Review: Nyssa Glass’s Clockwork Christmas

Nyssa Glass’s Clockwork Christmas

by H.L. Burke

Reviewed by JMD Reid

It’s nearing Christmas, and Nyssa and Ellis want to make it something special. Nyssa, orphaned and raised by her thieving uncle, never had a proper Christmas while for Ellis it represented the family he lost in the car accident that left him crippled three years ago. As their relationship grows closer, both want to make the other happy.

And this leads to all sorts of tropey relationship drama as Nyssa wants to learn how to dance but keep it a secret. But when Ellis sees her with her dancing instructor, jealousy grows. While it doesn’t descend into horrible fighting, it does add a strain to this story. Out of all five of the Nyssa novellas, this is the weakest to me. For others who are more into the romance, they might really like this.

But even still, this story maintains its heart. It doesn’t have the life and death stakes of the other novellas, but it maintains that warmth and hope the others have. It is sweet reading about them trying to make the other have the best Christmas possible, struggling to figure out the perfect gift, and at the end, when they open up to each other, it’s rather beautiful.

Nyssa Glass continues to be a great series that fans of fantasy and steampunk of all ages will enjoy.

You can buy Nyssa Glass’s Clockwork Christmas from Amazon!

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Reread of The Thousandfold Thought: Chapter Three

Reread of Prince of Nothing Trilogy

Book 3: The Thousandfold Thought

by R. Scott Bakker

The Final March
Chapter 3
Caraskand

Welcome to Chapter Three of my reread. Click here if you missed the Chapter Two!

If soot stains your tunic, dye it black. This is vengeance.

—EKYANNUS I, 44 EPISTLES

Here we find further argument for Gotagga’s supposition that the world is round. How else could all men stand higher than their brothers?

—AJENCIS, DISCOURSE ON WAR

My Thoughts

These two quotes are on the arrogance and delusions of men. The Epistle, which I believe is written by Sejenus, refers to the ridiculous idea that the best way to deal with dirty clothing is to dye it the same color as the stain. Vengeance is an equally poor decision that doesn’t get you clean, but only further soils you. If you think it will accomplish anything, you’re mistaken. Then this is backed up by Ajencis quote that all men think they are better than their fellows. “I’m smarter than him, stronger than him, quicker, faster, sexier,” etc. All those little lies we tell ourselves, all those little recriminations that whisper in our soul to boost our ego. These delusions then lead to greater problems.

At the grand scale: war.

Late Spring 4112 Year-of-the-Tusk, Enathpaneah

Cnaiür is realizing he is a fool, comparing his situation to a greedy Scylvendi who didn’t cull his herd so that his cattle could survive when the dry season comes to the Steppe. Cnaiür’s greed delivered the Holy War to Kellhus. He ponders this sitting in a council chamber watching Kellhus speaking with the other great names. Cnaiür is now constantly accosted by congratulations.

Cnaiür curses himself for looking away every time Kellhus looks at him. He studies Achamian instead, noting the man isn’t “festooned like a slaver’s concubine” like the others. He does notice the look in Achamian’s eye, one Cnaiür recognizes. Like Cnaiür, Achamian can’t quite believe the course of his life. The rest of the great names had been “stripped of the hauteur belonging to their station.” They sit now in silence, no longer bickering.

In the course of a single day, the world these men had known had been struck to its foundation, utterly overturned. There was wonder in that—Cnaiür knew this only too well—but there was an absurd uncertainty also. For the first time in their lives they stood upon trackless ground, and with few exceptions, they looked to the Dûnyain to show them the way. Much as Cnaiür had once looked to Moënghus.

As the last of the Lesser Names hunted seats across the tiers, the rumble of hushed voices trailed into expectant silence. The air beneath the corbelled dome seemed to whine with a collective discomfort. For these men, Cnaiür realized, the Warrior-Prophet’s presence collapsed too many intangible things. How could they speak without praying? Disagree without blaspheming? Even the presumption to advise would seem an act of outrageous conceit.

In the safety of unanswered prayers, they had thought themselves pious. Now they were like boasting gossips, astounded to find their story’s principal in their midst. And he might say anything, throw their most cherished conceits upon the pyre of his condemnation. What would they do, the devout and self-righteous alike? What would they do now that their hallowed scripture could talk back?

Cnaiür almost laughs, but instead spits. He didn’t care what they thought. “There was no honour here, only advantage—absolute and irremediable.” While it lacked honor, it held truth. Cnaiür suffers through the Inrithi’s rituals. As he does, he’s surprised the nobles aren’t jeering like usual, but are weeping. Then he feels the “dread purpose that moved these men.” He remembers their suicidal attack on the Fanim. Starving and dying, facing a large force, they fought with “lunatic determination, enough to shame his Utemot.” He’d witnessed them smiling as they died. He thought these people were the true People of War. Only know does he understand.

Cnaiür had seen it, but he had not understood—not fully. What the Dûnyain had wrought here would never be undone. Even if the Holy War should perish, the word of these events would survive. Ink would make this madness immortal. Kellhus had given these men more than gestures or promises, more even then insight or direction. He had given them dominion. Over their doubts. Over their most hated foes. He had made them strong.

But how could lies do such a thing?

The world these men dwelt within was a fever-dream, a delusion. And yet it seemed as real to the, Cnaiür knew, as his world seemed to him. The only difference—and Cnaiür was curiously troubled by the thought—was that he could, in meticulous detail, track the origin of their world within his, and only then because he knew the Dûnyain. Of all those congregated in this room, he alone knew the ground, the treacherous footing, beneath their feet.

As the Whelming beings, Cnaiür suddenly feels like he is seeing the world from two different perspectives, as if each of his eyes sees something different. He sees the Inrithi perspective of men who just crossed into something profound, cleansed of all their sins, unable, unwilling, to question anything. In the other, he sees it from his own perspective, recognizing how stupid this all was because he “did not stand within the circle of Dûnyain’s deceit.” They weren’t performing a sacred rite but operated a machine like a mill. This was a “way for the Dûnyain to grind these men into something he could digest.” He sees the men the way Kellhus does, as tools.

The Inrithi, Proyas had told him once, believed it was the lot of men to live within the designs, inscrutable or otherwise, of those greater than themselves. And in this sense, Cnaiür realized, Kellhus truly was their prophet. They were, as the memorialist claimed, willing slaves, always striving to bead down the furies that drove them to sovereign ends. That the designs—the tracks—they claimed to follow were authored in the Outside simply served their vanity, allowed them to abase themselves in a manner that fanned their overweening pride. There was no greater tyranny, the memorialists said, than that exercised by slaves over slaves.

But now the slaver stood among them. What did it matter, Kellhus had asked as they crossed the Steppe, that he mastered those already enslaved There was no honour, only advantage. To believe in honour was to stand inside things, to keep company with slaves and fools.

The Whelming ends and Saubon, titular King of Caraskand, is called to account. He refuses to march. He will not relinquish his kingdom even if it damns him. Gotian cries out that Kellhus ordered Saubon to march. Cnaiür hates how unmanly Gotian now sounds. He went from Kellhus’s most vocal opponent to fervent follower. “Such fickleness of spirit only deepened Cnaiür’s contempt for these people.” Saubon refuses to march, claiming he seized this city. Gothyelk points out he had helped. But Saubon does not budge. Chinjosa and Gothyelk mock him while Saubon turns to Proyas for support to his claim. Proyas glances at Kellhus and while he says he won’t break his word to support Saubon’s claim, things have changed.

Cnaiür knows the debate is a sham. Only Kellhus now makes decisions. Everyone turns to Kellhus for his input. Kellhus says that people have to freely chose to make holy war. Saubon realizes that the Dûnyain is forcing Saubon to “choose his own damnation.” Kellhus adds nothing else can be done.

“Strip him of his throne,” Ikurei Conphas said abruptly. “Have him dragged into the streets.” He shrugged in the manner of long-suffering men. “Have his teeth beaten from his head.”

Everyone is stunned into silence by Conphas’s words. He had been silent much of the time, an outcast for being one of the primary conspirator with Sarcellus. “It seemed that his patience had at last been exhausted.” He then remarks that Kellhus should have the power to punish Saubon. Gothyelk calls that insolence and says Conphas doesn’t know what he’s saying. Conphas insists he always does. Then he calls Kellhus a fraud. This promotes outrage while Kellhus only smiles. Kellhus then says, “But this is not what you say.”

It seemed that Conphas sensed, for perhaps the first time, the impossible dimensions of the Dûnyain’s authority over the men surrounding him. The Warrior-Prophet was more than their centre, as a general might be; he was their centre and their ground. These men had to trim not only their words and actions to conform to his authority, but their passions and hopes as well—the very movement of their souls now answered to the Warrior-Prophet.

“But,” Conphas said blankly, “how could another—”

“Another?” the Warrior-Prophet asked. “Don’t confuse me with any ‘other,’ Ikurei Conphas. I am here, with you.” He leaned forward in a way that made Cnaiür catch his breath. “I am here, in you.”

Conphas stammers, “In me,” trying to sneer but it sounds frightened. Kellhus then talks about Conphas’s indecision, how the man doesn’t know how to act now. Kellhus threatens Conphas’s and his uncle’s plans for the Holy War and the Exalt-General is unsure if he should play the sycophant or not. This has led him to try and prove that he is better than Kellhus. “An “obscene arrogance” dwells in Conphas. He believes all men are measured against him. “It is this lie that you seek [Conphas] to preserve at all costs.”

Conphas protests he doesn’t think that. Kellhus asks him how often he thinks of himself as a god. “Never,” he says, nervous. Kellhus then calls out Conphas, saying the man has to lie about who he believes himself to be, a god, “in order to prove” who he is. He has to degrade himself “to remain proud.” Even now, Conphas clings to his self-deception. Outrage explodes from Conphas for being talk to in this way.

“Shame is a stranger to you, Ikurei Conphas. An unbearable stranger.”

Wild-eyed, Conphas stared at the congregated faces. The sound of weeping filled the room, the weeping of other men who’d recognized themselves in the Warrior-Prophet’s words. Cnaiür watched and listened, his skin awash with dread, his heart pounding in his throat. Ordinarily, he would have taken deep satisfaction in the Exalt-General’s humiliation—but this was a different order. Shame itself now reared above them, a beast that devoured all certainties, that wrapped cold coils about the fiercest souls.

Cnaiür wonders how Kellhus can do this even as Kellhus promises Conphas release. For a moment, Conphas appears on the verge of kneeling. And then a mad laugh burst from his lips. Gotian pleads with Conphas to listen to the Prophet. Conphas expression grows blank as Proyas calls Conphas a brother among equals. Their words snap Conphas out of his madness.

Conphas snarls that he’s no “brother to slaves!” He calls them fools for thinking Kellhus speaks the truth about their hearts. Instead, Kellhus uses truth to yoke you into being his slaves. He repudiates them and goes to leave.

Halt!” the Dûnyain thundered.

Everyone, including Cnaiür, flinched. Conphas stumbled as though struck. Arms and hands clasped him, turned him, thrust him into the center of the Warrior-Prophet’s attention.

Kellhus shouts, “Halt!” and everyone flinches, including Conphas. Then he is dragged back before Kellhus. The nobles cry out for his death. For Conphas to be punished. Conphas appears stunned as he faces Kellhus.

Pride,” the Warrior-Prophet said, silencing the chamber like a carpenter sweeping sawdust from his workbench. “Pride is a sickness… For most it’s a fever, a contagion goaded by the glories of others. But or some, like you, Ikurei Conphas, it is a defect carried from the womb. For your whole life you’ve wondered what it was that moved the men about you. Why would a father sell himself into slavery, when he need only strangle his children? Why would a young man take the Orders of the Tusk, exchange the luxuries of his station for a cubicle, authority for servitude to the Holy Shriah? Why do so many give, when it is so easy to take?

“But you ask these questions because you know nothing of strength. For what is strength but the resolve to deny base inclinations—the determination to sacrifice in the name of one’s brothers? You, Ikurei Conphas, know only weakness, and because it takes strength to acknowledge weakness, you call your weakness strength. You betray your brother. You fresco your heart with flatters. You, who are less than any man, say to yourself, ‘I am a god.’”

Conphas whispers denial, shame fills the room. A shame greater than Cnaiür’s hatred for the Dûnyain. In this one moment, Cnaiür witnesses the Warrior-Prophet and not a Dûnyain. “For an instant he [Cnaiür] found himself inside the man’s lies.”

Kellhus orders Conphas to disarm his soldiers and go to Jocktha to await passage back to Nansur. He further adds Conphas was never a Man of the Tusk. Conphas is offended by these words, not the previous. He asks why he should do this. Kellhus stands and says he knows that the Emperor made a deal to betray the Holy War before Shimeh. Conphas shrinks from Kellhus and is caught by the faithful.

“Because,” Kellhus continued, looming over him, “if you fail to comply, I will have you flayed and hung form the gates.” The tenor of his voice was such that the word “flay” and the skinless images it conjured seemed to linger.

Conphas stared up in abject horror. His lower lip quivered, and his face broke into soundless sob, only to stiffen, then break again. Cnaiür found himself clutching his breast. Why did his heart race so?

“Release him,” the Warrior-Prophet murmured, and Exalt-General fled through the entrance way, shielding his face, waving his hands as though pelted with stones.

Again Cnaiür stood outside the Dûnyain’s machinations.

Cnaiür thinks the accusation of treachery something Kellhus invented, unable to believe the Nansur Empire would cut a deal with the ancestral enemies. Cnaiür further realizes everything that just happened was premeditated. “Every word, every look, every insight, had some function. Cnaiür ponders it. It can’t be to remove Conphas since Kellhus could just order his execution. Cnaiür realizes that only Conphas “possessed the force of character” to hold his men’s loyalty. Kellhus couldn’t have competition, but he also couldn’t risk more infighting. That saved Conphas’s life. Kellhus leaves, and Cnaiür watches the Men of the tusk once more with both sets of eyes. The Inrithi think they’ve been forged and tempered of impurities. Cnaiür knows otherwise.

The dry season had not ended. Perhaps it never would.

The Dûnyain simply culled the willful from his herd.

Proyas searches the meeting room for Cnaiür in the wake of Kellhus’s exit. Around him, the nobleman “rumbled amongst themselves, exchanging exclamations of hilarity and outrage” about what had just happened. Proyas notices a shrill cadence to the talk and realizes he feels something is off.

Fear.

Perhaps this was to be expected. As Ajencis was so fond of observing, habit ruled the souls of men. So long as the past governed the present, those habits could be depended on. But the past had been overturned, and now the men of the Tusk found themselves stranded with judgments and assumptions they could no longer trust. They had learned that the metaphor cut both way: to be reborn, Proyas had come to realize, one must murder who one was.

It seemed such a small price—ludicrously small—given what they had gained.

Proyas feels a great deal of guilt for siding against Kellhus and almost murdering “the God’s own voice.” He wishes to undo his actions and can’t. He’s learned that conviction doesn’t equal truth. When two sides of equal fervor fights, one has to be wrong so “what could be more preposterous than claiming oneself the least deluded, let alone privy to the absolution?” When faced with truth, he rejected it for faith. The realization of that had him weeping at Kellhus’s feet. Kellhus had told Proyas not to cry.

“But I tried to kill you!”

A beatific smile, jarring given the obvious pain it contradicted. “All our acts turn upon what we assume to be true, Proyas, what we assume to know. The connection is so strong, so thoughtless, that when these things we need to be true are threatened, we try to make them true with our acts. We condemn the innocent to make them guilty. We raise the wicked to make them holy. Like the mother who continues nursing her dead babe, we act out our refusal.”

Kellhus explains that when you believe without proof, you only have conviction. And leads you to turning your beliefs into a God. By explaining Proyas’s actions, he was absolved “as though to be known was to be forgiven.”

