Review: Magician’s Gambit (The Belgariad 3)

Magician’s Gambit (The Belgariad 3)

by David Eddings

Reviewed by JMD Reid

As ash falls on Nyssa, Garion grapples with his sorcerous powers. Wracked with guilt for what he did to the man who killed his parents, Garion needs to understand his new abilities. How he can live with the consequences.

As Garion deals with what type of man he will become, Ce’Nedra can’t help the burgeoning attraction swelling in her heart for the young man. She knows nothing can come of it, as a Tolnedran Princess, she’ll marry a man to enhance the empire and her family’s goals. How can she love a peasant? What future can they have?

As the company heads north into the haunted lands of Maragor, Garion and Ce’Nedra must both come to terms with adult responsibilities. All while dealing with mad gods, dangerous assassins, and bloodthirsty monsters.

The Magician’s Gambit continues the growth of Garion. Adult responsibilities, represented by sorcery, are thrust upon him. And now he has to figure out what to do with them. The decisions he makes will shape the sort of man he’ll become. Eddings weaves these themes into his story with skill, tying the coming of age plots into the fantasy quest adventure narrative he is weaving.

The characters continue to be delightful. As always, Eddings can straddle that line between the humors and the serious, between the dark and the bright. The Belgariad series is one that both young people can read and enjoy but has more mature themes for us older folks to enjoy.

This is a fantasy series for all ages to enjoy, but it will especially resonate with young boys!

You can purchase Magician’s Gambit from Amazon!

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Review: Queen of Prophecy (The Belgariad 2)

Queen of Prophecy (The Belgariad 2)

by David Eddings

Reviewed by JMD Reid

The quest to recover the Orb of Aldur continues. Garion, once a simple farm boy, finds himself thrust into the company of sorcerers, warriors, and conniving princes on a journey to save the world. As he struggles to find his place in the world, his true destiny begins rearing its head.

While traveling south through new lands, new members join Garion’s party. From the resolute Mandrollan to the flighty princess Ce’Nedra, the company continues following the thief into the dangerous lands of the serpent queen.

Those who know Garion’s destiny seek to seize him. He will have to grow into a man if he wishes to survive!

Queen of Sorcery picks up a few weeks after Pawn of Prophecy. Eddings skips us a farther south, not treading over familiar ground of Sendaria and setting us into a new country. His world building expands even more as he takes us into cultures new and varied from the solid lands Garion grew up in. Edding’s sardonic humor can tread into the macabre from time to time, but the series continues to be fun and adventurous.

Garion continues growing up, on the verge of true adulthood on this book. He’s in the last stages of that rebellious teenage phase as responsibilities of the world began to weigh on his shoulders. This series continues to be a fun romp and a great series for young boys to read as well as older fans. Eddings dialogue continues to be some of my favorite in Fantasy.

You can purchase Queen of Sorcery from Amazon!

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Interview: Clay Gilbert

This week, I got to get to know a new indie author. Clay Gilbert is man who writes what he loves: horror, urban fantasy, and science fiction! He’s just released his seventh novel onto Amazon, The Kind Memory’s Children: Book One The Golden Road. And that’s just one of his intriguing novels!

First, let’s get to know Clay with some fun, quirky questions!

If you were stranded on a desert island, what three books would you want with you.
The Bible, Moby-Dick, and Frank Herbert’s Dune.
Dune, that’s a good choice. My favorite science fiction novel, and there is a reason the Bible has endured the centuries whether or not you believe in god or even Judeo-Christianity. Lot of truth about reality found in there.

What animal best describes your personality?
Cats.
Interesting.

If there was one place in the world you’d love to visit, where would it be?
Oakley Court, near Windsor, in the UK, the location for much of the filming of The Rocky Horror Picture Show.

Are you a cat or dog person?
Cat
I had a feeling after your personality answer!

If you could have a dinner with one historical person, who would it be?
Hmm. Maybe Frank Herbert or Robert Heinlein.
Frank Herbert had such fascinating ideas about the great man fallacy.

 

Now let’s get down to brass tacks!

Besides writing, what are you passionate about?
My Christian faith, and the Bible; music of all sorts, but particularly the music of the Grateful Dead; movies, and books.

What drew you to the craft of writing?
I started writing and reading early, and from the time I realized that there were people who wrote as a job, the way that my father went to his office every day, that’s the job I wanted. I published my first short story at the age of thirteen, in Scholastic magazine. They paid me $25. I never really looked back after that.
Awesome! I never shared what I was writing with anyone at thirteen. Too scared. That, and I couldn’t finish a story before a new idea caught my attention.

When writing a novel, are you a detailed planner or do you fly by the seats of your pants?
Thank you for not using the term ‘pantser.’ I don’t outline. I don’t plan in advance, much. At the same time, my process isn’t as random as what ‘fly by the seat of your pants’ suggests. I usually start with a character, or pair of characters, and let them tell me what the story is. In other words, the conflicts, situations, end goals, and the world my story happens to be set in are all centered around and suited for the people in the story. And I find that they know what’s best for the story much more than I would, if I were to force things. Outlining to me seems like trying to have control over something I don’t want control over.
Interesting take on it.

What has attracted you to writing across such diverse genres as science fiction, urban fantasy, and horror? Of the three, which is your favorite to write about.
I probably consider myself mostly a science fiction writer, although I do have a strong love for horror and urban fantasy as well. I just published a second horror novel, Cassie’s Song, the sequel to my vampire novel Dark Road to Paradise, and I plan on publishing two more horror novels next year, along with more science fiction. The Kind, Book One: The Golden Road is the first of a two-part urban fantasy, and while I like that genre, I don’t know if I’ll have more to say in that area once the second book, To Terrapin and Back Again, is published this fall. We’ll have to see.

Tell us about Annah, the heroine from your Children of Evohe Series. What makes her such an intriguing character to read about?
I sometimes refer to the first book of that series, Annah and the Children of Evohe, as ‘Jane Eyre’ in space. Like Charlotte Bronte’s heroine, Annah is an outcast in her world, and an independent thinker. Also like Jane, Annah finds love with a much older man—the human Gary Holder, whose ship crash-lands on Annah’s homeworld of Evohe, and whom she nurses back to health. Unlike Jane, though, Annah becomes a messiah figure to her people, similar to Paul Atreides in Frank Herbert’s Dune. And that was one of the things I wanted to explore when I started that series—why are there no female messiah-figures in fiction, science fiction specifically? What would it be like to merely want to fit in, and to have this sort of destiny put upon you? Annah’s interesting because she has a strong desire to belong, but the other things she feels called to do can’t help but divide her from her people in some ways. She’s also not some kind of flawless, perfect heroine. She has many strengths, but she also has fears and weaknesses and failings, and certainly doesn’t always do the right thing.
That does sound interesting. Nice foundation to build off of!

