s will. She has stolen him from his life, wiped it from his memory, and made a perfect warrior out of him. It is the feminine dominating the masculine in this ritual. The woman’s sexuality conquering the males with her talk of “gluttonous Phallus Eater.” We also see the beginning of her fertility returning to her. Once again, her womb is being washed clean by her menstrual blood to prepare for another egg to be released and another chance of creating life.

Nannaferi rails about slavers who take even as she is taking from the White-Luck Warrior on the chair. He is giving her his seed, his youth, so that she can be young again. She is conquering him with her sexuality.

Knife that cuts is martial force. The power of the few that dominates the many. The sea that drowns is the multitude that sweeps over and no amount of force can stop the tide of sheer numbers. The poor and abused have always been the later, only able effect change through mass riots instead of precise use of force. The White-Luck Warrior changes this. He’s their knife.

If you want to keep reading this, click here for Chapter 9!

And you have to check out my fantasy novel, Above the Storm!

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To save the skies, Ary must die!

If you love the works of Brandon Sanderson, Robert Jordan, George R.R. Martin, R. Scott Bakker, and Steven Erikson, then check out my first ever Fantasy novel!

You do not want to miss out on this awesome adventure!

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