Cnaiür appears before Proyas, the Men of the Tusk flinching out of his way. Proyas realizes something about Cnaiür makes men panic, even the most courageous. He emanated a “feral power” and an “absence of constraint.” Cnaiür always stood ready to do violence. Proyas thinks Cnaiür is insane. As he starts to walk with Cnaiür, blind Xinemus grabs his elbow. Proyas leads both men to a quiet alcove and there asks Cnaiür what he thinks. “That Conphas will laugh himself to sleep.” Cnaiür then adds that Proyas didn’t bring him here to ask about his opinion. Xinemus realizes this is a private conversation and says he’ll leave. Proyas realizes Xinemus came because he has no where else to go. He allows him to stay, saying he trusts him.

Cnaiür realizes Kellhus sent Proyas because of Conphas. Proyas agrees and says Cnaiür is to stay behind at Jocktha with Conphas. The barbarian looks on the verge of “howling rage” before stilling himself and stating: “I am to be his nursemaid.”

Proyas breathed deep, frowned at the solicitations of several passerby. “No,” he replied, lowering his voice, “and yes…”

“What do you mean?”

“You are to kill him.”

Iyokus is brought by a servant to a grove at night, moonlight drifting through the branches. He’s told to wait here. He feels that two dozen Chorae bowman surround him, watching him, ready to kill him.

It was an understandable precaution, especially given recent events.

Iyokus is still off-balanced from his conversation with Eleäzaras earlier today upon his arrival from Jocktha. Iyokus has trouble believing that a prophet controls the Holy War and that the Consult existed. But he believes in a few days of meticulous consideration would let him figure out this new order. “He would not break beneath their weight.”

He was disappointed to find Eleäzaras destroyed and thinks a new Grandmaster should be elected. But first he has a meeting with Kellhus, which is why he is waiting in the garden. He studies some dolmens, ancient remains of a time before Caraskand was built. He laments his order’s disdain of the past, instead focusing on the present. If the No-God is real, he realizes, that will change. The past must be studied. The thought frighten him.

Iyokus senses someone with the Mark approaching him. A sorcerer. He resists the urge to make sorcerous light to see, feeling those Chorae around him. Achamian appears before him, confirming the rumor that he was Kellhus’s vizier and taught him the Gnosis. “There was no end to the absurdities, it seemed.” Iyokus calls out a greeting, knowing this must be hard for Achamian to meet with him.

More shadow than man, Achamian paused some fifteen paces away, gazed at Iyokus through hunched tree limbs. His voice was hard. “If an eye offends thee, Iyokus…”

A bolt of terror struck the chanv addict. What was this? Eleäzaras’s drunken warning rang loud in his ears. “Beware the Mandate Schoolman…”

Iyokus asks where Kellhus is. Achamian says he’s indisposed and Iyokus realizes he was tricked into coming. Achamian reminds him of Iothiah and how he searched for Iyokus during his escape. Fear grips the Scarlet Schoolman. He asks what’s going on, and Achamian says he begged Kellhus to do this. Kellhus said yes. Achamian starts performing sorcery.

Iyokus stiffened. “You begged?”

The fire-coal eyes lowered in an unseen nod. Branches and blossoms were etched blood-red against the greater black. “Yes.”

“Then,” Iyokus said, “I shall not.”

Iyokus knows he’s trapped, just like Achamian had been at the Sareotic Library. He begins singing his defenses. Achamian attacks. Iyokus is desperate as words poured out of him. “Passion became semantics, and semantics became real.” He attacks with lightning that sets trees on fire. Achamian is unfazed and walks forward. Iyokus realizes Achamian toys with him. He summons the Dragonhead, the most powerful of his School’s attack. It breaths fire that does little more than crack Achamian’s wards. Achamian continues advancing.

Iyokus screamed the words, but there was a flash of something brighter than lightning. The pure dispensation of force, unmuted by image or interpretation.

Geometries scythed through the air. Parabolas of blinding white, swinging from perfect lines, all converging upon his Ward. Ghost-stone shivered and cracked, fell away like shale beneath a hammer…

An explosion of brilliance, then—

Cnaiür rides without fear through the dark in the Enathpanean hills around the city. He makes camp overlooking Caraskand. As he stares out at the city he knows he is no longer of the People. He grown past them. He could do anything now. “Nothing was forbidden.” He falls asleep dreaming he is bound to Serwë on the Circumfix and having sex with her. She calls him mad.

“I am yours,” he gasped in an outland tongue. “You are the only track remaining.”

A corpse’s gaping grin. “But I’m dead.”

The words drive him awake. He finds himself naked and curled on the grass. He is disturbed by the dream and then she sees Serwë by the fire looking “like an Inrithi goddess conjured from the flames.” He’s shocked. He tries to breathe. Can’t. She smiles and vanishes into the darkness. He chases after her, crying out her name. He catches glimpses of her painted in moonlight dancing from rock to rock. He’s heedless of the dangers as he stumbles down a steep slope.

You’re mine!” he howled.

She leads him towards the city and vanishes into an olive grove. On the other side, he spots her heading towards the great mounds made by the dead Fanim. His strength leaves him. He’s winded from the long chase. He loses her among the dead but knows she waits.

It seemed he no longer breathed, but could smell the dead as he willed himself up the last fallow slope. The stench soon became overpowering, a sourness so raw, so earthen deep, it clawed convulsions from his stomach. It possessed a flavour that could be tasted only on the bottom of the tongue.

So holy.

Cnaiür throws up before continuing on through the macabre landscape. He finds her with the wagons that were used to bring the dead here. He calls her name and she reveals herself to be a skin-spy. He leaps at her and tackles her to the ground. The fight and she knocks him into a corpse. He rises and the skin-spy just studies him as Serwë’s blonde hair falls away. Cnaiür thinks he’s dead.

Wings flap above. He sees a raven descend and land on a corpse by the skin-spy. Cnaiür is shocked to see it has a human face and speaks with a reedy voice. The Synthese talks about the covenant he has with Cnaiür’s people. Cnaiür says not part of the People. The voice says something binds him to Kellhus, driving Cnaiür to save him and kill the Synthese “child.” Cnaiür says nothing binds him.

“But the past binds us all, Scylvendi, as the bow binds the flight of an arrow. All of us have been nocked, raised, and released. All that remains is to see where we land… to see whether we strike true.”

Cnaiür can’t breath. He feels chewed up. Then the Synthese say he knows whom Cnaiür hunts. Cnaiür accuses it of lying, but the Synthese knows that Cnaiür hunts for Kellhus’s father. “The Dûnyain.”

The Chieftain of the Utemot gazed at the thing, his thoughts battered senseless by the chorus of conflicting passions: confusion, outrage, hope… Then at last he recalled the only track remaining—the only true track—though his heart had known it all along. The one certainty.

Hate.

Growing calm, Cnaiür says it’s over. He’s not leaving with the Holy War when it marches. The Synthese is unperturbed, comparing Cnaiür to a piece in benjuka as being moved, but still useful to be used by the Consult.

Eyes tiny and impossibly old. An intimation of power, rumbling through vein, heart, and bone.

“Not even the dead escape the Plate.”

Achamian finds Xinemus drunk in his quarters, coughing hard. Xinemus asks if Achamian did it, he did, and then Xinemus asks if Achamian was hurt. He wasn’t. Finally, Xinemus asks if Achamian has them. He does.

“Good… good!” Xinemus said. He bolted from his chair, but with the same rigid aimlessness with which he seemed to do everything now that he and no eyes. “Give them to me!”

He had shouted this as though Achamian were a Knight of Attrempus.

“I…” Achamian swallowed. “I don’t understand…”

“Leave them… Leave me!”

“Zin… You must help me understand!”

Leave!”

Achamian is startled and goes to leave. Just as he’s about to, he witnesses Xinemus muttering finally under his breath as he heads to a mirror holding the bloody cloth Achamian handed over. For a long moment “it seemed Xinemus gazed into the phlegmatic pits where his eyes had once laughed and fumed.” Then he opens the cloth and pulls out “Iyokus’s weeping eyes.” Xinemus puts them in his own sockets.

“Open!” the Marshal of Attrempus wailed. He jerked his dead and bloody gaze about the room, pausing for a heart-stopping moment on Achamian. “Ooopen!”

Then he began thrashing through his apartments.

Achamian slipped through the door and fled.

Eleäzaras holds the crying, blinded Iyokus in his room, rocking the man. He asks the man if he still remembers how to see. Iyokus gathers himself, blood trickling like tears down his cheeks. Eleäzaras asks if Iyokus’s remembers the words.

In sorcery, everything depended on the purity of meaning. Who knew what blinding might do?

“Y-yessss.”

“Then you are whole.”

My Thoughts

Accosted by congratulations. The perfect way to describe the feeling when you get praise and know you did not earn it. That squirming guilt in you. Some people are good at ignoring that guilt. Cnaiür, however, knows just how his greed to possess Serwë, to get his vengeance on Moënghus, has left him a herdless fool.

Cnaiür and Achamian both have a lot in common. They both lost the woman they love to Kellhus. They both are dazed by what has happened to them and where they are now. In effect, they are both cuckolds, though we don’t feel that same pity for Achamian that we do for Cnaiür. Achamian never raped and beat Esmenet. He didn’t treat her like an object. Esmenet was never proof of Achamian’s heterosexual prowess like Serwë was for Cnaiür. So how they act is completely different. But both men have had their lives utterly upturned by Kellhus and dragged in his wake.

Cnaiür has only disdain for Achamian. After all, the Breaker-of-Horses-and-Men has a Chorae. He sees no use for Achamian as anything other than a shield of fat for Kellhus to hide behind.

Word of the day “corbelled.” A corbel is “a projection jutting out from a wall to support a structure above it” (The New Oxford American Dictionary). So a corbelled dome is something supported by corbels.

Cnaiür’s observation about what it is like to sit in council with a being you believe to be a god is so on point. How can you argue with God? How can you say he’s wrong? How can you even interpret his commands to fit your outlook, to twist the words around to benefit yourself when he could just say, “Nope, I didn’t mean that.” It has to be overwhelming. No wonder it amuses Cnaiür. He knows the truth.

Having sat through a few Catholic masses, I feel for Cnaiür as he suffers through the “ritual and pageantry.” But these sort of customs bring order and comfort. They’re familiar and keep you locked in a familiar rut. You don’t question when you don’t have to think.

When you can control your doubts, you control your fears. You don’t have to think any longer. Bakker is saying here that this sort of blind faith, the certainty that you know what your doing is so righteous that even if you die, you shall be rewarded, then you don’t need to think. More and more, I am certain the point of this series, the true core of it, is that humans have these incredible brains and we squander them. We waste them in such trivial fashions in so many negative ways. Like muscles not used, we allow our minds to atrophy.

All because we’d rather believe simple lies than complex truth. This is why lies can build something so strong in men. The “fever-dream” simplicity is more appealing than reality.

Cnaiür’s intelligence can give him the power of empathy, but he wars against it. He doesn’t want to pity these men because it reminds him too much of his own weakness. He’s seeing it all play out again, how they have made Kellhus the center of their worlds in the same way as Moënghus. He both understands these men and despise them for their weakness

The religious ceremony, the Whelming, is something Cnaiür notes is a way for the Dûnyain to “grind these men into something he could digest.” In the next series, Kellhus tells Proyas that human souls are the grain with which the gods grind to make their bread. The gods use religion to make souls just right for them to feast on in the afterlife. They use it to prepare them, just like Kellhus is now preparing the Inrithi.

Cnaiür’s musings on the Inrithi’s belief in how they had to submit to greater men’s power is very Nietzschian in its principal. Nietzsche taught that morality existed only to keep us enslaved to religion and society. That is the point of morality. It is the chains that hold civilization together. And that submission is easier when we believe the men we’re submitting to are “great men.” Hence the cult of the “Great Man” who will save us. Whether Obama or Trump in the modern era, people want to submit to this slavery in the belief it will lead to good.

But the truth is, Obama and Trump are no better than you or me. They are just people. Flawed, terrible, broken people. They make mistakes. They commit sins. And yet people have put their faith in these men thinking they will save them.

They can’t.

But it’s a nice deception to have. One most people would rather believe in then reality, and one so seductive in this modern era of social media where some people can just blather their dumb thoughts to the world in a single tweet without spending any time to think about them. We’re throwing off these chains that Nietzsche and Bakker write about, but it’s yet to see if this will truly be a good thing or if we’ll destroy ourselves with nihilism.

Cnaiür is wrong about it being a “fickleness of spirit” in regards to Gotian and the other’s conversion. When humans have their world view so shaken they embrace a new one, they often become fanatics. To prove that they have embraced the “correct truth” they want to prove their virtue. Whether it’s a new convert to Christianity or a person that has embrace veganism, they will be at the most fervent and zealous in these early stages.

Bakker does a nice bit of character reminder with Proyas by showing us that he looks gaunt and old because he stayed on the same starvation diet as his men unlike other great names.

Making decisions with real stakes sucks. It’s easier to let someone else decide, and when that person is distant, like say a deity, you can then interpret their will it to your own wishes while holding that fiction you’re really just following orders. It’s a comfort to people. You can do a lot of horrible things when you’re just following orders. Now poor Saubon isn’t afforded that luxury.

This scene is re-introducing us to the Great Names and the changed dynamics of their meetings now that Kellhus is running things. By having it as Cnaiür’s POV Bakker can write the scene from a passive view point, something reminiscent of third person omniscience, while still giving us character insight into Cnaiür only found with this intimate third-person limited. Cnaiür’s intelligence allows him to decipher many of the subtle dynamics found in the interaction, essentially, making him all-knowing.

Great re-introduction to Conphas with such a callous, imperious decision. Direct. Brutal. Without mercy. Without caring what the others things. Pure Conphas. Note how he’s also described as being the only Great Name to still look like his old self, wearing his Nansur uniform, looking healthy. He didn’t choose to eat the same rations as his man.

Watching Kellhus finally dismantle Conphas is a great scene. He had to get to a position of such overwhelming power to break through the Exalt-General’s pathology. He’s such a sociopathic narcissist he can reinterpret anything to fit his worldview, to hold onto that lie that he is the greatest person who’s ever lived.

When Kellhus talks about pride and how Conphas has long wondered about why men would sell their children into slavery, etc, these are questions Conphas has pondered in the last book. It has got to make him question his doubts in Kellhus’s abilities. But his narcissism is preserving him. It’s the best defense against the Dûnyain. Which sucks, because narcissism is an ugly character defect. Plus, Kellhus can still manipulate you in other ways. But Conphas manages to wiggle through the net in this book and almost ruins things.

Of course, given how powerful Kellhus becomes in this book, he could have easily destroyed Conphas and his army. After all, Achamian did it.

Since all humans are weak in some ways, we admire those who at least appear strong. Who sacrifice. This is why they can inspire us because even if we can’t admit we’re weak, which takes a certain amount of self-honesty not easy to obtain, we want to be better than our baser selves. We want to escape the grip of our weakness in whatever forms they take even as we remain bound to them. Slaves to our baser appetites. Our intellects yearn for freedom. In essence, this is what the Dûnyain have done. But at the same time the conflict between intellect and instinct is what makes us human, sets us apart from the beasts and the machines.

Since the Circumfix, Kellhus is no longer a Dûnyain. He has gone past it. Cnaiür is catching a glimpse of it here. Kellhus’s ordeal broke him. The outside has touched him and allowed him to see past cause and effect After all, he had a vision of the Circumfix near the start of Book 2. The No-God and probably Ajolki are affecting him.

Cnaiür steps out of Kellhus’s machinations and thinks Kellhus lied about the deal the Nansur made with the Fanim. It seems so ludicrous to him that such ancient enemies would cut this deal that he reverts to his normal default method of dealing with Kellhus: don’t believe anything he speaks.

“The Dûnyain simply culled the willful from his herd.” Dûnyain philosophy at its simplest. The shortest path. Whatever doesn’t bring about success is a hindrance. Best thing to do is discarded it.