Eternity and its City sounds intriguing. What was the inspiration behind Eternity’s quest to lead it to freedom?
I wrote the original draft of Eternity between my senior year of high school and my freshman year of college, or, in other words, between the ages of seventeen and eighteen, the same time period that passes for Eternity in the novel. I revised it a number of times, but it’s surprising to me that, in its published form, it’s still about 75% the book that seventeen-year-old me wrote all those years ago. The inspiration was twofold, really: I’ve also enjoyed dystopian books like Huxley’s Brave New World and Orwell’ s 1984, but I also enjoy coming-of-age stories like S.E. Hinton’s The Outsiders. I wanted to write a dystopian novel in which the broad political struggle was more a metaphor for the growing-up process of adolescence. It was very immediate struggle to me when I first wrote the book, because it was pretty much my life, or how I experienced it, internally. Revising it, later, as a adult, I was able to refine the raw emotions and the inexperienced prose style of my younger self into a form that, if seventeen-year-old me could see it, I think he’d say that was what he meant in the first place. Next year, I’m writing a sequel called Islands of Light. It takes place thirty years later, and, like the original book, will attempt to function on two levels. What do the struggles of youth look like to an adult, thirty years on? And also, what happens, politically, when you win a war? We won, but do we become the oppressors now? What does that look like? I’m looking forward to going back to the City and exploring those issues.

What do you have coming up next?
So far, in 2018, I’ve published The Conversationalist, Book One: Out of the Blue, the first part of a sci-fi romantic comedy, Cassie’s Song, the second book in my vampire series Tales of the Night-Kind, and the first book of the urban fantasy The Kind, entitled The Golden Road. This fall, I’ll be publishing Book Two of The Kind, titled To Terrapin and Back Again, the second Conversationalist novel, entitled Mission to Mercy Prime, and the fourth Children of Evohe novel, Annah and the Arrow.

Last, do you have any advice for a new or aspiring author?
Write what you love, not what you think is going to sell. You must be your primary audience, starting out. If you write a story you are passionate about, other people will be, too. Write from passion, not fashions or trends. Write every day. Treat it like a job. Same time, same place, every day, for as much time as you can spare. Dismiss the idea of ‘writer’s block’ from your mind. ‘Writer’s block’ is made up BS that people use as an excuse not to do their work. If you had a stopped-up toilet, and the plumber showed up and apologetically said he couldn’t do his job because he had ‘plumber’s block, would you stand for that? Don’t stand for it in your writing, either. Set a goal. I try for an average of 20,000 words, or ten pages, a day. Whatever your daily goal is, don’t stop until you achieve it, and eliminate ‘can’t’ from your vocabulary.
That is some great advice that I personally agree with. Writing is my job, and I try to keep a schedule for it.

Well, thank you for letting me get a chance to talk to you! I wish you well on your writing!

Clay Gilbert says he’s always liked stories, and that from the time he knew there were people who told them for a living, that’s what he wanted to do. Clay’s work in various genres has been in print since his first short science fiction story, “The Computer Conspiracy,” was published in Scholastic magazine when he was just thirteen. Clay is the author of the science fiction series Children of Evohe, including the novels Annah and the Children of Evohe, Annah and the Exiles, Annah and the Gates of Grace, and Annah and the Arrow. He is also the author of the YA dystopian novel Eternity, the science fiction novel The Conversationalist: Out of the Blue and its sequel, The Conversationalist: Mission to Mercy Prime, as well as the vampire novel Dark Road to Paradise, and its sequel, Cassie’s Song, all published by Dark Moon Press. He lives and works in Knoxville, TN. His author blog can be found at http://portalsandpathways.wordpress.com/, and the official website for his Children of Evohe novels resides at https://childrenofevohe.com/.

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Reread of The Thousandfold Thought: Chapter Seven

Reread of Prince of Nothing Trilogy

Book 3: The Thousandfold Thought

by R. Scott Bakker

The Final March
Chapter 7
Jocktha

Welcome to Chapter Seven of my reread. Click here if you missed the Chapter Six!

Every woman knows there are only two kinds of men: those who feel and those who pretend. Always remember, my dear, though only the former can be loved, only the latter can be trusted. It is passion that blackens eyes, not calculation.

—ANONYMOUS LETTER

It is far better to outwit Truth than to apprehend it.

—AINONI PROVERB

My Thoughts

Wow, those are some quotes. But they really boil down to this: you can only be hurt by someone you love. And you can’t really love someone who pretends. So that guy who’s just faking it, he doesn’t really care, so he’s not going to inspire any real emotions, whether good one or bad ones. So what does that say about Esmenet. Only Achamian can hurt her? That she can’t actually love Kellhus because he fakes it (and the moment Esmenet realizes that Kellhus fakes it, her passion for him is lost).

Still, what a depressing thing to say. Makes you wonder who this anonymous woman is. Someone abused. Someone whose known a lot of men in her life. This letter says you can either have love and fear, or safety and emptiness.

The proverb does come off as very Ainoni. They are ones who like to shape reality to their liking. Better to find a work around to an unpleasant truth, then understand it. It’s easier on your conscience. It’s two interesting quotes to start the chapter with. On the surface, the second quote could be about the first one with a woman who outwits the truth about the two types of men. But these quotes are both about Cnaiür.

Cnaiür is a man who has passion. He blackens the eye. He’s not Kellhus. He doesn’t calculate. This is also why Esmenet falls out of love with Kellhus and stays in love with Achamian. Achamian never hits her, but he has passion for her. Kellhus doesn’t have passion, but he does have safety. And it’s for that safety that Esmenet stays. The second quote relates to Cnaiür at the end when he realizes by trying to outwit Truth, Kellhus, he instead apprehends it. But that doesn’t matter, because it leads to his capture.

Early Spring 4112 Year-of-the-Tusk, Jocktha

Cnaiür is eating in the privy dining hall of the Donjon Palace, noting how this place feels not only Fanim, but Kianene. He’s dining with Conphas and his generals plus the two nobles on loan from Proyas. They all are taking pains not to rub knees, a problem with Kianene tables requiring you to sit on cushions.

Conphas mentions lights were seen on Cnaiür’s terrace a few nights ago with Sompas providing half-hearted support, leading Cnaiür to think Sompas isn’t happy Conphas agreed to dine with Cnaiür. Meanwhile, Conphas is waiting for Cnaiür’s answer. Cnaiür ignores it, drinks wine, and notes Conphas still has bruises from his beating. He notes how Conphas had his “wardrobe dragged across the desert, Cnaiür mused, spoke volumes.”

Cnaiür had ostensibly summoned Conphas and his Generals here to discuss the arrival of the transports and the subsequent embarkation of his Columns. Twice now, he had quizzed the man on the matter, only to latter realize afterward that the answers the fiend provided only made apparent sense. But in truth, he cared nothing for the transports.