Change is always scary. It sucks not being comfortable, and you can see the great names trying to mask it with bravado through jokes or serious talk. It’s a survival mechanism to deal with this primal instinct in us that was adapted for more immediate dangers.

Proyas has grown as a character. He’s learned that even though conviction and blind zeal can feel great, doesn’t make you right. And now he’s facing the consequences of that both from Achamian’s return and, of course, Kellhus. It’s made him realize the pitfalls and dangerous of zeal. Doubt has to be allowed to temper excessive actions.

We see Proyas realizing that to become a new person, to be reborn, is a scary thing. It’s the unknown. It stepping outside of comfort. It’s something to be afraid of. And it can make a person resist, to fight against it, to murder to protect their status quo. Like Proyas did with Kellhus when condemning him.

Proyas’s guilt is keeping Xinemus in the conversation. Probably sparked by Cnaiür’s disdainful snort, reminding Proyas that everyone thinks Xinemus is useless now and that’s because Proyas didn’t do the right thing but the easy thing.

“The past cannot be bribed, and the future cannot be buried,” says the Scarlet Spire. This saying is a mirror of itself. The past cannot be bribed, but it can be buried. The future cannot be buried, but it can be bribed. They see the past as something they can’t effect, but they can certainly ignore it. But the future is something bursting with possibility. It’s something you can’t ignore, but you can influence.

Iyokus doesn’t even think for a moment that Achamian is here to get vengeance. Iyokus is a very rational person. He compartmentalizes everything. To him, what happened was business. He understands it might be hard for Achamian, but he doesn’t have a problem with meeting as equals now.

Have to give it to Iyokus. He has to think he was about to die, but he doesn’t beg. He doesn’t plead. He realizes it’s not going to work and faces death with dignity, making a contrast to Achamian who had to beg for this privilege. Iyokus appears to draw strength from this, seeing himself as the better man, the stronger one.

As always, sorcery is described with such poetry and beauty, at odds with the death and destruction it wreaks.

Interesting, Cnaiür had a mad grandmother who thought a crow lived in her chest. There may be a genetic component to some mental illnesses.

Notice how when he thinks he’s free, he thinks there’s no lips he could not kiss. He’s accepting his homosexual desires, no longer going to be restrained by his people’s customs.

This is a nice reveal on Bakker’s part. You think Cnaiür has utterly lost his mind. First dreaming about Serwë, then waking up and seeing her. He’s chasing her. It’s impossible. And then it’s revealed she’s a skin-spy, a fusion of the feminine and the masculine, possessing all the things Cnaiür craves: a beautiful woman who proclaims his manhood’s virility while the true thing he desires lurks beneath. His prize has returned to him and giving him the keys to his revenge on Kellhus.

Not even Cnaiür has a stomach strong enough to walk through a carnal pit.

The Consult never discards a useful piece. They use Cnaiür for the same reason they spared Esmenet. They see the world as a game of Benjuka, the rules ever changing. Bakker has used the game for a metaphor for life many times, and has so thoroughly explained it to the readers he doesn’t need to teach you what they’re talking about here. He already has. Well done.

Achamian is disturbed that Xinemus only asks if he was hurt fighting Iyokus more out of habit than actually really caring. Xinemus is too obsessed with getting his “cure.” He’s cracked. It’s one of the saddest scenes in the series to see this once great and noble man so utterly ruined by the world.

Being blinded doesn’t make Iyokus useless in his chosen profession. He can still use sorcery. He can still summon demons through the Daimos. As we see in the sequel series, especially The Unholy Consult, he gets quite skilled at it, second only to Kellhus. Xinemus, on the other hand, has to deal with the end of his martial career on top of the fact he said things he can never forget, words he was forced to speak that have utterly broken him. He’s beyond repair. He’s mad and suffering. Already the cough that will kill him is ravaging his body.

Even though Achamian dealt out his reciprocal justice, it feels hollow because Xinemus still suffers far more than Iyokus even though both men are now blind.

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Review: A New Goddess

A New Goddess

by Autumn M Brit

Reviewed by JMD Reid

Bek’kana is drive to do anything to free his people, the Ashanti, from the Goddess Myrrah’s curse. Mad with ambition, he will do anything to cross over into the Spirit World and gain his people, and himself, the power long denied them.

It’s up to our heroes to find stop him from entering the Spirit Gate, the last of the five gates still open. And they can’t close it. To do so would end all life on their world. Somehow they have to find the strength to fight back. And to do that, the need the Ring of Valian.

But the Ring was last seen heading into the Spirit Realm. It is a dangerous place for the living. Lavinia, Darag, Niri, Ria, and their friends will have to risk everything on a gamble that they can find the Ring and stop Bek’kana’s mad ambition.

If they can’t, the Ashanti will enslave their own people. Bek’kana will punish their people with his own race’s curse.

Autumn Brit weaves the thread she’s laid out in her first trilogy and the first two books of this series towards the climax. Everything has changed. Old enemies are now friends, once allies are now bitter enemies. The peoples of the world will all have to work together to bring an end to Bek’kana’s thirst for power.

This book peels back more of her world and reveals the underlining pinning of it. This is such a fast-paced and fun book to read. The stakes have never been higher, and the emotions have never been stronger. If you haven’t started reading Brit, then you need to pick up Born of Water and start reading this amazing series!

Fans of fantasy will fall in love with the writing of Autumn Brit! I can’t wait to see what new and imaginative worlds she’ll create next.

You can buy A New Goddess from Amazon!

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Reread of The Thousandfold Thought: Chapter Two

Reread of Prince of Nothing Trilogy

Book 3: The Thousandfold Thought

by R. Scott Bakker

The Final March
Chapter 2
Caraskand

Welcome to Chapter Two of my reread. Click here if you missed the Chapter One!

I tell you, guilt dwells nowhere but in the eyes of the accuser. This men know even as they deny it, which is why they so often make murder their absolution. The truth of crimes lies not with the victim but with the witness.

—DRUSAS ACHAMIAN, THE COMPENDIUM OF THE FIRST HOLY WAR

My Thoughts

An interesting statement. Guilt is a major theme in the novels, from Cnaiür’s guilt he feels seeing the accusation in his kinsmen’s eyes, a constant reminder to his crime, to what Esmenet will start to feel through this novel starting in this chapter. It’s easy for you to pretend you haven’t done something wrong when the proof isn’t being paraded before you. And if you can’t handle that, murder is the final step you can take to undo it.

Unless you want to suck it up and make it right. But taking responsibility is hard for humans. We prefer to blame others and become the victim. But that is a self-destructive act. It warps you, twists you, and eventually leads you to lash out against the world to keep perpetuating your lie.

Late Spring 4112 Year-of-the-Tusk, Enathpaneah

Cnaiür barrels through Kellhus’s palace, servants fleeing before him as alarms are raised. This angers Cnaiür because he’d saved their prophet. “Didn’t that make him divine as well?” He’s searching for something, asking for directions from a slave woman. Scared, she points at a door.

Her neck felt good in his hand, like that of a cat or a feeble dog. It reminded him of the days of pilgrimage in his other life, when he had strangled those he raped. Even still, he hand no need of her, so he released his grip, watched her stumble backward then topple, skirts askew, across the black floor.

Shouts rang out from the galleries behind them.

He sprinted to the door she’d indicated, kicked it open.

He finds a nursery with a cradle in the center. Everything grows quiet as he approaches with care, parting the hanging gauze to peer down at Moënghus, his son with Serwë. He sees the “penetrating white-blue of the Steppe” in the boy’s eyes and knows it is his son.

Cnaiür reached out two fingers, saw the scars banding the length of his forearm. The babe waved his hand, and as though by accident caught Cnaiür’s fingertip, his grip firm like that of a father or a friend in miniature. Without warning, his face flushed, became wizened with anguished wrinkles. He sputtered, began wailing.

Why, Cnaiür wondered, would the Dûnyain keep this child? What did he see when he looked upon it? What use was there in a child.

There was no interval between the world and an infant soul. NO deception. No Language. An infant’s wail simply was its hunger. And it occurred to Cnaiür that if he abandoned this child, it would become an Inrithi, but if he took it, stole away, and rode hard for the Steppe, it would become a Scylvendi. And his hair prickled across his scalp, for there was magic in that—even doom.

Cnaiür reflects that as the child ages, it’s hungers would grow, branch, in unfathomable ways. “It would become what circumstances demanded.” Cnaiür realizes this is how the Dûnyain see men. As infants that Kellhus understood and could track all the way their hungers would grow. This is what the elder Moënghus did to Cnaiür. He realizes that he was one of the possibilities his son could be molded into it. A memory of intrudes of him burning a Nansur village on a raid and catching a thrown babe on his sword. He jerks back his finger and says the child is not of the land.

Esmenet, “the sorcerer’s whore,” burst into the room. With shrill fury, she advances on him, saying he can’t have the baby. It’s all that’s left of Serwë. She becomes more conciliatory as she explains its the only proof of her life and asks if he would take that away from her.

Her proof.

Cnaiür stared at Esmenet in horror, then glanced at the child, pink and writhing in blue silk sheets.

“But its name!” he heard someone cry. Surly that voice was too womanish, too weak, to be his.

Something’s wrong with me… Something’s wrong…

Guards burst in and she orders them to sheathe their weapons, claiming Cnaiür only came to pay homage to Kellhus’s son. Cnaiür is shocked to find himself kneeling before the crib. “It seemed he had never stood.”

Xinemus asks Achamian what he’s doing as Achamian is packing up his room. Achamian ignores the warning tone in Xinemus’s voice and reminds the blind man he’s moving into the Fama Palace. While doing that, he remembers how Esmenet always teased him when he packed his things. He then thinks she’s a whore and that explains why she’s with Kellhus.

Xinemus presses on why Achamian’s leaving, reminding Achamian that Proyas forgave him. Achamian hasn’t forgiven Proyas. Xinemus asks what of himself. Achamian regards the drunk man, trying to remind himself Xinemus was his only friend. Achamian realizes that Xinemus is accusing Achamian of abandoning him, which angers Achamian. But he finds himself asking Xinemus to come with him and talk to Kellhus. Xinemus doesn’t think Kellhus needs him, but Achamian insists he needs to talk to Kellhus. He turns and finds Xinemus looming over him to his shock.

You talk to him!” the Marshal roared, seizing and shaking him [Achamian]. Achamian clawed at his arms, but they were as wood. “I begged you! Remember? I begged, and you watched while they gouged out my fucking eyes! My fucking eyes, Akka! My fucking eyes are gone!”

Achamian found himself on the hard floor, scrambling backward, his face covered in warm spittle.

The great-limbed man sagged to his knees. “I can’t seeee!” he at once whispered and wailed. “I-haven’t-the courage-I-haven’t-the-courage…” He shook silently for several more moments, then became very still. When he next spoke, his voice was thick, but eerily disconnected from what had racked him only moments before. It was the old Xinemus, and it terrified Achamian.

Xinemus asks Achamian to speak to Kellhus on his behalf. Achamian feels he has no choice and asks what is Xinemus’s question.

Esmenet wakes up to the dawn light. This moment is the only thing similar to her previous life as a whore: waking up into a new day. Only when her mind fully came awake does she remember she’s not a whore, but a queen, with her own slaves, sleeping on muslin, surrounded by luxuries. Today, like every day, she’s pampered by her slaves. They chat in Kianene while combing her hair, massaging her limbs, bathing her body. Esmenet endures it with wonder and always gives them praise. Like her, they have risen high in the hierarchy of their own world as slaves, and she thinks they are as astonished by it as she is.

When they were finished, Fanashila left for the nursery, while Yel and Burulan, still tittering, ushered Esmenet to her night table, and to an array of cosmetics that, she realized with some dismay, would have made her weep back in Sumna. Even as she marveled at the brushes, paints, and powders, she worried over this new-found jealousy for things. I deserve this, she thought, only to curse herself for blinking tears.

Yel and Burulan fell silent.

It’s just more… more that will be taken away.

When she looks in a mirror, she sees herself as beautiful as Serwë now, appearing as an “exotic stranger” to her own eyes. She almost believed she was wroth what people thought of her. She clutches at her love while Yel says she’s beautiful. And then she thinks this is real.

Fanashila returns with Moënghus and his wet nurse Opsara. She talks to Opsara, a slave that Esmenet finds to toe the line of insubordination but who also clearly loves Moënghus, about the baby. After he nurses, she holds him and loves him like her own child, talking about the brother or sister he’ll soon have. She promises to name her daughter Serwë. After a while, she hands over Moënghus to Opsara.

As Esmenet watched them, her thoughts turned to Achamian for the first time since the garden.

Later, she runs into Werjau “by coincidence” carrying a collection of scrolls and tablets towards her official chambers. Her secretaries are at work as Werjau delivers his reports starting with two Tydonni inscribing Orthodox slogans on the wall, men who couldn’t read so were put u to it (Esmenet suspects the Nansur) and orders them flayed.

The ease with which those words fell form her lips was nothing short of nightmarish. One breath and these men, these piteous fools, would die in torment. A breath that could have been used for anything: a moan of pleasure, a gasp of surprise, a word of mercy…

This, she understood, was power: the translation of word into fact. She need only speak and the world would be rewritten. Before, her voice could only conjure custom, ragged breaths, and quickened seed. Before, her cries could only forestall affliction and wheedle what small mercies might come. But now her voice had become that mercy, that affliction.

Such thoughts made her head swim.

She clutches her tattooed hand to her belly, hiding her astonishment, and thinking that only the child in side of her was truth. “A woman knew no greater certainty, even as she feared.” As she holds her belly, she’s convinced she feels divinity in her. That her womb made the trappings of power insignificant. “Her womb, which had been a hospice to innumerable men, was now a temple.” She is holy because of Kellhus.

Werjau then reports that Gothyelk cursed Kellhus three times. She dismisses that, but Werjau objects. But Esmenet points out that Gothyelk curses everyone. If he stops, then it’s something to worry about. She knows, thanks to Kellhus, that Werjau resents her because she’s a woman. Since they both know this, because there are no secrets around Kellhus, it makes their relationship like quarreling siblings instead of enemies. Because Kellhus exposes all their secrets, his inner circle doesn’t fear what others might think about their actions since Kellhus will reveal their motivations. She tells him to continue.

Another Ainoni, Aspa Memkumri, has been murdered. Esmenet asks if the Scarlet Spire is responsible and Werjau says yes. Esmenet wants to meet with the source to find out just what the Scarlet Spire are up to. Then Werjau brings up Earl Hulwarga performing a banned rite, but Esmenet says it’s irrelevant. “A strong faith does not fear for its principles, Werjau.”

The man moved to the next item, this time without looking up. “The Warrior-Prophet’s new Vizier,” he said tonelessly, “was heard screaming in his chambers.”

Esmenet’s breath caught. “What,” she asked carefully, “was he screaming?”

“No one knows.”

Thoughts of Achamian always came as small calamities.

She says she’ll deal with it personally and asks if there is anything else. He answers, only the Lists. The Lists are reports Men of the Tusk give on their associates of any who are acting strange. Those reported are marched, in the hundreds, before Kellhus every day. So far out of thousands one had killed the men sent to arrest him, two had fled, one had been captured, and another was being watched hoping to find more. Esmenet finds it to be a poor solution, but they’d have to risk Kellhus to do better. Over twenty skin-spies Kellhus had identified vanished before they could be taken.

The most they could do, it seemed, was to wait for them to surface behind other faces.

“Have the Shrial Knights gather them as always.”

Afterward, she walks the western terrace while dozens of worshipers watch her. She both enjoys and is made uncomfortable by their adoration. She cast out two crimson veils and laughs as they scramble to grab it. Then she overseas the afternoon Penance. This evolved out of shriving the Orthodox who plotted against Kellhus, but many began returning desiring to be punished for their sins. Now even Zaudunyani attend. She watches the Judges administer the punishment, flogging backs with branches from Umiaki, the eucalyptus tree Kellhus hung from, chanting:

For wounding that which heals!”

For seizing what would be given!”

For condemning that which saves!”

Esmenet finds it unnerving as the punished men watch, seeing sexual ecstasy on many of their faces, expressions she saw many times working as a whore. She spots Proyas in the back. Old anger fills her and she glares at him. He cries after his flogging, and she wonders if he’s sorry for hurting Kellhus or Achamian.

She skips the evening Whelming in favor of a private dinner since Kellhus is busy with preparations for the Holy War’s march on Xerash. She enjoy the company of her body-slaves then checks on Moënghus. Finally, she retires to her private library.

Where Achamian had been recently installed.

Because her and Kellhus’s apartments are at the pinnacle of the Fama Palace, the highest point in Caraskand, they are vulnerable to sorcerous attack because the Art pays “no heed to walls or elevation.” This means Achamian has to reside close to them for protection.

Close enough, she realized, to hear her cries on the wind.

Akka…

She freezes at the door. She finds his presence perilous, threatening to “strip away all that had happened since the Holy War’s march from Shigek.” She questions her actions then, fearing to lose her nerve, raps on the door. She notices her whore tattoo in the process. She fears she’ll find not Achamian but Sumna on the other side, her old apartment, sitting at the window exposing herself to attract customers.

Then she sees Achamian’s face, grizzled and aged, but so real. They stand in silent awkwardness as she realizes he’s alive. She wants to touch him and feel the truth, but stops herself. She remembers watching him depart for the library and wonders what brought him back to her. Then she feels his eyes on her pregnant stomach and she says she’s come to take The Third Analytic of Men. Achamian finds the tome and tries to smile. Then invites her in.

She took four tentative steps past the threshold. The room smelled of him, a faint musk she always associated with sorcery. A ed had been erected where her favorite settee had been—where she had first read The Tractate.

“Translated into Sheyic, even,” he said, pursing his bottom lip in appreciation. “For Kellhus?”

“No… for me.”

She had meant to say this with pride, but it had sounded spiteful instead. “He taught me how to read,” she explained, more carefully. “Through the misery of the desert, no less.”

Achamian had blanched. “Read”

“Yes… Imagine, a woman.”

He scowled in what could only be confusion.

“The old world is dead, Akka. The old rules are dead… Surely you know this.”

He recoils and she realizes it was her tone, not the fact that she’s a woman (something he’s never held against her) that made him scowl. He then touches the book with reverence and asks her to be careful with it. “Ajencis is an old friend of mine,” he says. She takes care not to touch him as she takes it. They lock eyes and she almost murmurs something, a joke or a thanks, like they used to. Instead, she walks away, hugging the book to her breast. She realizes if she’s not careful, their old habits will see them in bed again.

And he knew this, damn him. He used them.

He called out her name, and she paused at the threshold. When she turned, her eyes were forced down by the stricken expression on his face. “I…” he began. “I was your life… I know I was, Esmi.”

She bit her lip, resisted the instinct to deceive.

“Yes,” she said, staring at her blue-painted toes. For some perverse reason she decided she would have Yel change their colour tomorrow.

What does he matter? His heart was broken long before—

“Yes,” she repeated, “you were my life.” When she raised her face, it was with weariness, not the ferocity she had expected. “And he is my world.”

Later, Esmenet rests her head on Kellhus’s chest and says she saw Achamian. Kellhus say it angered her. She protests it wasn’t Achamian who angered her, but Kellhus says it was. She asks why. All he’s done is love her.

“We betrayed him, Esmi. You betrayed him.”

“But you said—”

“There are sins, Esmi, that not even the God can absolve. Only the injured.”

Kellhus tells her this is why she’s angered. She thinks about his words, feeling awakened, as she always does, by his words. She realizes why and says Achamian will not forgive. A frightening indecision feels Kellhus’s look and he agrees with her.

Eleäzaras, Grandmaster of the Scarlet Spire, is surprised to see Iyokus lives. Iyokus looks stunned that Eleäzaras is drunk, his tent full of smashed pottery. Eleäzaras continues that he thought Iyokus dead when Achamian returned. He hoped Iyokus was dead. Eleäzaras then gazes at the Fama Palace.

Iyokus asks what happened. Eleäzaras, in disdain, says the Padirajah is dead and the Holy War prepares to march. They’re almost to Shimeh. But that wasn’t what Iyokus meant. He asks if Eleäzaras believes in the Consult. And he does. “All this time, laughing at the Mandati, and it was we who were the mumming fools,” he answers.

Silence hangs between them like an accusation. Iyokus is stunned, especially in retrospect as he realizes the Psûkhe is too blunt to make skin-spies. Eleäzaras then confirms his belief that Kellhus is a prophet. Eleäzaras had witnessed Kellhus pull out his own heart while begging for it to be a trick. Iyokus objects, but Eli interrupts him and says he’s convinced after speaking to the man himself. He then adds they are damned and finds that another little joke.

“Please,” the man [Iyokus] exclaimed. “How Could you—”

“Oh, I know. He sees things… things only the God could see.” He swung at one of the earthenware decanters, caught it, shook it to the air to listen to the telltale slosh of wine. Empty. “He showed me,” he said, casting it against the wall, where it shattered. He smiled at Iyokus, letting the weight of his bottom lip draw his mouth open. “He showed me who I am. You know all those little thoughts, all those half-glimpsed things that scurry like vermin through your soul? He catches them and holds them squealing in the air. Then he names them, and tells you what they mean.” He turned away once more. “He sees the secrets.”

Iyokus asks what secrets. Eleäzaras tells Iyokus not to worry about him revealing Iyokus’s sexual predilections (boys and broomsticks) but the secrets people keep from themselves. “He sees what breaks your heart.” Iyokus accuses Eleäzaras of being drunk. He tells Iyokus to see for himself. Iyokus snorts and starts to stomp out in an anger. Eleäzaras just goes back to staring at the Fama Palace. He knows Kellhus is in there somewhere.

“Oh, yes, and Iyokus,” he abruptly called.

“What?”

“I would beware the Mandate Schoolman if I were you.” He absently pawed the table beside him, looking for more wine—or something. “I think he plans to kill you.”

My Thoughts

So in the last chapter we had Achamian’s reintroduction to the story. It shows him as someone that spends a great deal of time thinking and pondering, how he’s wracked with anger and grief for Esmenet, how he’s intellect is struggling against his passions. Bakker now shifts to Cnaiür, reminding us that he is a violent man. A rapist. A barbarian. A man who scares the piss out of people. A man who acts like he doesn’t care what people think about him as he does whatever his passions want even as he prickles about how they cower. “Didn’t that make him divine as well?” He’s offended that they don’t show him reverence as he marches through the palace looking for his son.

Cnaiür debate on the fate of his son is the Tabula Rasa argument, that human beings are blank slates that can be molded in any direction. And this is partly true. We’re both products of our nurture, but we’re also products of our nature. We have instincts coded in our DNA, behaviors that we find replicated across the world in a myriad of societies. We have hormones that influence how we act. But we also have brains smart enough to overcome many of these deficiencies. We can condition ourselves to knew behaviors that can be in conflict with our nature. It’s still hotly debated science to this day.

And then we get into the real heart of the series: free will versus determinism. An infant has no free will. They don’t even have conscious thought. That doesn’t start to develop until between two and four along with the child’s social identity. Right now, an infant is merely its hungers, open and honest about them in the only way it can, but crying out for help. Something most humans, regardless of gender, react to, one of those instinctual things like our fear of snakes that lurks in all of us. (Yes, there is a reason snakes and snake-like beings are found in mythologies as agents of chaos and destruction).

So we had our quote about guilt. Cnaiür finds witness in the eyes of the baby before him for the one he so callously murdered years ago. It jerks him out of his thoughts, has him retreat, declare the child isn’t Scylvendi, washing his hands of the babe.

Bakker describes the baby as pink then contrasting it with the blue sheets. Serwë finally had a pink baby, not a blue one. Esmenet surely is remembering that joy in her dead friend’s eyes.

Esmenet has balls. She cows Cnaiür. Of course, he’s off-balanced by guilt and hatred, by this reminder of not only his crime of killing that baby but how he let the original Moënghus use him.

And now we have more guilt from Achamian as he packs. He is fleeing Xinemus. He can’t make amends to his friend for allowing his eyes to be gouged out and Xinemus can’t give him the absolution because of the guilt he feels. They can only hurt each other now.

Poor Xinemus. Utterly destroyed by the cants of compulsion. Not losing his eyes, those are really just the physical proof of his torture, but what the Scarlet Spires forced him to say, moving his soul. To Xinemus, he said things to Achamian he never meant, never would have said, and he can’t get past them. And there’s nothing anyone can do for him except for Kellhus. The Dûnyain could find the words to save him.

But what use is a blind, broken man?

Esmenet quietly endures being pampered. It’s clear she’s not used to it. Not like the Esmenet we see in the next series, far older, who has utterly become the empress. But now, she’s still bemused by it all. Like with other character introductions, Bakker delves into the heart of the character. For Esmenet it is what life has forced her to be. First a whore and now an empress. She’s thrust into events. Other than setting out to find Achamian in book one, she’s never been more than a passive character, letting others drag her along in their wake, even if they’re her slaves.

We also see that she’s afraid she’ll lose it all. That she doesn’t deserve this because deep down she’s still that whore. Despite what Kellhus did to convince her in the last book, her own doubts are bubbling through, probably because of Achamian reentry into her life. He’s a reminder of what she used to be, the witness to her crimes of being a whore and then being his adulterous wife.

Esmenet holds up to the promises of naming her first daughter after Serwë. But Serwa is the opposite of her namesake in every way imaginable except in her love life. But that’s a discussion for The Great Ordeal. (I hope I’ll remember the idea for my comparison between her and her namesake).

Is it coincidence that she ran into Werjau? As we later see, he doesn’t like Esmenet and is plotting against her.

So Kellhus has created a secret police, encouraging his followers to report on each other to the Zaudunyani, and then put Esmenet in charge of it. He is molding her to be a ruler in his absence, knowing she has the intelligence for it, and must see this as something of trivial importance at the same time.

Now Bakker shows us another way she’s grown, how power has given her the agency she’s lacked all throughout her life. And yet despite being mistreated and harmed, she still finds herself doling it out. That to maintain her power, she has to order the suffering of others. Bakker also shows us that her power is a lie. It comes from Kellhus, not herself.

Oh, Esmenet, you are so wrong. Werjau is totally plotting to destroy you. I mean, that plotting goes nowhere. It’s a plot thread that, as I recall, just sort of left dangling and isn’t even addressed in the next series.

This scene with Esmenet giving judgments shows how far she’s come. She’s standing up to her opinions without flinching. She’s handing out pronouncements without flinching even when she knows that she’s condemning some men to death. She’s also guided by Kellhus, so she’s not insecure like other new rulers would be. Werjau is, wanting to punish people for little things that Esmenet knows are inconsequential.

So Kellhus’s new government is already getting its people to report on each other. Dictatorships love this. It makes trusting your neighbors, even your own family members, more difficult. What if they’ll report you? Now Kellhus has a legitimate threat to be reported on, but the system is in place to exploited to give him greater control over the population.

Now we see Kellhus’s religion has evolved into flagellation with sinners coming to be punished for their inequities. Being punished is a way of making penance for sins, for relieving the burden that guilt and stress can cause on us by believing another, more moral force, has removed them from us.

We see the first hint of Esmenet’s guilt when she realizes Achamian can hear her moaning during sex with Kellhus. Her happiness with Kellhus is slowly chipped away by this guilt. Achamian is the witness to her sin.

They’re first exchange is prickly. She’s feeling defensive about what she’s done, and reading is merely what they’re using as a proxy. Achamian doesn’t want to accept it, is confused by it, that she could betray him. And she needs him to understand and forgive her because of her guilt for the betrayal. Hence her: “The old world is dead. The old rules are dead.”

Poor Achamian. He tried, but she realized it. She still cares for him, still can easily fall into that role as his wife despite everything. You can see how she musters derision and scorn for him, trying to rip her heart away from caring for him because of the guilt and the longing she’s feeling. But she can’t do that. He meant to much for her. So she’s truthful about her feelings for him as she rationalizes why she’s with Kellhus now.

So long as Achamian won’t forgive her, she’ll feel guilty. Even though Kellhus forgave her acting as the God, it’s not enough for her. Kellhus is having to do some course correcting here. Achamian’s return is a surprise to him, I think. Not something he planned on. So he moved up his seduction of Esmenet thinking he could use her grief at Achamian’s death. But now it’s proving the wrong method. I firmly believe that Kellhus would have worked on Achamian and Esmenet over time to lead the pair to believe Esmenet needed to be his wife and bear his children. Guilt and anger have complicated his task now and with so many demands on his time, he’s not quite able to do it. Especially not once Cnaiür poisons Achamian against him.

It looks like Eleäzaras is in the bargaining stage of grief. He doesn’t want Kellhus to be a prophet, so he’s begging for what he witnessed with his own eyes to be false. But he saw Kellhus pull out a heart from his chest. All the stress that’s been building in Eleäzaras is breaking him now. He’s drinking. He’s despondent. He’s cracking. And we’ll see just how bad it gets by the end of the novel.

Bakker has shown us how the proud and noble warrior can be destroyed by the world, next he’s showing us the cunning and ambitious sorcerer falling to a similar fate. Eleäzaras could be a villain in another fantasy work, and here he is a broken man, driven to drink because the weight of his ambition is slowly crushing him. He feels guilt for what he’s done to his school.

Click here for the Chapter 3!

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Reread of The Thousandfold Thought: Intro

Reread of Prince of Nothing Trilogy

Book 3: The Thousandfold Thought

by R. Scott Bakker

Intro

 

I was hooked after the Warrior Prophet. That ending was insane. I wanted to know about the Consult, about the Dûnyain. I wanted to find out what would happen. I wanted Achamian and Esmenet to get back together even while realizing that would never happen. I was still well immersed in my awe for Kellhus. I hadn’t taken the time to really think about him as a character and how utterly horrifying he and the Dûnyain were.

So while The Thousandfold Thought didn’t answer a lot of the greater questions about the series (though its appendices was very informative about the history), it left me reeling. I had to understand what I just read. It was so different from other fantasies. And it didn’t end complete. I mean, the Holy War came to its conclusion, but what about the Consult and its machinations? Was the Second Apocalypse going to happen?

So I was thrilled to hit the internet and discover the fan community. To learn that this was only “Book 1” of a trilogy. That more was coming, I just needed to be patient. Already, the Judging Eye had been announced, though I recall it having a different name once upon a time. I just had to wait. A veteran of The Wheel of Time, I knew how to do it.

Obsess over details. To theorize. To dissect. To come and understand this universe. This whole reread series wouldn’t exist if it wasn’t for that obsessive need to understand Bakker’s world. The fact that he creates such a lived-in and unique fantasy setting, so hinging on philosophy, drove me to learn, to question. If Bakker’s skill was less, this series easily would be a confusing mess that no one would care about.

But it was built with love and care. The more I studied, the more certain of that fact I became. It had a message. It had meaning. If you could peel it away, it made you think about your own life, to question your own decisions.

The events are brutal. They’re not fair. But then life is never fair. Despite how much us humans may wish it, how we may bend and contort ourselves to fit this fiction that it could ever be possible, that’s just not the way the world is. We lie to ourselves to protect us from the true darkness that comes before us all.

Let’s embark upon The Thousandfold Thought, the conclusion of the Prince of Nothing Trilogy.

SPOILOR WARNING: Please read the book before any of these posts. This is intended for those who have read ALL the books. I will discuss both the events of the chapter and even their ramification for future events up to and including the Unholy Consult.

Like with the first two books, Bakker opens The Thousandfold Thought with two quotes that aren’t from his own fictitious setting, but from the real world.