Conphas presses that the lights were “unnatural,” still waiting for Cnaiür’s answer. Refusing didn’t get the message through to Conphas since men like him “did not embarrass.” They do fear, though. As Cnaiür drinks his wine, he approaches Conphas, noting the man’s canny eyes, his cleverness, but also his worry. He’s spooked by this sorcerer. Cnaiür’s not surprised by that.

Was this, he wondered, how the Dûnyain felt?

Cnaiür wishes to speak about Kiyuth. As Conphas eats in the “effete twin-fork manner of the Nansur caste-nobility.” Cnaiür senses an elated manner about him. Conphas thinks he’s won. Cnaiür asks what Conphas would have done if Xunnurit didn’t attack. Conphas claims the genius of his plan was Xunnurit had to attack. Trinemus doesn’t understand but Sompas explains how Conphas used the demands of the seasons on the Scylvendi’s herds, how they would react to their fellows being raped, and then he brings up their arrogance but trails off looking at Cnaiür. General Imyanax takes it up, explaining how the Scylvendi see buggery as the “greatest of obscenities.” Cnaiür notes how the other generals reacts while Conphas is mater-of-fact about saying he did it.

For a long moment no one dared utter a word. Devoid of expression, Cnaiür watched the Exalt-General chew.

“War…” Conphas continued, as though it were only natural that men should hang on his enlightened discourse. He paused to swallow. “War is no different than benjuka. The rules depend on the moves made, no more, no less.”

Before he continued, Cnaiür said, “War is intellect.”

That gives Conphas pause, realizing that Cnaiür must have been among the dead when he talked to Martemus about his tactics after the battle. Conphas asks Cnaiür didn’t try to kill him, though Cnaiür believes he could have. Cnaiür says he was tangled up in thick grass and couldn’t move. Everyone else in the room feels the danger from Cnaiür save Conphas, who makes a joke about how “the field was mine.” No one laughed. Cnaiür orders everyone to leave.

At first no one moved—no one even breathed. Then Conphas cleared his throat. With an intrepid scowl he said, “Do it… do as he says.”

Sompas began to protest.

“Now!” the Exalt-General barked.

After they leave, Cnaiür stares at him. Conphas realizes if Cnaiür was the King-of-Tribes, Conphas would have lost. Cnaiür hints he would have then conquered the Empire. Cnaiür almost feels wonder as her realizes Conphas is just a boy, not the Lion of Kiyuth. He was in Cnaiür’s power now, another neck “as slender as any Cnaiür had broken.”

The Exalt-General pushed back his plate, turned to him in a manner at once jocular and conspiratorial. “What is it that resides in the hearts of hated foes, hmm? Save the Anasûrimbor, there’s no man I despite more than you…” He leaned back with a friendly shrug. “And yet I find this… unlikely repose in your presence.”

“Repose,” Cnaiür snorted. “That is because the world is your trophy room. Your soul makes flattery of all things—even me. You make mirrors of all that you see.”

Conphas laughs it off and doesn’t want to beat around the bush. Cnaiür slams his knife into the table and declares that this is the truth of the world. Conphas manages to “maintain his facade of good humour” despite his fear. Cnaiür say it is fear that moves Conphas, though Conphas tries to deny it but is cut off by Cnaiür cuffing him hard.

“You act as though you live this life a second time!” Cnaiür leapt into a crouch upon the table, sent plates and bowls spinning. Eyes as round as silver talents, Conphas scrambled backward through the cushions. “As though you were assured of its outcome!”

Conphas cries for Sompas, but Cnaiür hits him in the back of the head. He then bends Conphas over the table. Cnaiür undoes his belt then smashes Conphas’s face “against its own reflection” a few times. The watching slaves cringe and weep.

“I am a demon!” he cried. “a demon!”

Then he turned back to Conphas shuddering on the table beneath him.

Some things required literal explanation.

Cnaiür wakes up the next morning, hung over, and cleans himself of the “blood and soil smeared across his thighs.” Out the window, he sees the Nansur ships had arrived. He leaves and finds a captain named Troyatti, part of a group called the Hemsilvara (Scylvendi’s Men) who ride with him, to send word to ships that they harbor chain will be lowered only after they are searched, then he wants Conphas and his officers assembled on the Grand Quay. He orders the captain to make sure Ikurei is captured. Troyatti asks what worries Conphas. Cnaiür wonders if he can trust Troyatti and decides he can, saying the fleet arrived too soon like it was “dispatched before Conphas’s expulsion.” Cnaiür fears they hold reinforcements.

“Think of Kiyuth… The Emperor only sent a faction of the Imperial Army with Conphas. Why? To guard against my kinsmen, when they have been ruined? No. He saved his strength for a reason.”

The Captain nodded, his eyes bright with sudden understanding.

“Secure Conphas, Troyatti. Spill as much blood as you have to.”

Cnaiür rides to the Grand Quay and his men take fishing boats out to the Nansur boat while Sanumnis arrived with more soldiers. Soon, Cnaiür learns that while three of Conphas’s generals were found, Conphas and Sompas were somewhere in the city, looking for a physician to treat Conphas after he was beaten last night. Cnaiür orders the city sealed. Cnaiür’s nervousness is spreading by the time the Nansur officers are brought. Cnaiür threatens them if the transports are not empty. This angers them and General Areamanteras implies he knows what Cnaiür did to Conphas.

Scowling, Cnaiür approached the General, pausing only when he towered over him. “What did I do?” he asked, his voice strange. “There was blood when I awoke… blood and shit.”

Areamanteras fairly quailed in his shadow. He opened his mouth to answer, then tried to purse away trembling lips.

“Fucking swine!” Baxatas cried to Cnaiür’s immediate right. “Scylvendi pig!” Despite his fury there was fear in his eyes as well.

Cnaiür demands to know where Conphas is. Baxatas won’t meet his gaze. The boats he sent out to the waiting transports are now signaling. The ships are empty. By that afternoon, the ships are in the harbor, but Cnaiür keeps the gates shut because Conphas still hasn’t been found. Tarempas, the Nansur admiral, claims they had unexpectedly favorable winds.

Word comes that the Nansur Columnaries are rioting and protesting because they know the ships have arrived but they aren’t boarding. It grows worse when they learn Conphas has escaped. They are assembling outside the gate before a thin line of a hundred Conryian knights. Cnaiür says not to fight them, they are too outnumbered, and not to be concerned since they lack weapons and siege equipment and are not forming up as soldiers.

Troyatti brings word of a tunnel they found leading out of the city. Conphas had escaped. Cnaiür orders the search canceled and the tunnel collapsed. He feels something is wrong. “After so long with the Dûnyain, he knew the smell of premeditation.”

This would not be another Kiyuth.

Something… something…

Cnaiür abruptly rides to the Donjon Palace and finds Saurnemmi, the Scarlet Schoolman. He asks the man if he can burn the ships from the distance. They are interrupted by a signal horn blasting from the walls. He orders the Schoolman to burn the ship and rides for the walls. He gains the walls, joining Baron Sanumnis, and sees Nansur reinforcements marching from the hills, both Kidruhil cavalry and infantrymen.

“You’ve doomed us,” Sanumnis said in his periphery. His tone was strange. There was no accusation in his voice. Something worse.

Cnaiür turned to the man, saw immediately that Sanumnis understood their straits all too well. He knew that the Imperial transports had set ashore in one of the natural harbours to the north of the city, and there disembarked who knew how many thousands—an entire army, no doubt. And he knew, moreover, that Conphas could not afford to let even one of them escape alive.

Sanumnis complains that Cnaiür didn’t kill Conphas. Cnaiür feels week again as he says he’s no assassin. Sanumnis relaxes and they have a moment of understand before Cnaiür has intuition and glances at the harbor where he sees flashes of sorcery, realizing there are Imperial Saik Schoolmen on the transport. Cnaiür realizes someone has to survive so orders their four Chorae bowmen to kill a sorcerer and make them afraid. “With no infantry to prise their way, they’ll be loath to advance. Sorcerers are fond of their skins.”

Cnaiür is only giving the order to give hope to Sanumnis and his men that they are foiling Conphas’s plan, when in reality Cnaiür believes the Schoolmen are just to keep them from escaping by sea while Conphas forces through the main gate. But it helps with his men’s morale. Then Cnaiür says under cover of dark, they will withdraw from the city and attack the forces, bleeding them. To inflict as many casualties as possible upon them. Saying these words sparks something in Sanumnis and Cnaiür must fan it. He turns to the soldiers, telling them that the Nansur will grant no quarter because they can’t afford the Truth to escape.

He [Cnaiür] let these words ring into silence.

“I know nothing of your Afterlife. I know nothing of your Gods or their greed for glory. But I do know this: In days to come, widows shall curse me as they weep! Fields shall go to seed! Sons and daughters shall be sold into slavery! Fathers shall die desolate, knowing their line is extinct! This night, I shall carve my mark into the Nansurium, and thousands shall cry out for want of my mercy!”

And the spark became flame.

“Scylvendi!” they roared. “Scylvendi!”

Later that night, Cnaiür waits with his soldiers while the Nansur’s outside prepare for their assault while the Imperial Saik stay on the ships, controlling the harbor. The defenders have been busy destroying knocking down walls in the warren of tenements outside the main gate, turning it into a confusing labyrinth. His men wait dispersed through it to lie in ambush.

This was not, Cnaiür realized, what the Dûnyain would do.

Either Kellhus would find a way—some elaborate or insidious track—that led to the domination of these circumstances, or he would flee. Was not that what had happened at Caraskand? Had he not walked a path of miracles to prevail? Not only had he united the warring factions within the Holy war, he had given them the means to war without.

No such path existed here—at least none that Cnaiür could fathom.

Cnaiür wonders why he isn’t fleeing by himself instead staying with these “doomed men.” Kellhus had taught Cnaiür that he was “enemy of all.” He had only “coincidental interests” with these men. Cnaiür stood “beyond origin or outcome.” He was beyond everything and stood “nowhere.” Troyatti asks what amuses Cnaiür. “That I once cared for my life.”

The attack begins. The gates are battered down by sorcery. The Nansur’s march in rank by rank, following their training to “strike hard and deep, cut upon your enemy’s flank, sever him from his kinsmen.” This leads the Nansur into Cnaiür’s ambush. They fall on the infantrymen’s flanks from both sides, hacking deep into the middle of their ranks only to retreat into the ruined buildings.

The battle that followed was unlike any Cnaiür had experienced. The pitch of night struck in the hues of sorcerous light Catching unawares and being so caught. Hunted and hunting through a labyrinthine slum then warring in open streets, hilt to hilt, spitting blood form one’s teeth. In the dark, his life hung from a thread, and time and again only his strength and fury saved him. But in the light, whether by moon or, more likely, the burning of nearby structures, the Nansur flinched from him and attacked only with the haft of their spears.

Conphas wanted him.

Cnaiür had not the arms for the swazond he earned that night.

As the night goes, Cnaiür loses more men, including Sanumnis and Troyatti. He finds himself down to three Conryians and six Thunyeri. They make their last stand in a ruined Fanim Tabernacle. They fight and kill until Cnaiür stands with a lone Thunyeri while “the dead formed a skirt of tangled limbs across the steps below them.” The Thunyeri takes a spear in his throat. Alone, Cnaiür roars “Demon!” as they try to kill him. He kills them, iron to their “rotted leather.”

He was of the People.

Without warning, the Nansur relented, crowded back into the shields of those behind, away from the advance of his dripping aspect. They stared in horror and astonishment. All the world seemed afire.

“For a thousand years!” he grated. “Fucking your wives! Strangling your children! Striking down your fathers!” He brandished his broken sword. Blood spilled in loops from his elbow. “For a thousand years I have stalked you!”

He throws away his broken sword and grabs a spear, killing a soldier. Conphas is in the background now, screaming for them to take Cnaiür. They surge at him and beat him down like “howling apes.” After he’s captured, he’s brought before Conphas whose face is still bruised and swollen from Cnaiür’s. However, Conphas’s eyes are the same. He says Cnaiür is no different from Xunnurit

And as the darkness came swirling down, Cnaiür at last understood. The Dûnyain had not sent him to be Conphas’s assassin…

He had sent him to be his victim.

My Thoughts

Interesting that Cnaiür knows Conphas is stalling, but then so is Cnaiür. He just has to kill the man, but is putting it off, inadvertently giving Conphas a lifeline.

Of course Conphas is spooked by the possibility of another sorcerer since he believes he has Cnaiür’s Scarlet Schoolmen under compulsion.

Well, Cnaiür, reading people like books is how the Dûnyain see the world. Feel… well, that’s a word they don’t really know since they murder their emotions or end up lobotomized.

Biaxi Sompas, coming from a rival family, has been won over by Conphas’s prowess. He’s like a fresh religious convert who usually number among the most zealous. He was raised seeing the Ikurei’s as the bad guys only to learn how amazing Conphas is, which means he has to be the most fervent in showing his support.

Once again, Bakker reminds us of Conphas’s intelligent with him figuring just how Cnaiür must have heard that phrase. This is followed by Bakker showing us how Conphas’s narcissism has handicapped him because he can’t sense the danger, only that he sees a chance to belittle Cnaiür, clearly taking his excuse of being knotted in grass as a weakness in the man.

You know what they say, never meet your idols. In a way, Cnaiür has obsessed over Conphas, too, adopting his war is intellect motto. Unlike Moënghus, Conphas is a man Cnaiür can best, not the mighty Lion of Kiyuth that was somehow more than human. Of course Cnaiür is disappointed.