In pursuing yonder what they have lost, the encounter only the nothing they have. In order not to lose touch with the everyday dreariness in which, as irremediable realists, they are at home, they adapt the meaning they revel in to the meaninglessness they flee. The worthless magic is nothing other than the worthless existence it lights up.

—THEODOR ADORNO, MINIMA MORALIA

All progression from a higher to a lower order are marked by ruins and mystery and a residue of nameless rage. So. Here are the dead fathers.

—CORMAC McCARTHY, BLOOD MERIDIAN

My Thoughts

Bakker strikes to the core of his series with the first quote. If humans don’t understand why they do the things they do, then it is utterly meaningless. And yet they are happy in it. They revel in it because it is their home. But does it therefore have any worth? And anything that springs from it must be as worthless as the source. But if they understand what they have lost and try to reclaim it, they can do something with true purpose.

And this leads us into the other quote about how decay and entropy break things down. Those who come after always feeling like they are lesser than those who came before. This leaves them with bewilderment which drives an anger they can’t even understand, a “nameless” rage.

This implies a cycle of a culture or a group achieving something and then losing it without understanding what they had because they don’t truly know what they lost. They don’t understand themselves. On generation builds and the other allows it to breakdown helpless to stop it but feeling that impotent rage as they struggle to as they heap new meaning upon the old, rendering it meaningless.

On and on and on.

And that is how Bakker sets the stage as two cultures reach their final clash in the Thousandfold Thoughts. Inrithism and Fanimry collide and one is cast down and destroyed by those who don’t truly understand what they are doing or why they are driven to these acts of brutality.

All except Anasûrimbor Kellhus. The Warrior Prophet channels all of their actions, but it will be into something that is ultimately meaningful? It’s hard to say since in the end, Kellhus fails. His Great Ordeal undone by his own son. It shall fall upon lesser people to in the final third of the series.

People who are as blind to the darkness that comes before as any other world-born.

Let’s embark upon The Thousandfold Thought!

If you haven’t gotten bored yet, click her for Chapter One.

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Reread of The Thousandfold Thought: Chapter One

Reread of Prince of Nothing Trilogy

Book 3: The Thousandfold Thought

by R. Scott Bakker

The Final March
Chapter 1
Caraskand

Welcome to Chapter One of my reread. Click here if you missed the intro!

My heart shrivels even as my intellect bristles. Reasons—I find myself desperate for reasons. Sometimes I think word written is written for shame.

—DRUSAS ACHAMIAN, THE COMPENDIUM OF THE FIRST HOLY WAR

My Thoughts

This looks like Achamian is rationalizing why he is doing what he is doing, sharing this information to the world. He has a great deal of shame, after all Kellhus cuckolded him and took his wife. More, for a time, he allowed himself to believe that was a good thing. He accepted it only to learn how utterly he was manipulated by Kellhus. And now he shares it to the world.

Late Spring 4112 Year-of-the-Tusk, Enathpaneah

There had been a time, for Achamian, when the future had been a habit, something belonging to the hard rhythm of his days toiling in his father’s shadow. His fingers had stung in the morning, his back had burned in the afternoon. The fish had flashed silver in the sunlight. Tomorrow became today, and today became yesterday, as though time were little more than gravel rolled in a barrel, forever brightening what was the same. He expected only what he’d already endured, prepared only for what had already happened. His past had enslaved his future. Only the size of his hands had seemed to change.

But now…

Achamian is walking on Proyas’s rooftop garden, stars glinting overhead. The sounds of celebration “sounding at once melancholy and besotted with joy” rise from the streets below. The Holy War had won, defying the odds. Caraskand was theirs.

Achamian reminds himself that he is a Mandate Schoolman, but he hasn’t spoken to them in such a long time. Since he traveled, it was his responsibility to maintain contact. He knew it was a failure of his duty not to have. He knows the Mandate will demand “impossible things” of him. What would come tomorrow always held him back.

Achamian, using his sorcerery, calls out to Nautzera at Atyersus, the fortress housing his school. He finds Nautzera dreaming of Dagliash on the shores of a vast, inland sea. The reek of decay gags Achamian. Draped from the fortress’s walls are thousands of rotting corpses held in nets. Achamian had dreamed of the Wall of the Dead many times. Seswatha had been captured and held here after the fall of Tyrsë and hung from the wall to “ponder the glory of the Consult.”

Nautzera hangs, wearing the Agonic Collar, dreaming himself in Seswatha’s place. Achamian fights with his own fear. It has been three years since the No-God’s advent. Achamian can feel its presence “looming across the western horizon.”

Achamian tries to reach through to Nautzera but the arrival of a Bashrag, a horrible monstrosity made of three creatures welded together, each limbs three melded into one. As it nails another victim to the wall screaming, the Nonman Mekeritrig appears on the wall saying a single word: “Anguish.”

After a moment, Mekeritrig talks about how anguish and degradation contained salvation. Nautzera, speaking in Seswatha’s voice, calls Mekeritrig by his nonman name, Cet’ingira, asking if he’s progressed that far. That he remembers so little.

A flicker of terror marred the Nonman’s perfect features. His pupils became thin as quill strokes. After millennia of practicing sorcery, the Quya bore a Mark that was far, far deeper than that borne by any Schoolmen—like indigo compared with water. Despite their preternatural beauty, despite the porcelain whiteness of their skin, they seemed blasted, blackened, and withered, a husk of cinders at once animated and extinct. Some, it was said, were so deeply Marked that they couldn’t stand within a length of a Chorae without beginning to salt.

Mekeritrig questions recalling and says he built a great wall, which Nautzera/Seswatha calls an obscenity. “As are all monuments, all memorials,” responds Mekeritrig. He claims they merely proclaim a person’s impotence. He may be immortal, but he’s lived as a mortal. “Your suffering, Seswatha, is my salvation.” Seswatha objects, saying it doesn’t have to be like this. He’s read about the ancient chronicles and knew that Mekeritrig helped out the Norsirai and educated them into greatness. The nonman was never anything like this. This makes Mekeritrig shed a tear as he says “Which is why, Seswatha.”

A cut scarred where a caress faded away. In this simple fact lay the tragic and catastrophic truth of the Nonmen. Mekeritrig had lived a hundred lifetimes—more! What would it be like, Achamian wondered, to have every redeeming memory—be it a lover’s touch or a child’s warm squeal—blotted out by the accumulation of anguish, terror, and hate? To understand the soul of a Nonman, the philosopher Gotagga had once written, one need only bare the back of an old and arrogant slave. Scars. Scars upon scars. This was what made them mad. All of them.

“I am an Erratic,” Mekeritrig was saying. “I do that which I hate, I raise my heart to the lash, so that I might remember! Do you understand what this means? You are my children!”

Seswatha says there has to another way, by, crying, Mekeritrig says there isn’t. So Seswatha begs to be killed. Mekeritrig can’t because Seswatha knows the location of the Heron Spear. Because Mekeritrig loves Seswatha, he’ll torture him and draw forth the “howling Truth of all things.” Then Mekeritrig will remember Seswatha.

With the Cant of Thawa Ligatures, the nonman inflicts pain on Seswatha while soothing him like a child, begging him not to cry. Watching the torture reminds Achamian to make contact with Nautzera. He screams at him that it’s a dream. Realizing this, Nautzera turns form the torture and gasps in shock at the sight of Achamian, believe him dead.

The dreams vanishes and the pair stand in nowhere. They don’t speak with words, but with thoughts. Nautzera wants to know how Achamian live. The Scarlet Spire had them. Achamian can’t speak, feeling like his reasons for not making contact are so petty know. Meanwhile, Nautzera is saying they will get revenge on his behalf. That shocks Achamian to realize that Nautzera was concerned and has compassion. But he ignores that and admits that he has lied to him.

Nautzera is confused, thinking the Scarlet Spire didn’t seize Achamian, but he shows Nautzera his memories of Iothiah, his capture, Xinemus’s torture, and his escape. “Remembered men screaming.” Nautzera is excited by this, saying Achamian’s exploits will be immortalized. Then question the lies. Achamian grows nervous and says that he’s concealed a fact from the Mandate.

A fact?

An Anasûrimbor has returned…

A long pause, strangely studied.

What are you saying?

The Harbinger has come, Nautzera. The world is about to end.

That phrase, the world is about to end, echoes in Achamian’s mind. But any phrase, even that one, can become familiar, robbed of its importance by repetition. That is why Seswatha created the dreams, to remind his followers every night why they fight. Now, finally saying these words, makes Achamian realize he never meant them before. He never understood them. He does now.

Nautzera is shocked. Achamian later realizes that he’d frightened Nautzera the same way it had terrified Achamian months ago when he learned them and “feared himself unequal to the events unfolding before him.”

The world was about to end.

Achamian catches Nautzera up on the events of the last two books since Proyas introduced Achamian to Kellhus and Cnaiür. The only thing he leaves out is Esmenet. Achamian then explains just how Kellhus got the Holy War to follow him so thoroughly after being freed. Because Cnaiür killed the skin-spy, a demon, who had tried to murder the dying Kellhus. Achamian quotes Ajencis: “Men ever make corruption proof of purity.” He talks about how Kellhus unified the Holy War swiftly. Even Conphas knelt and kissed his knee. Sick and starving, they marched out the gates and won an impossible battle. Kascamandri, the Padirajah, killed by Kellhus. And now the Holy War prepares to march on Shimeh. “They’ve all but succeeded!”

Nautzera is confused why Kellhus, if knows about the Second Apocalypse, would continue the war at all. He speculates Kellhus is their instrument, but Achamian disagrees. The Holy War is being purged of the skin-spies. Over a dozen nobles vanished right after Sarcellus’s death and unveiling while two have been captured and “exorcised.” Nautzera is excited, thinking the entire Three Seas will believe the Mandate. Achamian responds: “Either that or burn.” He takes satisfaction in that thought. After being laughed out for hundreds of years, the Mandate were vindicated.

Nautzera is also drunk on the drug of vindication, but he warns Achamian that the Consult will try to assassinate Kellhus and Achamian must protect him. Achamian says “the Warrior-Prophet” doesn’t need protection. Nautzera is shocked Achamian calls him by that title, asking why.

Because no other name seemed his equal. Not even Anasûrimbor. But something, a profound indecision perhaps, held him mute.

Achamian? Do you actually think the man’s a prophet?

I don’t know what I think… Too much has happened.

This is no time for sentimental foolishness!

Enough, Nautzera. You haven’t seen the man.

No… but I will.

Achamian is shocked, asking what he means, wondering if his brother Schoolmen were coming. He doesn’t want them to see his humiliation. Nautzera ignores it, instead asking what the Scarlet Spire thinks. Eleäzaras looks defeated, unable to even stare into Achamian’s eyes. He’s afraid of Achamian because of Iothiah. Nautzera says Eleäzaras will come to Achamian eventually and Achamian is brash, declaring let him try. Nautzera says now isn’t the time for retribution, though he years for it. Things are too important. “Do you understand this?”

What did understanding have to do with hatred?

Nautzera is interested in what Eleäzaras thinks of Kellhus. Does he think he’s a fraud. Achamian isn’t sure, but thinks Eleäzaras wants him to be a fraud. Nautzera wants Achamian to let the Scarlet Spire know that Kellhus is theirs. Achamian says they will have to purchase Achamian. He wants the Gnosis. Achamian reveals Kellhus is one of the few and fears he’ll turn to the Scarlet Spire if denied the Gnosis. Nautzera is not happy to learn that Achamian has known this for so long and isn’t sure he can trust Achamian. Achamian rebukes him with what happened to Inrau. For a moment, Nautzera looks like a small boy full of fear and says that was unfortunate. Achamian then tells Nautzera that Kellhus will be a sorcerer more powerful than any else.

Harness your passions! You [Achamian] must see him as a tool—a Mandate tool!—nothing more, nothing less. We must possess him!

And if the Gnosis is his price for “possession,” what then?

The Gnosis is our hammer. Ours! Only by submitting—

And if the Spires? If Eleäzaras offers him the Anagogis?

Hesitation, both outraged and exasperated.

This is madness! A prophet would pit School against School for sorcery’s sake? A Wizard-Prophet? A Shaman?

Silence hangs between them as all such words of stunning import cause. Achamian agrees with Nautzera at how crazy this was. Worse, he has to “woo and win” the man who stole Esmenet. He fights off the pain as Nautzera agrees that Achamian can teach him the Lesser Cants and the denotories. “Deceive him with dross into thinking you’ve traded our deepest secrets.” Achamian objects, saying that won’t work.

All men can be deceived, Achamian. All men.

Achamian scoffs, saying Kellhus isn’t a man. Nautzera doesn’t care, he just needs Achamian to yoke Kellhus. Achamian says Kellhus is beyond them. Thinking of Esmenet, he blurts out, “He possesses.”

The Men of the Tusk rejoice as the butcher the herds of their enemies. They feast until they are sick. They are no longer divided into Orthodox and Zaudunyani. “They were Inrithi once again.” Conryians tattoo the Circumfix on their arms, while the Thunyeri and Tydonni scar themselves with the symbol. The Galeoth and Ainoni mark their bodies, too. “Only the Nansur refrained.”

For two days, the captured Kianene labor to make a mound of their dead. The carrion birds fight over the bounty. Meanwhile, the Inrithi keep celebrating, some growing ill and even dying from eating too much. On the fourth day, the gathered up their captives, stripped them naked to humiliate them, and forced them to carry great treasures. They marched them to Umiaki, the tree where Kellhus hung with dead Serwë, and had them present their spoils and swear to the Warrior-Prophet. Those who did and cursed Fane were given to the slavers. Those that didn’t, were executed.

When all was finished and the sun leaned crimson against the dark hills, the Warrior-Prophet walked from his seat and knelt in the blood of his enemies. He bid his people come to him, and upon the forehead of each he sketched the mark of the Tusk in Fanim blood.

Even the most manly wept for wonder.

Esmenet is his…” Achamian thinks over and over. “Like all horrifying thoughts, this one possessed a will all of its own.” He can’t shake the pain of her betrayal as he arrives at the Fama Palace. The Zaudunyani functionaries are anxious around him, not because he’s a sorcerer as would be normal, but Achamian feels like they’ve heard so much about Achamian, a man who will fit into their scriptures one day, and mocked him in their thoughts. But now he stands before them, shaming them.

Of course, they knew he was a cuckold. By now the stories of everyone who had broken bread or sawed joint at Xinemus’s fire would be known in some distorted form or another. There were no intimacies left. And his story, in particular—the sorcerer who loved the whore who would become the Prophet-Consort—had doubtless come quick to a thousand lips, multiplying his shame.

As Achamian waits, he realizes that Kellhus would change the world even if the Second Apocalypse wasn’t a threat the way Inri Sejenus would. Achamian realizes this is Year One of a new chapter of mankind.

He observes three other petitioners chatting in a courtyard and is stuck by how prosaic it is. Normalcy had returned so swiftly. Even Kellhus’s new banners, the Circumfix, feel like they’ve always belonged. He realizes someone must have been making these before the battle begun to have so many.

Whoever they were, they had forgotten Serwë. He blinked away images of her bound to Kellhus and the ring. It had been so very dark beneath Umiaki, but it seemed you could see her face arched back in rigor and ecstasy…

An officer of the Hundred Pillars (Kellhus’s bodyguard) kneels before Achamian and says he’s here to bring Achamian to Kellhus. Achamian’s skin tingles as her reflects on the fact Kellhus communed with the God. Achamian knows it to be true because Kellhus speaks words no man could know even if he’s still incredulous of it.

A miracle. A prophet in their midst.

Breathe when you speak to him. You must remember to breathe.

The officer marches Achamian in silence through the palace. Achamian, though nervous, is glad for the silence. He’s beset by conflicting emotions: hatred for a rival and love for an old friend. Fear for the darkness to come, and joy at their recent victory. Even awe fills him.