More cutting observation from Cnaiür on Conphas’s narcissism. People see what they want to see in someone’s actions.

It takes a very self-deluded arrogance and narcissism to go through life like nothing will hurt you. To forget that suffering and misfortune comes to us all. We cannot keep the chaos of the world from intruding upon the order of our lives forever.

Nice touch on Bakker, making the table mirror-smooth as a motif then having Cnaiür bash Conphas’s head into his own refection, driving home the man’s narcissism.

Well, I guess raping Conphas is a “literal explanation” about the powerlessness Conphas truly is at the moment.

If you don’t know what a harbor chain is, they’re real things. It’s a long, thick chain that is stretched over the mouth of a harbor and can be raised. Ships can’t pass it. The most famous of these chains would be the one across the Bosphorus at Constantinople

I generally think Bakker is an author who sets things up and remembers about all the diverse groups. So it’s weird that suddenly the Hemsilvara, these young Conryian men who hero worship Cnaiür and to whom he had taught them about being Scylvendi until right now when he needs to use this character versus one of the other Conryians. His first mention, in this book, is at the start of the dinner in this chapter. They could have been mentioned earlier in the book, even explaining what the Hemsilvara where before this moment. This should have been fixed in rewrites as it strikes me as, while writing the rough draft, Bakker realized he needed this character and his background then forgot to seed it into the earlier part of the manuscript. It’s a little nitpick that doesn’t from the rest of the story.

Cnaiür does not remember the previous night. He had raped a man and probably didn’t like how much he enjoyed it and, to protect his identity, forgot he had done something so blatantly homosexual.

Nice bit of subversion. We’re expecting the transports to be full, and clearly Conphas knows this will be expected. But he’s fled, using is own assault last night as an excuse to vanish from his lodgings. Cnaiür knows something is up, but he has no idea what.

Cnaiür, despite teaching Conphas fear, despite all his care, was outmaneuvered. Just like he was at Anwurat. Cnaiür is a great tactician and a keen intellect, but that doesn’t mean he can’t mistake. Just like despite Kellhus’s intelligence, he can’t make mistakes. Bakker is reminding that while at the same time building the tension. You know the trap is about to be sprung, but will Cnaiür see it and counter it in time.

The narrative shifts from Cnaiür being in power to how he’s Cnaiür getting out of this alive.

Ultimately, fear ruled Cnaiür. He was afraid of killing Conphas because it would mean he no longer had any use to Kellhus. Therefore, Cnaiür would lose his only path to Moënghus and vengeance. Not killing Conphas definitely has lead to that path. Good thing the Consult is throwing him a lifeline.

Nothing like being the underdog and thinking you did something to the giant enemy. It could give Cnaiür’s forces the morale that might allow some of them to survive.

Great speech from Cnaiür. We’re going to die, but we’re going to make them pay. Get them angry. Get them mad at the situation. Then give them an enemy to destroy.

His plan is great. The Nansur are rigid soldiers designed to fight on open battlefield. So he gives them asymmetrical warfare, hitting the disciplined soldiers in their flanks then not standing to fight. It’s a great plan, but he doesn’t have the numbers to prevail. So it’s why they’re just turning it into a bloodbath, a final fuck you to the Nansur and Conphas.

“Cnaiür had not the arms for the swazond he earned that night.” Great world building allows you to have lines like that to say, “Cnaiür killed a lot of men.”

“He was the People.” Cnaiür has embraced being Scylvendi. He’s going to die killing the Nansur. This is the only way he can feel like a Scylvendi: killing. Murdering. Butchering.

Conphas’s eyes are the same. All he’s been through hasn’t changed him at all. He is the only character not to change at all. Even Kellhus changes. That’s some commentary on a true narcissist right there.

So Cnaiür thinks this is all to Kellhus’s plan, and maybe it is, but I have my doubts. If Achamian hadn’t stepped up to stop the Nansur army, because Cnaiür survived this and revealed the truth to Achamian, then the Nansurs would have fallen on the Holy War. Kellhus probably would have prevailed, but it’s better to have Cnaiür just kill him here. It’s possible an all options prove beneficial. But Kellhus isn’t fallible. He made mistakes. He got lucky with giving Saubon his blessing. And he got lucky that he survived the Circumfix. He didn’t see how to get passed it, only that he needed to get passed it to win. He gambled and paid off. But Cnaiür, he sees Kellhus as near omnipotent.

And we end this chapter with a variant of Bakker’s favorite expression “darkness came swirling down” instead of death.

Hi, if you like my Analysis, you can connect with me on Facebook and Twitter, and you can check out my short stories on Amazon! Also,  please leave any comments or criticisms below! They help keep me motivated!

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Review: Pawn of Prophecy (The Belgariad 1)

Pawn of Prophecy (The Belgariad 1)

by David Eddings

Reviewed by JMD Reid

On a remote farm in the back end of nowhere, Garion grows up under the watch of his Aunt Pol. He has no idea of his true heritage or his true destiny. Nor does he know of the great adventure about to be thrust upon him when the traveling storyteller he’s nicknamed Mr. Wolf shows up with urgent news for his Aunt.

News that sees Garion setting off from the farm he grew up on and out into the world. Confused by events and realizing his Aunt Pol is more than a simple cook at a farm, Garion will have to grapple with a world of magic as he comes of age!

Pawn of Prophecy is a book I first read in the sixth grade. It was the perfect book to read. I was only a few years younger than Garion, just moved and had no friends, and was in need of escape. Garion’s quest resonated with me. Even now, twenty years later, the book retains all its charm.

Is the story of the farm boy with a secret destiny played out? It is now. But when David Eddings penned this story, he was creating something special. Drawing on the grand romances of the Middle Ages, he pens a Fantasy quest with skill few other authors lack. His world is rich, full of colorful characters that Eddings quickly endears you to. He straddles the line between the dark and the light-hearted.

Pawn of Prophecy is a wonderful escapist fantasy, particularly for a young boy. If you’re looking for a fantasy novel for a preteen or teenage boy, this is a book I’d recommend! Action, adventure, magic, danger, and a flight princess with a temper!

You can purchase Pawn of Prophecy from Amazon!

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Review: Oathbringer (The Stormlight Archive 3)

Oathbringer (The Stormlight Archive 3)

by Brandon Sanderson

Reviewed by JMD Reid

Oathbringer starts up right where Words of Radiance left off. The Everstorm ravages across Roshar. The Knights Radiance need to unite the nations of the world the face this new threat. But Dalinar, the new leader of the Knights Radiance, has a dark and troubled past. In his youth, fighting to help his brother conquer the nation of Alethkar, he committed many acts of wanton destruction.

How can the peoples of the world trust a man with such a bloodied past?

As Dalinar seeks to unite, Shalan has to deal with her fractured psyche. As she delves into her illusionary powers, and creates new identities with which to spy, who she truly is becomes harder and harder for her to recognize. But Shalan cannot afford to fall apart. Not when the world itself is at stake. And Kaladin will have to learn a valuable lesson of his own, that tries he might he cannot protect everyone.

Sanderson has delivered another epic door stopper to enthrall fans of epic fantasy. Oathbringer brings to life the characters of the world of Roshar telling us into the past of Dalinar. The characters are tested like never before as a struggle against the ultimate enemy of their world, a being of immense power and malevolent designs.

For fans of epic fantasy, Sanderson once again shows why he is one of the modern masters of the genre. Oathbringer is a book that gripped you from beginning to end, letting you live in the characters heads, and bring them to life. This is a must-read book for all fans of fantasy. I can’t wait for the next exciting volume of the series.

You can buy Snapshot from Amazon!

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Reread of The Thousandfold Thought: Chapter Six

Reread of Prince of Nothing Trilogy

Book 3: The Thousandfold Thought

by R. Scott Bakker

The Final March
Chapter 6
Xerash

Welcome to Chapter Six of my reread. Click here if you missed the Chapter Five!

Of course we make crutches of one another. Why else would we crawl when we lose our lovers?

ONTILLAS, ON THE FOLLY OF MEN

History. Logic. Arithmetic. These all should be taught by slaves.

ANONYMOUS, THE NOBLE HOUSE

My Thoughts

Well, aren’t these two interesting quotes to have paired up? The first one is a truth we all know. One of the reasons to have a lover is to have that person to support you, to lean on them when things go bad. But when they’re gone, well, you end up like Drusas Achamian learning to walk all over again.

The second quote’s a bit more… interesting. It’s anonymous, which makes me think the person who wrote this might very well be a slave. It’s titled “The Noble House” which implies this is a critique on the nobility, another reason why the author is anonymous. Either he doesn’t want anyone to know he wrote it, or he was killed for writing it and his name was lost to history.

So why would you want a slaves to teach those three subjects? Well, these three subjects are at the core of the scientific world view. They are places were you don’t want to let grandiose ideas or the ego invade. I had trouble understanding this quote, the only connection I can make is to either Achamian teaching Kellhus Gnosis (logic at its purest). Achamian is definitely a lesser person to Kellhus, a slave to Kellhus’s words and manipulation, just like all men are slaves to the darkness that comes before.

Early Spring 4112 Year-of-the-Tusk, Xerash

The Holy War marches south. At Kellhus’s command, they spread out to forage along the way despite their spoils from defeating the Padirajah. The Fanim are not resisting the advances. Villages and towns are surrendering. The Inrithi, wearing looted clothing and weathered by the southern sun, look more Fanim themselves save for their weapons an armor.

They had been transformed, and in ways that struck far deeper than mere accouterments. The men Achamian recalled, the Inrithi who’d marched through the Southron Gates, were but the ancestors of the men he saw now. Just as he could no longer recognize the sorcerer who’d wandered into the Sareotic Library, they could no longer recognize the warriors who’d marched singing into the Carathay Desert. Those other man had become strangers They might as well have brandished weapons of bronze.

The God had culled the Men of the Tusk. Over battlefield and desert, through famine and pestilence, He had sifted them like sand through His fingers. Only the strongest or most fortunate survived. The Ainoni had a saying: breaking enemies, not bread, made brothers. But being broken, Achamian realized, was more potent still. Something new had arisen from the forge of their collective suffering, something hard and something sharp. Something Kellhus had simply lifted from the anvil.

They’re his, Achamian would think, watching their grim ranks file across ridge and hillside. All of them. So much so that if Kellhus were to die…

Achamian spends the majority of his time in the Sacral Retinue or in the “canvas warrens” of the Umbilica, keeping within arms reach of Kellhus to protect him against a Consult assassination attempt. “Kellhus’s ascendancy threatened far more than it had already exacted.” The marching gives little opportunity to interrogate the skin-spies, but no torture Kellhus devices nor Achamian’s Cants of Compulsion work. “The things convulsing in the fecal darkness,” always haunt Achamian afterward.

Achamian couldn’t decide what unnerved him more: their many-fingered faces clenching and unclenching, or the hallowed calm with which Kellhus regarded them. Never, not even in his Dreams of the First Apocalypse, had he witnessed such extremes of god and evil. Never had he felt more certain.

Achamian attends all meetings with the Scarlet Spire, which are “strange, bumbling affairs.” Eleäzaras is drunk all the time, making him seem like a boy who realizes how in over his head he is. With Shimeh looming, the Scarlet Spire is being led by a man terrified of losing against the Cishaurim. Achamian finds him pitying the man “they way those of hale constitution pity those of weak in times of sickness.” The Holy War has tested all men, and it broke Eleäzaras. Iyokus never attends the meetings, which Achamian was thankful for. “As much as he [Achamian] hated the man, as much as he had wanted to kill him that night in the Apple Garden, he could do no more than exact a fraction of what he was owed.” When Achamian watched the Hundred Pillars remove Iyokus’s eyes, he found himself feeling unworthy of passing “final judgment” because only murder was absolute. He only did it for Xinemus.

Achamian observes Kellhus throughout the days as he deals with the mundane matters of organizing a host on the march. It allows him to witness again and again the ‘prodigious depths of Kellhus’s intellect.” He hears Kellhus recite verbatim missives delivered days ago. He could recall every mundane detail which causes other men, especially Gayamakri, the Seneschal-Secretary, to wonder in awe at their good fortune. These sorts of meetings soon begin to bore Achamian. He would be lost in thought, fading into the background.

In spite of his lack of interest, the absurd gravity of his charge was not lost upon Achamian. Sometimes, during moments of boredom, an odd sense of detachment would overcome him as he watched Kellhus. The surreal glamour would fall away and the Warrior-Prophet would seem as frail as the warlike men about him—and far more lonely. Achamian would go rigid with terror, understanding that Kellhus, no matter how godlike he seemed, was in fact mortal. He was a man. Was this not the lesson of the Circumfixion? And if something were to happen, nothing would matter, not even his love for Esmenet.

A strange zeal would creep through his limbs then, one utterly unlike the nightmare-born fervour of Mandate Schoolmen. A fanaticism of person.

To be devoted to a cause alone was to possess momentum without direction or destination. For so long, wandering had been his twilight mission, beaten forward by his dreams, leading his mule down road and track, and never, not once, arriving. But with Kellhus all this had changed. This was what he could not explain to Nautzera: that Kellhus was the incarnation of the abstraction that gave their School purpose. In this one man lay the future of all mankind. He was their only bulwark against the End of Ends.