The eyes of men were but pinholes—no one knew this better than a Mandate Schoolmen. All their books, even their scriptures, were nothing more than pinholes. And yet, because they couldn’t see what was unseen, they assumed they saw everything, the confused pinpricks with the sky.

But Kellhus was something different. A doorway. A mighty gate.

He’s come to save us. This is what I must remember. I must hold onto this!

He’s led to a an orchard where Esmenet strolls with Kellhus. He can’t stop staring at her as she looks so happy and loving beside Kellhus. It’s the first time Achamian’s seen the two together. She’s dressed like a queen and wears a Chorae.

She was Esmenet and yet she wasn’t Esmenet. The woman of loose life had fallen away, and what remained was more, so much more, than she’d been at his side. Resplendent.

Redeemed.

I dimmed her, he realized. I was smoke and he… is a mirror.

The officer kneels, and Achamian does as well, but more because he’s legs give out at the shock then any need to genuflect. He feels like such a fool and fights back against the pain. He feels like he’s suffered so much and only wants one thing to balance his ledgers, her, but he knows “he would ruin it, the way he ruined everything.”

He remembers her words, telling him she’s carrying Kellhus’s child, as he watches her kiss Kellhus on the cheek. His terrible joke he told her when they reunited, “So what will it be the next time I die?” echoes in his mind.

Kellhus watches Achamian and, like Esmenet, he wears a chorea “though he had the courtesy to keep it concealed against his chest.” He tells Achamian he never has to kneel before him. That he is Kellhus friend always. Achamian glances where Esmenet vanished into the shadows, anger filling him. Achamian moves to Kellhus, shocked by the man’s height.

They walk together, Kellhus “effortlessly guiding” him. Kellhus asks after Xinemus, who Achamian admits he’s worried about. Kellhus wants to see him, his words easing Achamian into the rhythms of their old relationship. He even grins at a joke Kellhus tells until he notices the cuts and bruises on Kellhus’s body. Achamian remembers he was tortured and Serwë murdered.

“Yes,” Kellhus said, ruefully holding out his hands. He looked almost embarrassed. “Would that everything healed so quickly.”

Somehow these words found Achamian’s fury.

“You could see the Consult all along—all along!—and yet you said nothing to me… Why?

Why Esmenet?

Kellhus answers that the time wasn’t right, which Achamian knows. He explains that the Mandate would have seized him where now they have to negotiate with him. Then Kellhus continues, revealing he knows Achamian has told them and then asks if they agreed with Achamian’s interpretation that he’s the harbinger. They find it unlikely but, when pressed by Kellhus, admits he’s instructed to pretend to teach the Gnosis and to protect him.

“So you’re to be my bodyguard?”

“They have good reason to worry—as do you. Think of the catastrophe you’ve wrought. For centuries the Consult has hidden in the fat of the Three Seas, while we were little more than a laughingstock. They could act with impunity. But now that fat has cooked away. They’ll do anything to recover what they’ve lost. Anything.”

“There have been other assassins.”

“But that was before… The Stakes are far higher now. Perhaps these skin-spies act on their own. Perhaps they’re… directed.”

Kellhus studied him for a moment. “You fear one of the Consult might be directly involved… that an Old Name shadows the Holy war.”

Achamian does. After a few moments of silence, Kellhus asks if Achamian will give him the Gnosis. Achamian realizes Kellhus knows just how powerful he’ll be with it. Achamian reluctantly says if Kellhus demands it even as he realizes Kellhus knows exactly what Achamian says. Kellhus wants it while recognizing he’ll lose the protection of the Chorae. In the beginning of his training, before he can really use the Gnosis, he’ll still be marked and unable to touch a Chorae. So Kellhus declares Achamian is his Holy Vizier and will live in the palace to protect him, spoken with “the authority of a Shrial Edict.”

Kellhus did not wait for his [Achamian’s] reply—none was needed.

Can you protect me, Akka?”

Achamian blinked, still trying to digest what had just happened. “You will reside here…”

With her.

Achamian isn’t confident he could protect Kellhus from an Old Name while at the same time he feels a “treacherous joy,” thinking this will give him the chance to prove himself to Esmenet and win her back. But Kellhus meant if Achamian could control himself and not kill Kellhus. Achamian answers that if he can’t, “Seswatha can.” Kellhus accepts that and motions Achamian to follow him.

He’s lead to a captured skin-spy bound in chains to an apple tree that’s rotting away in the garden. Kellhus says the tree was already dead. Achamian takes in the sight, asks what Kellhus has learned. This stirs the skin-spy who taunts Achamian that it’s too late while Kellhus says that the skin-spies are directed. Achamian asks if Kellhus knows who is directing them, but Kellhus explains it would take months or more of interrogation to break one. “They’re conditioned—powerfully so.” Achamian believes Kellhus, in time, could break the creature. Achamian believes Kellhus infallible.

For a giddy instant a kind of gloating fury descended upon Achamian. All those years—centuries!—the Consult had played them for fools. But now—now! Did they know? Could they sense the peril this man represented? Or would they underestimate him like everyone had?

Like Esmenet.

Achamian then says Kellhus has to keep Chorae bowmen around and avoid large structures, but Kellhus cuts him off, saying it troubles Achamian to see the skin-spy. Achamian studies the prisoner and wonders why Kellhus bound it in the garden. “It seemed the act of someone who knew nothing of beauty… nothing.” Achamian agrees it troubles him.

“And your hatred?” [asks Kellhus]

For an instant it had seemed that everything—who he was and who he would become—wanted to love this godlike man. And how could he not, given the sanctuary of his mere presence? And yet intimations of Esmenet clung to him. Glimpses of her passion…

“It remains,” he said.

The Skin-spy begins fighting against its chains as though Achamian’s answer provoked it. He steps back, remembering the last time he saw one. Kellhus ignores it and says that men surrender to even while seeking to dominate. It’s in their nature. “The question is never whether they surrender, but rather to whom…” Achamian is confused and Kellhus continues that many men only truly submit to the God to preserve their pride. By kneeling to the unseen, they “can abase themselves without fear of degradation.”

“One,” Kellhus was saying, “can only be tested, never degraded, by the God.”

“You said ‘some,’” Achamian managed. “What of the others?” In his periphery he saw the thing’s face knuckle as though into interlocking fists.

“They’re like you, Akka. They surrender not to the God but to those like themselves. A man. A woman. There’s no pride to be preserved when one submits to another. Transgress, and there’s no formula. And the fear of degradation is always present, even if not quite believed. Lovers injure each other, humiliate and debase, but they never test, Akka—not if they truly love.”

Achamian asks why Kellhus is saying this. Kellhus says Achamian “clings to the hope” that this is Esmenet’s test. She’s not testing him. Achamian demands to know if she’s just degrading him. If they both are.

“I’m saying that she loves you still. As for me, I merely took what was given.”

“Then give it back!” Achamian barked with savagery. He shook. His breath cramped in his throat.

“You’re forgetting, Akka. Love is like sleep. One can never seize, never force love.”

The words were his own, spoken that first night about the fire with Kellhus and Serwë beneath Momemn. In a rush, Achamian recalled the sprained wonder of that night, the sense of having discovered something at once horrific and ineluctable. And those eyes, like lucid jewels set in the mud of the world, watching from across the flames—the same eyes that watched him this very moment… though a different fire burned between them.

Kellhus continues, saying for a while, Achamian was lost. That he had no meaning but his love for her. That he had only her. Achamian wants to murder Kellhus, his mind full of images of Esmenet. With his sorcery, he could kill Kellhus. Then Kellhus says that nothing Esmenet or he can do can undo what Achamian suffered. “Your degradation is your own.” Achamian recoils, not wanting Kellhus to see his emotions as he asks what Kellhus means. Kellhus explains this is Achamian’s test. “You, Drusas Achamian, are a Mandate Schoolman.”

Achamian vomits after Kellhus leaves. He hides in a niche and hugs himself. He’s trying to rationalize Kellhus and Esmenet, pointing out they thought him dead. But he realizes Kellhus should have known he lived.

How could he [Kellhus] not know? How—

Achamian laughed, stared with idiot eyes at the dim geometries painted across the ceiling. He ran a palm over his forehead, fingers through his hair. The skin-spy continued to thrash and bark in his periphery.

“Year One,” he whispered.

My Thoughts

I think we can all relate to that humdrum feel of just living our lives, every day the same as the one before, living in our ruts until something shakes us out of it and sends us reeling. We find comfort in that routine. We try to establish it even in hard circumstances so we can lie to ourselves that we have some amount of control over our existence.

Achamian finally believes Kellhus can survive if he makes contact with the Mandate. Achamian is in his camp now. He may be ordered to do those impossible things, but he won’t do them. Achamian was beaten into strength by his torture at the hands of the scarlet spire.

Ah, Dagliash. It’s a terrible place. The glory of the Consult… Thousands and thousands of corpses draped from a wall, proof of the might of the Consult. Of how they had destroyed Tyrsë and the Great Norsirai Kingdoms of the North.

Mekeritrig.. He was the nonman that Kellhus met in the prologue that showed our Dûnyain that effect could precede a cause. That the Outside was real, magic existed, and the Dûnyain framework wasn’t sufficient to cover everything. He is also the nonman that lead Shaeönanra and his Mangaecca school to the Ark and thus created the Consult.

How does anguish and degradation contain salvation? Because by suffering and debasing himself, by working with the Consult against his own people and helping the very beings that destroyed his race, Mekeritrig has found salvation. He has peered into the Inverse Fire and learned that it is very real. And that the No-God was created to end it. By making everyone else suffer, by destroying them, he shall earn his salvation.

And he has erected this wall as a I reminder. So he can remember that degradation and anguish that buys his salvation. It’s his book, his way of remembering the past. Like all erratics, only pain and suffering can elicit those memories of the past, of those he loved who died thousands of years ago.

Starting a new novel in a series is tricky. How do you catch up the reader? Bakker has a rather detailed “What Came Before” summary at the start of each novel (and you should read it because he’s often less coy in it and makes some things that were ambiguous in the text more clear). But this is a good start. He lays out Achamian’s main dilemma from the last book, shows the dreams of Seswatha, delves into identity and memory (a major theme of the novels), gives you a quick glimpse of what Achamian suffered, then drops that bombshell once more: “The world is about to end.”

Then by having Achamian catch-up Nautzera, Bakker has an excuse to drop some exposition on what happened in the last book in the quick strokes for those who skipped his “What Came Before” section. This part isn’t quite as well done. It’s just a straight plot dump in a few paragraphs, no conversation, but it also gets through it pretty fast. Even as a conversation, I doubt it would have been that great. Best to just get it out of the way and remind readers of what’s happened. When Bakker gets to the new information, he switches back to the conversation, to let it flow better. Authors, remember, if you have to have an exposition dump, have characters talk about, let them explore conflicts, show off their personalities, how they react and act. This lets you make the scene serve multiple purposes.

Every scene in a novel should do one of three things: Plot, Character, or World building. It should drive the plot, develop the characters, and establish the world. Ideally, if you can do two or even all three in a scene, even better.

The Ajencis quote is interesting about corruption giving proof to purity. I have listened to some sociologist, like Dr. Jonathan Haidt, talk about morality and how it is often wrapped around sacred objects and beliefs as much as controlling interactions between people. He postulates that morality came out of disgust behavior. Humans, as omnivorous, face a dilemma. We can eat almost anything, so that means we can explore new things to eat. New animals, new plants, etc. It allowed us to spread out of the tropics were we are adapted to survive without any clothing or technology. This puts a dual nature in us that we both need to seek out new things and yet be cautious of that less we expose ourselves to disease. Racism is probably not fear of others like people think, but this disgust reaction in that we’ve evolved to understand that meeting a new group can lead to new diseases being introduced so there is a part of us that recoils in disgust, no different than seeing a piece of rotten food. But at the same time, we’re driven to seek out novel things. This is the real difference between Conservatives and Liberals. A Conservative wants to protect from outside threats weakening us while a Liberal wants to introduce outside objects to strengthen us. Both are necessary for humans to advance and when one or the other gets too strong, it causes a lot of problems for us. So for a Conservative who has found something that they feel defends from the corrupt, like religion, like a symbol (the US Flag for the Right, or Immigration for the Left in the United States) they make it sacred. And when a human does that (because remember we are predisposed to religious thinking and not scientific thinking) we want to preserve it. And that makes us combative. Makes us rigid in our thinking. Makes us orthodoxy and not want to question these things.

And that leads to conflict.

Achamian is still aching for vengeance on the Scarlet Spires and upon Iyokus in particular. Shame those two didn’t have a seen in the followup series. But the Blind Schoolman was a little busy when Achamian arrived.

What does understanding have to do with hatred? Nothing. Hatred can destroy reason. It can slay objectivity. It can undermine logic. Hatred can cause you to murder what you need the most if you don’t control it. And Achamian has a lot of reasons to hate the Scarlet Spire, but also Esmenet and Kellhus. Stakes are being raised here. The conflicts for the novel are being established.

Nautzera’s greed to possess Kellhus is on display. The Mandate, who have spent so much time suffering for the second apocalypse, now must be the ones to control its defense, through the harbinger. He doesn’t think at all about the world’s good, but the fulfillment of his order’s purpose. He doesn’t think of any other way. And it leads him to do something that he would never have allowed before to keep Kellhus from falling in with their enemies.

Nautzera’s line “All men can be deceived” strikes right to the core of the series. If free will is an illusion, as Bakker’s universe contains, then we’re all deceived. It’s a true statement. Even a Dûnyain who can see so far, can be deceived. Can make mistakes. Can be manipulated in the right way. Just by limiting Kellhus’s information, by controlling it just right, you could deceive him. After all, he never believed in Sorcery, was deceived by the Pragmas into believing cause and effect were inviolable and then saw proof it wasn’t with his own eyes.

I like this mark about the carrion birds still fighting over the feast before them. Even for animals, it’s never enough. They always have to be in conflict with the other species. There is a fiction, a romantic view of nature, that it is in balance. It’s a lie. Nature has never been in balance. If it were, no species would ever have gone instinct. Humans have a need to lie about the nobility of it to punish their own hearts for their weaknesses, for their actions.

Kellhus has brutal style. It’s a new baptism, an inversion of Christianity. Here, the new prophet doesn’t use his own blood to wash clean his followers, but the blood of his enemies. And the fact that it is moving to his followers just underscores human psychology, how we can be manipulated into participating in acts of evil by the in-group/out-group preference we all share. As tribal creatures, we form tight bonds with those closest to us and have trouble caring about those who aren’t apart of that in-group. Our societies have struggled hard to expand the in-group while building tolerance for the out-group, but at our core, in our DNA, this behavior remains and it can be used to do terrible things.

You can’t help but pity Achamian. How terrible it must be to have to help the very people who so betrayed you. It speaks to his character that he sucks up his pain for the fate of the world. It’s only when he learns the truth of what Kellhus is from the Scylvendi that he can no longer do it, no longer trust that Kellhus will save the world.

Achamian thinks that Kellhus won’t be an Ajencis (a great philosopher) or a Triamis (a great leader) but a great prophet. The founder of a new religion. Bakker is telling us something about humans here. Despite the fact Kellhus has the intelligence to be a greater philosophy or leader than Ajencis or Triamis, something Bakker has shown us are the epitome of their two areas in his universe, he goes the religious route to seize power. It’s the shortest path. Humans are hard-wired to create sacred objects and protect them. This goes back to the omnivorous dilemma. When humans find something that works for them, they elevate it. They don’t want it challenge. It usually is religion, which if you look at a lot of old ones you’ll see plenty of commandments about cleanliness and purity (i.e. protecting yourself from diseases and sicknesses). In modern times, with the destruction of so many traditional institutes like religion, people are taking up new ideas and substituting them in its place from politics and political leaders, to movements (progressivism, feminism, socialism, environmentalism) to clinging to the past (southern nationalism, white nationalism) and even intellectual pursuits (like science or skeptical philosophy). This need to create the sacred is ingrained in us, and if you can harness it, you can really control people.