The No-God

Achamian thinks he’s glimpsed Kellhus’s halo on occasion, envying those like Proyas who do see them. There are times that, despite his hatred, Achamian believes he would die for Kellhus. But he can’t sustain that fervor. Doubts creep in, attacking his belief that he could even protect Kellhus.

Esmenet is another distraction. Sometimes she rides on a horse, growing more comfortable with the act. She often seems a stranger to him with her “acts of mannish boldness” as she gives orders. She’s at her most feminine to Achamian when carried in her palanquin, but he only glimpses of her on those days when she talks to Kellhus as he rides beside her. Achamian wants to call to her. “He almost never saw her eyes.” Only at night, during camping, does he meet her in public spaces, trading cordial nods. At first he thought her behavior cruel to harden her heart into hating him, but then he realized she did it for both their sake. Everyone knows their past relationship, so if she’s nice to him, it will remind others that she once was his.

On their fifth night, Achamian finds Esmenet in his chambers. His ardor for her is crushed as she came only to speak about Kellhus’s security. She acts the empress to him, and he finds himself playing along, feeling their new circumstances both absurd while impressed by her intelligence. He’s even proud of her, thinking she’s always been better than him.

Where others were simply walls to him, Esmenet was an ancient city, a maze of little streets and squares, where he made his home. He knew her hospices and her barracks, her towers and her cisterns. No matter where he wandered, he always knew that this direction led here and that direction there. He was never lost, though outside her gates all the world might confound him.

He knew the habit of lovers, their inclination to make scripture out of self-deception. There was little difference, he often thought, between the devotional verse of Protathis and the graffiti that marred the bathhouse walls. Love was never so simple as the marks with which it was written. Why else would the terror of loss come upon lovers so often? Why else would so many insist on calling love pure and simple.

Achamian realizes that he failed Esmenet by not helping with her burdens, all the “innumerable horrors” she had endured. He encouraged her to dismiss them with anger instead of supporting her. “He shrank from the work of understanding,” and thus failed her.

Small wonder she’d failed him in turn. Small wonder she had… succumbed to Kellhus.

Kellhus… These were the most selfish—and therefore the most painful-thoughts.

Esmenet, through commenting on how men treat their cocks (talking to them, boasting, cursing, cajoling) that she believed “men, far more than women, were other to themselves.” This talk disturbed Achamian especially as he remembers their time together.

Women were windows through which men could peer into other men. They were the unguarded gate, the point of contact for deeper, more defenseless selves. And there had been times, Achamian could now admit, when he feared the raucous crowd that scrutinized him through her almost guileless eyes. All that had consoled him was the fact that he was the last to bed her, would always be the last.

And now she was with Kellhus.

Why was this thought so unbearable? Why did it cramp his heart so?

Some nights, Achamian ponders Kellhus, knowing that the Warrior Prophet will start demanding not just the sacrifice of a lover from others, but of their lives. Though Achamian had lost Esmenet “he had gained his soul.” Right? Other nights all he can think about is Esmenet gasping in pleasure beneath Kellhus, reaching heights of ecstasy Achamian never gave her then picturing her making jokes about his less-than-satisfactory penis. Sometimes he just longed for her “as he’d never longed for anyone or anything.” He believes, desperately, that if he can hold her, she would be his again.

Then it hits him one night: she conceived a child with Kellhus. She never gave up her contraceptive whore’s shell for him. “She had never even mentioned the possibility of children.” He realizes neither had he.

With this recognition, something either broke or mended within him; he could not tell which. The following morning he sat at one of the slave fires, watching two nameless girls tear up stalks of mint for tea. For a time he stared in a blinking stupor, still awakening. Then he looked past them, where he saw Esmenet standing in the near distance with two Nascenti in the shadow of dark horses. She caught his eyes, and this time, rather than nod without expression or simply look away, she smiled a shy and dazzling smile. And somehow he just knew…

Her gates had been closed. She was a direction his heart could no longer go.

Boredom leads Achamian to visit Proyas, the “idea of annoying another struck him as justice.” He’s shocked to find Esmenet also visiting. Things are awkward as memories of Xinemus’s fire—where they used to tease Kellhus, Esmenet was still his woman, Xinemus still had eyes, and Serwë still could laugh—rears in Achamian. He tries to leave, but a drunken Xinemus with “antagonistic good nature only inveterate drunks could muster” tells him to stay. Esmenet agrees, voice strained, motivated by a pity for Xinemus rather then desire to see Achamian.

Achamian can’t help but notice how beautiful she looks now, no longer the “lovely weed” when she was his wife. Only Xinemus doesn’t act awkward as a slave collects dinner plates. Finally, Proyas asks after the lessons Achamian gives Kellheus, which confuses Achamian considering what the lessons were about.

Yes, with…” He [Proyas] shrugged, as if unsure of their old ways of referring. “With Kellhus.”

Simply speaking the name became something like twisting a tourniquet.

Achamian brushed at his knee, even though he could see nothing that blemished them. “Good.” He did his best to sound lighthearted. “If I somehow live to write a book about these days, I’ll call it On the Varieties of Awe.”

Drunk Xinemus claims Achamian stole his title. Esmenet asks what his title is, Achamian wincing at her sharp tone. “Blind as he was, Xinemus saw slight everywhere,” and was pricklier than Cnaiür. Xinemus proclaims his title of his book is, “On the Varieties of Ass.” Everyone laughs.

Achamian looked from face to beaming face, pressing away tears with his thumb. Memories flooded him. For a moment it seemed that Esmi need only reach out and clasp his hand, press the pad of her thumb against the nail of his own, and everything would be undone. Everything that had happened since Shigek.

All of them are here… all the people I love.

Xinemus explains how his sense of smell is so keen know he can tell that Proyas thought he ate mutton last night, but it was goat. Esmenet laughs so hard, she’s rolling on her back. Xinemus says you see beauty but “there’s truth in what we smell.” Everyone’s laughter trails off.

Truth!” Xinemus cried with savagery “The world stinks of it!” He made as though to stand up, but rolled back onto his rump instead. “I can smell all of you,’ he said, as if in answer to their shocked silence. “I can smell that Akka’s afraid. I can smell that Proyas grieves. Can smell that Esmi wants to fuck—

Enough!” Achamian cried. “What’s this madness? Zin… who’s this fool you’ve become?”

The marshal laughs and claims he’s the same man just “minus my eyes.” Achamian wonders how Xinemus got like this. The blind drunk continues saying now he doesn’t live with men but dwells “with asses.” No one laughs.

Achamian thanks Proyas for his hospitality and stands to leave. Proyas sits broken and as “silent as the grave.” Achamian realizes Proyas punishes himself by caring for Xinemus. Kellhus has “rewritten the regrets of many, many men.” Xinemus coughs and Achamian realizes he’s getting sicker. Sneering, Xinemus tells Achamian to flee. Esmenet offers to walk back with him while he wonders, “What’s happened to us?”