In just a few days, things are normal again. Humans crave that stability “normalcy” brings and are quick to reestablish it when circumstances permit. It’s the anti-fragileness of our species. It’s what lets us survive tragedy and keep going, but only so long as it’s permitted to develop while we’re children.

Poor Serwë, forgotten. Not seen as worthy of being remembered. But like all of us, she’s only truly remembered by those who knew her, cared for her in life.

Eyes as pinpricks is a profound reminder about the limitation of our perspectives. It’s easy for us to forget that we’re not seeing the whole picture. It’s easy to think the best and worst of another person because we’re only seeing them through a few minutes on the news, through a post on social media, through the gossip of our peers. It’s easy to judge without knowing all the facts.

And that only leads to pain and suffering.

Achamian loves Esmenet. Because he can see that she’s better off with Kellhus. That the man gave her more than he ever could. He can recognize that without thinking ill of her. And now we see he wants her back. He’s in denial that he can reclaim her, win back her affections. And he does, but it’s not enough because she’s pregnant and as a mother, she chooses the situation best for her child.

The Dûnyain are good at showing the world they don’t make mistakes, that they are infallible. Even us readers can be tricked into thinking this about Kellhus despite the numerous mistakes he makes over the course of this series. Let alone his miscalculation at the end of the Unholy Consult (no, that was not part of his master plan what happened at the end of that novel.)

I think Achamian is realizing, on a subconscious level, that Achamian had seduced Esmenet. That she, like everyone else, had underestimated Kellhus and didn’t see his ulterior motive to seduce her until it was too late. Perhaps this is just something Achamian wants to be true to protect the pain in his own heart, to try and soften her betrayal by shifting it all onto Kellhus. After all, Achamian now wants to win her back. He can’t hate her, think her false, if that’s the case. He’s starting to come up with rationalizations for his irrational desire for Esmenet. And after all, nothing is more irrational than love. As Bakker showed us earlier in this series, the intellect is ever slave to desire, forced to justify our actions as we pursue what we crave through whatever means the intellect can use.

Achamian realizes that Kellhus doesn’t appreciate beauty. As Kellhus said when Achamian first sees the skin-spy bound to the apple tree that the tree was already dead. To Kellhus, using a dead tree to hold the creature was making use of something now useless. It’s in a convenient spot for him to access. He doesn’t think about the ascetics of it.

I’ve talked about before that hierarchy among men is one of submission. That human leaders don’t really seize power without consent. That they have people, often armed men, who have submitted to them, allowing them to dominate others. And by accepting their submission, the man seeking domination often finds himself submitting to the man who he leads because to maintain their acceptance as the leader, he has to give them something back in exchange, fulfill their wants and desires. So since all men submit, even me and you, to something, choose carefully what it is you’re submitting to. Think about why you’re doing something, understand it. That’s probably Bakker’s most important lesson he teaches in this series: you have a brain, use it critically.

And then he shows us that love is another form of submission, one that opens yourself up to injury and degradation. If you’re partner is playing testing games with you, probably means she doesn’t love you. Always a warning sign. Kellhus is laying the foundation of winning Achamian back to his side. But there’s one major doubt that Achamian has. Kellhus knew he lived and still took what Esmenet offered. It’s this doubt combined with Cnaiür’s revelation that forever shakes Achamian from seeing Kellhus as anything but a manipulator. A cold, calculating man who doesn’t care about the beauty of a garden when it could be more useful as a makeshift dungeon.

This chapter lays the foundation for the central conflict for the major characters of Kellhus, Esmenet, and Achamian and their love triangle, which I’m loathe to use, going forward in this book. Esmenet does still love Achamian, which is why she’ll start feeling guilty about everything, which is why she’ll come so close to abandoning Kellhus for Achamian.

Click here for Chapter Two!

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November’s Newsletter

So, you’re probably wondering, who is this JMD Reid and why am I receiving a newsletter from him. Or maybe you do remember me. It’s been a long time since I sent a newsletter. If you’re getting his, then you must have signed up to hear about my works for some reason. Maybe you liked my short stories on Amazon (The Assassin’s Remorse, Reflections of Eternity, or Time’s Prison). Or maybe you found my blog and liked my articles on writing.

Or maybe you don’t know how you signed up for my newsletter. Either way, I hope you all stick around. I am working on getting my first fantasy series published. It’s not going to be soon, sadly, but when I do release the five book epic The Storm Below (hopefully in 2018), they will come out fast. I want to get all of the books out in a quick time. I want to hit the indie publishing scene hard.

And I hope you all will make the journey with me.

But first, here’s the opportunity to be a beta reader on my new short story! If you’re interested, click here!

So who am I? Why should you journey with me? What do I bring to the table? I hope it’s great characters, great writing, and imaginative stories. I could talk on and on about what I feel are my strengths as a writer, but who likes hearing about people talk about how amazing they are? I know I don’t.

Instead, I wanted to talk about myself. To share who I am with you. I want to build a community where I interact with my fans. Because fans are what makes writing so amazing. To share your work with others and to learn people enjoy what you’ve written. It touches you in so many ways.

So who is JMD Reid? He’s a community college dropout. Yep, I didn’t even dropout of four year college. Nope, I “attended” Green River Community College for two years. Well, I paid to attend, but I didn’t end up going that much. I tried, I really did, but I just wasn’t motivated.

I always wanted to be a writer. It wasn’t the first job I ever wanted as a child, that was a paleontologist (and, yes, I owned all the dinosaur books when I was in elementary school). But as I grew older and headed into Junior High, I started writing at school. I’d pull out my spiral bound notebook and write the most terrible pieces of fiction ever composed by human beings.

I was inspired by the books I’d read. Tolkien was the beginning, but Eddings and Jordan and Brooks followed. The writing duo of Weis & Hickman fanned the flames of my imagination. I would go to my library and grab any Fantasy novel they had. I would read it all.

As I went through high school, I kept writing. I dreamed of being a writer, of having my book published. So what did I do when it came time to think about college? Did I look at schools that had an amazing English or Creative Writing program. Nope? I decided to go to Green River Community College. I didn’t pluck this school out of nowhere. It wasn’t the closest Community College to me (that was Pierce Community College Puyallup campus). But it had a great drafting program.

Drafting? You’re probably scratching your head. What is drafting? Why would a young man who wanted nothing more than to be a writer decide to go to a community college to be a drafter? Well, drafting is the skill of making blueprints. Whether it’s the blueprint for the very laptop I’m writing this newsletter on, the engine in your car, or the architectural plans for Sears Tower, a drafter had to draw out those plans. At first they did it by hand, but these days they do it on CAD (Computer Aided Drafting) programs like Cadkey or AutoCAD. I liked it. I thought it could make a career out of it. Even though I really, really wanted to be a writer, I just didn’t think I would ever make it.

I sabotaged myself. And that is exactly why I dropped out of Community College. You see, I was working at evenings and going to school during the day. I was bored at school. I find sitting down and being lectured to very boring. Teachers often repeat themselves and my classmates were asking questions on things I found so intuitively obvious or that the teacher had easily explained ten minutes earlier. I chafed. I wanted to be doing something. And even though I could have used my Associate Degree in Mechanical Drafting to transfer to a four year college and get a Masters in Engineering, I instead wanted to play video games.

It was easier. It was more fun. It didn’t take any skill. Instead of pursing my real dream, which I was afraid of, or my backup dream, which was two hard, I settled into menial jobs so I could just screw around and not care about life.

That desire to self-sabotage lurks in me. I’ve put off publishing Above the Storm for years now. I’ve come up with all sorts of excuses: I’m going through the query process, I’ll write the entire series and then get to it, I’ll try this new marketing technique of rapid releases. I’ll be honest with you. I’m scared to release this book.

But I’m trying so hard not to sabotage myself. I believe in Above the Storm. I believe in the story, the characters, and I believe that you (what few people will read this) will fall in love with it. That is why I want you to make this journey with me. I want to build a community, to create opportunities for my fans to receive ARCs (Advance Reader Copies) of my novels and to find beta readers to help me hone my stories and improve them.

If you’d like to join my Facebook group, Fantastic Worlds of the Imagination, and help support my writing, click here!

So I hope you’ll make this journey with me. Stick around, I’m publishing short stories throughout 2018, I have my Urban Fantasy novel, Chooser of the Slain, coming to the Radish app for serialized publication, and I’ll be posting excerpts from my works (like the Prologue to Above the Storm just below). I am founding a Facebook group as a place for exciting works of fantasy to be discussed and shared, a place where I can interact with my fans and we can talk about things that interest us.

And I would love just to hear back from you. Ask me questions. I will be more than happy to answer them. I want to get to know you, too.

Thanks,

JMD Reid

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Review: Nyssa Glass and the Cutpurse Kid

Nyssa Glass and the Cutpurse Kid

by H.L. Burke

Reviewed by JMD Reid

Settled into their new life, Nyssa and Ellis have opened their own repair shop. They need this business to be successful as Ellis’s money is dwindling fast. But when they catch a pickpocket trying to steal Ellis’s possessions, Nyssa sees herself in the young boy, something Ellis recognizes. The couple adopts the boy, to give him a new life like Nyssa had from her dead mentor.

But the cutpurse entering their life couldn’t have happened at a worse time. Nyssa’s past has caught up. Her uncle, the man who turned her into a thief, appears. Not dead, like his criminal partners had claimed when they tried to use Nyssa, but in prison for the last decade. Thinking Nyssa must have quite the stash, he wants his cut.

And he’ll do anything to get it.

The theme of identity comes up over and over in these books, from the computer AI in the first novella, to the true identity of the young couple in the last book. Now Nyssa’s true identity as a thief is released to her new community by the man who made her into one. It’s a tense story as you watch all Nyssa and Ellis’s hard work to start over ruined by a greedy man who doesn’t understand the true meaning of family.

Like the other Nyssa Glass novellas, this one has heart that keeps you reading. Burke has really found magic with the characters of Nyssa and Ellis, and you want them to succeed against the obstacles laid out before them. Another excellent novella.

Fans of fantasy and steampunk need to check out this delightful young adult novella.

You can buy Nyssa Glass and the Cutpurse Kid from Amazon!

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Reread of The Warrior Prophet: Chapter Twenty-Five

Reread of Prince of Nothing Trilogy

Book 2: The Warrior Prophet

by R. Scott Bakker

Part 3
The Third March
Chapter 25
Caraskand

Welcome to Chapter Twenty-Five of my reread. Click here if you missed Chapter Twenty-Four!

What is the meaning of a deluded life?

AJENCIS, THE THIRD ANALYTIC OF MEN

My Thoughts

What a powerful quote to end this book on. As we see, all man are deceived by the darkness that comes before them, therefor all men have a deluded life. What is the worth? Does that mean their actions have no value in a deterministic universe? There is a reason that determinism is not a wildly embraced philosophy. Even if it’s the truth of our circumstances, that everything we do was set in motion the moment the big bang happened, most humans reject that idea. We prefer the alternatives, that our conscious will does give us free will. That just because our society and culture, that our friends and acquaintances, put pressures on us to drive our behavior, we still make the decision. Most humans utterly reject the belief that we have no control over our will, that it is an illusion, so we can feel that our actions do have value. That we accomplish something with the minute amount of time we have in this world.

It’s what all the character’s in The Prince of Nothing series wish to believe even as their actions are shown to be at the behest of other forces. Is is better to live a deluded life and be happy? Or be miserable in the mire of nihilistic determinism? Is it better to believe your life has value and meaning then to be an insignificant spec, a tiny cog in a machine as vast as the entire universe?

Maybe being deluded isn’t all that bad.

Late Winter, 4112 Year-of-the-Tusk, Caraskand

Kellhus is cut down by the Nascenti, pulled away form his dead wife. Kellhus knows he should be too weak to act, but feels something “inexplicable” moving him. He pulls away from Serwë and stands. He’s wrapped in white linen and stumbles away from the tree. The crowds stare at him all and “it seemed he embraced all the Three Seas.” As he Cnaiür and Eleäzaras looks dumbstruck and Gotian staggers forward, Kellhus starts to understand the purpose of his father’s summons: the Thousandfold Thought.

And it seemed there was nothing, no dwarfing frame, that could restrict him to this place, to any place… He was all things, and all things were his…

He was one of the Condition. Dûnyain.

He was the Warrior-Prophet.

Tears roared down his cheeks. With a haloed hand, he reached beneath his breast, firmly wrested the heart from his ribs. He thrust it high to the thunder of their adulation. Beads of blood seemed to crack the stone at his feet… He glimpsed Sarcellus’s uncoiled face.

I see…

“They said!” he cried in a booming voice, and the howling chorus trailed into silence.

“They said that I was False, that I caused the anger of the God to burn against us!”

He looked into their wasted faces, answered their fevered eyes. He brandished Serwë’s burning heart.

“But I say that we—WE!—are that anger!

Kascamandri, the Padirajah of Kian, sent an offer of surrender to the Men of the Tusk, one he thought was generous. If they yield and forswear their false religion, he would make them Grandees among their “idolatrous nations.” He didn’t think it would be accept outright, he was too wise for that, but knew it was a start. He understands the power of his victory if he defeats the Holy War by religious conversion and not by the sword.

The reply came in the form of a dozen almost skeletal Inrithi knights, dressed in simple cotton tunics and wearing only knives. After disputing the knives, which the idolaters refused to relinquish, Kascamandri’s Ushers received them with all jnanic courtesy and brought them directly to the great Padirajah, his children, and the ornamental Grandees of his court.

There was a a moment of astonished silence, for the Kianene could scarce believe the bearded wretches before them could author so much woe. Then, before the first ritual declaration, the twelve men cried out, “Satephikos kana ta yerishi ankapharas!” in unison, then drew their knives and cut their own throats.

The court is horrified. Kascamandri hugs his youngest daughters as they cried. His shaken interpreter says that “the Warrior-Prophet shall… shall come before you…” Kascamandri demands to know who that is, but no one knows. The next morning, the Men of the Tusk form up to fight outside the Ivory Gate, singing. They have chosen to do battle instead of enduring “hunger and disease.” They form up, the Tydonni on the right flank, then the Nansur, the Conryians, Thunyeri, the Ainoni, and the Galeoth. The Kianene allow them to form up, fearing if they attacked too soon, the Holy War would retreat into Caraskand. All those with the strength, even the few women and priest who’d survived, wielded arms and sang hymns. “Some one hundred thousand Inrithi had stumbled form the Carathay, and less than fifty thousand now ranged across the plain.” Another twenty thousand too week remained behind, some cheering from the walls others praying.

Those who formed up on the field take hope in the new banner flying, the Circumfix of the Warrior Prophet. “The glory of it scarcely seemed possible…” War horns sound the advance. The grim Holy War marches to the Kianene who formed up two miles away on the open plains where the Inrithi would expose their flanks.

Songs keened over the throbbing of Fanim drums. The deep war chants of the Thunyeri, which had once filled the forest of their homeland with sound of doom. The keening hymns of the Ainoni, whose cultivated ears savored the dissonance of human voices. The dirges of the Galeoth and the Tydonni, solemn and foreboding. They sang, the Men of the Tusk, overcome with strange passions: joy that knew no laughter, terror that knew no fear. They sang and they marched, walking with the grace of almost-broken men.

When men collapsed, their kinsmen dragged them onward. The Tydonni make first contact with the Fanim, who fire arrows upon them. But they have their great shields and withstood the volley. Anasacer, whose lands were taken by Holy War, “charged with fury” at the Tydonni. At the center, war elephants charge at the Circumfix. But outriders set grass on fire, panicking the mastodons. Still, many trample into the Inrithi.

Soon, the Fanim are charging the entirety of the Inrithi lines, galloping on their horses. Crown Prince Fanayal attacks King Saubon, rampaging through his lines. On the wall, the sick still pray while the battle is obscured by smoke. But they see the Tydonni hold. The few horseman left, riding nags, break the Fanim charge. Athjeäri and his knights, sent to stop any attacks from the hills, found themselves in position to charge the Fanim rear. So Athjeäri took it.

The Fanim fell back in disarray, while before them, all across the Fields of Tertae, the singing Inrithi resumed their forward march. Many upon the walls limped eastward, toward the Gate of Horns, where they could see the first Men of the Tusk fight clear the smoke of the centre and press onward in the wake of retreating Girgashi horsemen. Then they saw it, the Circumfix, fluttering white and unsullied in the wind…

As though driven by inevitability, the iron men marched forward. When the heathen charged, they grabbed at bridles and were trampled. They punched spears deep into the haunches of Fanim horses. They fended hacking swords, pulled heathen shrieking to the ground, where they knifed them in the armpit, face, or groin. They shrugged off piercing arrows. When the heathen relented, some Men of the Tusk, the madness of battle upon them, hurled their helms at the fleeing horsemen. Time and again the Kianene charged, broke, then withdrew, while the iron men trudged on, through olive trees, across the fallow fields. They would walk with the God—whether he favored them or no.

Though driven back, the Kianene were too proud to falter now. Kascamandri, “hoisted by his slaves upon the back of a massive horse,” leads the counter attack. The elephants also regroup, though Yalgrota Sranchammer proves his name by braining one with a single blow. More and more, the Kianene charge the Holy War’s advancing lines. But then the Nansur break through, reaching the Padirajah’s camp. This silences the heathen drums and only the Inrithi’s hymns are heard. The rout begins as Kascamandri is killed by Kellhus. Fanayal escapes, saving his younger sisters and brothers. Some Kianene still fight, but they are butchered by Men of the Tusk who weep because “never had they known such dark glory.”

And in the wake of the battle, some climbed the mastodon carcasses, held their swords out to the glare of the sun, and understood things they did not know.

The Holy War had been absolved.

Forgiven

The surviving Grandees were strung from many-boughed sycamores, and in the evening light they hung, like drowned men floating up from the deep. And though years would pass, none would dare touch them. They would sag from the nails that fixed them, collapse into heaps about the base of their trees. And to anyone who listened, they would whisper a revelation… The secret of battle.

Indomitable conviction. Unconquerable belief.

Early Spring, 4112 Year-of-the-Tusk, Akssersia

Aëngelas rides with his fellow Werigda across the Plains of Gâl, many weeping when they spotted a track of a small child. They were searching for their missing wives and children for the last two days. They’d returned from a successful raid only to find their families slaughtered or carried off. They ride through the ruins of Myclai, the capital of long dead Akssersia. Aëngelas knew nothing of the “Old Wars” that had destroyed the Ancient North or anything of the nation from which his people were descended. “They dwelt among the unearthed bones of greater things.” They followed the tracks of the Sranc through the ruins. This was a new clan, not the Kig’krinaki nor Xoägi’i whom his people usually fought. This clan was wickeder. Some even rode horses.

Past the ruins, as evening approaches, they found a fire pit and the bones of their children in it. “The Werigda gnashed their teeth and howled at the dark heavens.” They didn’t sleep, so they kept riding. They question what sin they’ve committed against the “man-pummeling Gods?” They travel through two more days “of trembling horror.” Over and over, Aëngelas sees tracks of women and children, the tribes adolescents dead and raped bodies. He remembered his wife’s fear and her premeditation she told him before he left: “Do not leave us, Aënga… The Great Ruiner hunts for us. I’ve seen him in my dreams!”

They find another fire pit, but this time the ashes are warm. They are close. While many want to press on, Aëngelas points out they’re too tired for battle. Arguments break out, men worried whose children the Sranc would next eat. But they force themselves to rest and be ready.

They’re attacked in the night by Srancs. Aëngelas is dragged from his mat. He kills his assailant with a knife, but horses charge around him. He and his men are easily captured. They are driven through the night. He weeps, knowing he would never make love to his wife or tease his sons around the fire. He wonders, “What have we done to deserve this? What have we done?”

By the wicked glare of torchlight he saw the Sranc, with their narrow shoulders and dog-deep chests, surfacing form the night as though from the depths of the Sea. Inhumanly beautiful faces, as white as polished bone; armor of lacquered human skin; necklaces of human teeth; and the shrunken faces of men stitched into their round shields. He smelled their sweet stench—like feces and rotted fruit. He heard the nightmarish clacking of their laughter, and from somewhere in the night, the shrieks of the Werigda’s horses as they were slaughtered.

And periodically he saw the Nonmen, tall upon their silk-black steeds. What Valrissa had dreamed, he realized, was true: the Great Ruiner hunted them! But why?

At dawn, they reach the Sranc camp and are reunited with their surviving loved ones. Aëngelas embraces his wife and his one remaining son. They all cry as they hold each other. “And for an instant he felt hope in the pale warmth of degraded bodies.” This joy is short lived as the Sranc begin killing any men who didn’t find their families and any women or children whose husband hadn’t survived, leaving only those who’d reunited. Then they are separated, men from women and children. Aëngelas is leashed to a spike driven in the ground, unable to reach his wife and son.

And then, for the first time, he heard the question—even though it was not spoken.

An uncanny silence fell across the Werigda, and Aëngelas understood that all of them had heard the impossible voice… The question had resounded through the souls of all his suffering people.

Then he saw… it. An abomination walking through the dawn twilight.

It was half-again taller than a man, with long, folded wings curved like scythes over its powerful frame. Save where it was mottled by black, cancerous sports, its skin was translucent, and sheathed about a great flared skull shaped like an oyster set on edge. And within the gaping jaws of that skull was fused another, more manlike, so that an almost human face grinned from its watery features.

The Sranc writhe in orgasmic pleasure as the Inchoroi passes. The thing stops before Aëngelas while Valrissa sobbed. It sense “the old fire” in Aëngelas. The thing asks if Aëngelas knows what it is. He answers the Great Ruiner.

Noooo, it cooed, as though his mistake had aroused a delicious shiver. We are not He… We are His servant. Save my Brother, we are the last of those who descended from the void…

The abomination loomed over Valrissa. She clutches their son to her breast, tries to ward off the monster. The thing tells Aëngelas to answer his questions. But Aëngelas doesn’t know anything about it. The monster seizes Valrissa, their son crying out as he’s ripped away. Aëngelas screams his wife’s name.

Holding her by the throat, the thing languorously picked her clothing away, like the skin of a rotten peach. As her breasts fell free, round-white with soft-pin nipples, a sheen of sunlight flickered across the horizon, and illuminated her lithe curves… But the hunger that held her from behind remained shadowy—like glistening smoke.

Animal violence overcame Aëngelas, and he strained at his leash, gagged inarticulate fury.

And a husky voice in his soul said: We are a race of lovers, manling…

“Beaassee!” Aëngelas wept. “I don’t knoooowww…”

The thing’s free hand traced a thread of blood between her bosom across the plane of her shuddering belly. Valrissa’s eyes returned to Aëngelas, thick with something impossible She moaned and parted her hanging legs to great the abomination’s hand.

A race of lovers…

“I don’t know! I don’t! I don’t! Bease stop! Beaasse!”

The thing thing screeched like a thousand falcons as it plunged into her. Glass thunder. Shivering sky. She bent back her head, her face contorted in pain and bliss. She convulsed and groaned, arched to meet the creature’s thrust. And when she climaxed, Aëngelas crumbled, grasped his head between his hands, beat his face against the turf.

The cold felt good against his broken lips.

With an inhuman, dragon gasp, the ting pressed its bruised phallus up across her stomach and washed her sunlit breasts with pungent, black seed. Another thunderous screech, woven by the thin human wail of a woman.

And against it asked the question.

But Aëngelas doesn’t know. The Inchoroi says “this thing” made Aëngelas weak before throwing his wife to the Sranc to be raped. Over and over, it asks him the question as it rapes his son and then hands him over to the Sranc as well. Then Aëngelas himself is rapped, and with each thrust, the question is asked in his mind. Over and over.

Until the gagging shrieks of his wife and child became the question. Until his own deranged howls became the question…

His wife and child were dead. Sacks of penetrated flesh with faces that he still loved, and still… they did things.

Always, the same mad, incomprehensible question.

Who are the Dûnyain?

My Thoughts

Even Kellhus is surprised he can stand. He knows his body. Understands what he’s gone through is beyond even the endurance bred into his lineage by the Dûnyain. The outside is touching him right now. Effect is preceding cause, giving him the strength to stand. Is it Ajolki, the God Kellhus makes a deal with in the coming years to fight the Consult? Reality is bending and warping, almost like a topoi has formed around him. Note how he pulls out Serwë’s heart from his chest. He didn’t have that in his hand when he moved from her. This is a true miracle, not sorcerery.

And it’s the moment where Kellhus accepts his duel purpose. He is both a being of intellect, a Dûnyain. But he’s also now a being of faith, embracing his role as the Warrior-Prophet. For he witnesses his own haloed hands. Just like everyone else does when they believe him to be a prophet. The Outside has marked him.

Now he shall use the Thousandfold Thought to defeat the Consult, something the Dûnyain wouldn’t do. Because, as he says in the next book, he is mad. The break down of Cause and Effect has shattered Kellhus’s mind. The Dûnyain, for all their vaulted intellect, have some deficiencies. Their lack of strong emotions makes them vulnerable to outside manipulation. While they have incredible will, they lack the fire to truly defend it, as we see when Kellhus is possessed by Ajolki before the No-God’s sarcophagus (and Bakker has confirmed that it wasn’t Kellhus’s will, but the god taking him over in an AMA on Reddit). They also do not have the world view to deal with the violation of cause and effect. It warps them. We sees this with Kellhus’s son, the Survivor, in the next series.

Now this is an interesting scene to start a chapter with. It’s the climax of the last chapter, what it had built to, and yet he places it at the start of the next. It feels almost divorced from the historical section about the battle, this remote, omniscient third person Bakker slips into to convey broad events. But it’s a signal. Everything has changed in the world.

Kellhus has accepted a new role. He has had his rebirth. He’s wrapped in white, symbolizing that change. He’s, in effect, come back from the dead. And it changed even him. He’s the Warrior-Prophet in truth now, for good or ill. And what follows, the Inrithi’s desperate charge, is a direct result of that. So by undercutting narrative expectations, he instead delineates the importance of what just happened by starting a new chapter with it.

Kascamandri not only thinks himself wise, but it’s smart. Starve these men, get them to capitulate to his religion to save their skin. Men like Conphas would do it, but others wouldn’t. But enough would. However, he doesn’t know a Dûnyain is in there. He’s also counting his chickens, as it were, planning on making them Grandees of their nations. Kascamandri is plotting a Jihad. He has assembled this huge force and just demolished the fighting strength of the Inrithi.

Perfect time to invade and spread Fane, and his own power.

And then Kellhus responds with a terrifying display of power. To get twelve men to kill themselves is something no temporal leader ever can do. It takes the fanaticism of a true belief, one that can subsume a human’s survival instinct, to do that.

Now the last battle of the book unfolds. The desperate march of the Inrithi. They have nothing left to lose now. They need to attack because every day they weaken. And with Kellhus giving them the will to defy the surrender, they spill out. And they fight with zeal. The Fanim thought they were weak. And the secret of battle is that it is a war. Convince your opponent he lost and that you won. Who ever has the most conviction, the strongest belief, shall win. Those who are overconfident do not react well to upsets. It shakes their convictions, shatters their beliefs. It is how such a small, weakened force overcame a well-armed and healthy enemy.

I love how Bakker never calls Kascamandri fat. He has “elephantine arms” or it takes slaves plural to hoist him into a saddle. It’s a nice touch.

What a sad line: “They dwelt among the unearthed bones of greater things.” Here we have a post-apocalyptic tribe reduced back to hunter-gathers, living amid the Sranc-infested north. They’ve existed for two thousand years. And today, the Consult has need of them. They have no idea the “Old Wars” have begun again, and that they number among the first victims.

Man-pummeling Gods.” This gives a good idea how hard life is for the Werigda before this happened. They see the gods as something to be appeased and endured. Entities they had to placate and if they didn’t, they were punished. They fear their world, so have created Gods to personify that fear.

The Great Ruiner. So Kellhus isn’t the only one that’s dreamed of the No-God.

And for an instant he felt hope in the pale warmth of degraded bodies.” This line… What a dreadful thing befalls these people. Just trying to survive amid a world of monsters, nurturing all those small, important things: love, family, hope. And it all gets snuffed out by the cruelty of the Consult. It’s sick and barbaric.

Aëngelas calls the Inchoroi a Xurjranc. This must be a corruption of Ur-Sranc, introduced in the next series. The greater Sranc bread for war different from the vermin that the Werigda would be familiar with. It’s his only frame of reference to call the Inchoroi. I always thought Ur-Sranc was something Bakker didn’t come up with until the next series when he fleshed out the Consult more and how its armies worked. But now… Interesting.

And then this entire thing comes to its sickening end. Aëngelas watching the rape of his wife, and hearing her enjoy it, is like the anime and manga Berserk. When during the eclipse, Guts watches Caska’s rape at the hands of the now demonic Griffin. How she quivered and enjoyed it even as the violation destroyed her mind. And it should be clear to the Inchoroi that these hunter-gathers have nothing to do with the Dûnyain. Have never hard about them, but he’s having fun.

He’s part of a race of lovers. And he’s loving their flesh. He cares nothing about their pleasure, about their suffering, only himself. He’s selfish. His entire race is. That’s what they are. That’s why they’re condemned to damnation. And why they will butcher the entire world, have butchered others, just to free themselves from that fate.

Bakker ends the book showing us exactly why the Inchoroi can’t be allowed to succeed. We’ve heard about them, but to see how they operate in all their visceral depravity contrast that new rebirth. This is what Kellhus has decided to fight by becoming the Warrior-Prophet. Kellhus will do his own harm to do this, cause so many death and suffering, commit so many to damnation on the chance of defeating the Consult.

And in the vein of Grimdark Fantasy, fails.

What a powerful book. The characters suffer so much in this book. They are plunged to their nadir and are changed. Some become stronger like Achamian, some embrace madness like Kellhus, others are destroyed like Xinemus. Bakker has set the stage to end the first of his Three Series story. He’s shown us the world, how it works, and what the stakes are. Now he’ll show us who will be the one to try to save it, how he changes and grows, and I’m not talking about Kellhus.

Achamian. He was strengthened in this book. Will it be enough to stop the No-God once again?

Bakker’s final line of the novel is fitting: “Who are the Dûnyain?”

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Review: Nyssa Glass and the Juliet Dilemma

Nyssa Glass and the Juliet Dilemma

by H.L. Burke

Reviewed by JMD Reid

Nyssa Glass and Ellis Dallhart are trying to both leave their pasts behind and escape from their country. Nyssa, still wanted for murder, and Ellis stunned by his father’s work, just want a fresh start. The young couple have their opportunity, their new documents, and their tickets on an airship that will take them away from it all.

Only for another young couple to rob them and take their new identities.

Nyssa and Ellis will have to find a new way to escape the country as they become embroiled in a young couple fleeing the girl’s tyrannical uncle. Will this young Romeo and Juliet prove reliable allies, or will their own misdeeds cost Nyssa and Ellis everything?

What a great follow-up to Nyssa Glass and the House of Mirrors. Nyssa and Ellis make a cute couple, still in this awkward stage of their relationship, not sure what they really are to each other. More than friends, but not quite lovers. But they are in it together, dealing with the complication the young couple eloping have caused them. Ellis being in a wheelchair adds another dimension that allows Burke to come up with creative solutions to their problems. The pair compliment each other well. They’re both intelligent, but Ellis’s caution and Nyssa’s daring work well to balance each other and lead them to their success.

Another great young adult novella from Burke. Fans of fantasy and steampunk need to check out this delightful series!

You can buy Nyssa Glass and the Juliet Dilemma from Amazon!

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