Be sure to ask her,” Xinemus growled as they hurried to the threshold, “why she’s fucking Kellhus.”

Zin!” Proyas cried, more in terror than anger.

His thoughts buzzing, is face burning, Achamian turned to his former study, bu tin his periphery he could see that Esmenet had turned to him, blinking tears. Esmi…

Xinemus asks if only the blind man can see what is obvious. Proyas gets annoyed, vowing to tolerate Xinemus’s affliction but won’t tolerate blasphemous. Xinemus mocks him, calling him “Proyas the Judge.” Xinemus then quotes a passage from the Tractate about Inri Sejenus healing a blind man name Horomon, a story synonymous with revelation.

Xinemus turned from Proyas to Achamian, as though from a lesser to a greater enemy. “He cannot heal, Akka. The Warrior-Prophet… He cannot heal.”

Achamian still feels the cramped madness from the pavilion after he leaves. He tries grinning at Esmenet to fake relief, but she’s staring off into the darkness. Xinemus’s words echo in Achamian’s head. He and Esmenet walk in darkness through the camp. He remembers holding her hand, hates himself for the longing. “How could he walk in the midst of so much dread wonder and yet feel the tug of her.” He tries to remind himself the Apocalypse is coming. Esmenet ends the silence by asking what happened to Xinemus. It shocks Achamian and makes walking with her more difficult. When he doesn’t answer, she gets angry.

You think the question stupid?” Esmenet snapped. “You think—”

No, Esmi.”

There had been too much honesty in the way he spoke her name—too much pain.

You… you’ve no idea what Kellhus has shown me,” she said. “I too was Horomon, and now—the world that I see, Akka! The world that I see! The woman you knew, the woman you loved… you must know, that woman was—

He couldn’t bear those words, so he interrupted. “Zin lost more than his eyes in Iothiah.”

She asks what he means and starts to talk about the Cants of Compulsion then stops. She reminds him she’s the Master of Spies and needs to know these things. He understands that, but knows she’s doing this because “the estranged always resorted to talk of third parties.” It allows her to talk to Achamian without being either insincere or to delve into their problem. Achamian explains how Cants of Compulsion work, how souls are not compelled but possessed. He talks about how the Scarlet Spire used Xinemus against him. He sees the way her look changes, she’s growing skeptical, thinking he’s fishing for sympathy. He tells her he’s not.

Then what’s your point?” [asked Esmenet.]

He beat down the anger that welled through him. “The great paradox of the Compulsions is that their victims in no way feel compelled. Zin sincerely meant everything he said to me, he chose to say them, even though others spoke the words.”

In the past, people always challenge how such a thing is possible, question it. Not Esmenet. She just wants to know what Xinemus said.

He [Achamian] shook his head, graced her with a false smile. “The Scarlet Spires… Trust me, they know which words wield the sharpest edges.”

Like Kellhus.

There was compassion in her eyes now… He looked away.

She presses him and he finally admits: “He said that pity was the only love I could hope for.” Only she can understand why that truly hurts him. He wants to hold her, kiss her. Instead, he keeps walking and finds “peevish relief in the way she obediently followed.”

Achamian further explains that by saying things without hope of forgiveness, he can no longer filter his thoughts. Esmenet is surprised by that since it’s been months since the torture.

Blinking, Achamian looked to the sky, saw the Round of Horns glittering in an arc over the northern hills. It was an ancient Kûniüric constellation, unknown to the astrologers of the Three Seas. “Think of the soul as a network of innumerable rivers. With the Cants of Compulsion, the old banks are swamped, dikes are washed away, new channels are cut… Sometimes when the floodwaters recede, things resume their old course. Sometimes they don’t.

Esmenet asks if the old Xinemus is dead, but Achamian isn’t sure if he is. Achamian’s isn’t even sure what he’s even saying. He grabs her “forbidden hand” and she doesn’t resist. He pulls her to her, shocked she’s so light, and feels her wrap around himself “as she had a thousand times.”

They kissed.

Then she was fighting him, striking him about the face and shoulders. He released her, overcome by rage and ardour and horror. “N-no!” she sputtered, beating the air as though fending off the mere idea of him.

I dream of murdering him!” Achamian cried. “Murdering Kellhus! I dream that all the world burns, and I rejoice, Esmi, I rejoice. All the world burns, and I exult for love of you!”

She stares in shock as he begs to know if she loves him. She doesn’t deny it, and instead says Kellhus knows her like any other. This makes Achamian realize that he was wrong. He does have something to offer you. Frantically, he says Kellhus “knows everyone, Esmi.” He keeps saying it while, still tasting her on his lips. She back away shouting that Kellhus loves her. He can’t put into words his feelings and she flees while he gathers himself. Then he realizes they’re not alone. The watching men look away as he gazes in fury at them.

That night, he beat the matted earth in fury. He cursed himself for a fool until dawn. The arguments were assembled and were defeated. The reasons railed and railed. But love had no logic.

No more than sleep.

When he sees her next, she only has a blank expression, like the kiss never happened. Nor do soldiers come to arrest him, reminding Achamian just who Kellhus is. This isn’t him against another man but him against a nation. “There would be no outburst of jealous rage, no confrontations, only cloaked officials in the night, discharging their writ without passion.” It reminds him of behind a spy. It doesn’t surprise Achamian that Kellhus neither sends anyone nor mentions it since Kellhus needs Achamian too much (the bitter explanation) and because that Kellhus “understood, that he too mourned the contested ground between them.”

How could one love one’s oppressor? Achamian didn’t know, but he loved nonetheless. He loved them both.

Every evening, Achamian meets with Kellhus in what is nicknamed the Scribal Room. Achamian was charged by the Mandate to protect Kellhus from the Consult, but Kellhus doesn’t seem to care about them. Sometimes Achamian felt Kellhus “tolerated him out of courtesy, as a way to built trust with a formidable ally.” Teaching Kellhus the Gnosis is something different that fills Achamian with “wonder and terror.”

From the very first time, even as far back as Momemn, there had been something remarkable about Kellhus’s company. Even then he’d been someone whom others sought to please, as if they grasped without knowing what it meant to stand tall in his eyes. The disarming charisma. The endearing candour. The breathtaking intellect. Men opened themselves to him because he lacked all these deficiencies that led brother to injure brother. His humility was invariable, utterly disconnected from the presence of other men. Where others crowed or fawned depending upon whose company they kept, Kellhus remained absolute. He never boasted. Ne never flattered. He simply described.

Such men were addicting, especially for those who feared what others saw.

Achamian reflects on how he and Esmenet had watched Kellhus grow to “struggle with truths that everyone else had secretly accepted.” They witnessed his humanity, how even has his power grew, even as he became the “Voice and Vessel” to save the world, he remained himself. He never took for granted his power and never required more than his due. “It just so happened all the world fell within the circle of his authority.”

Achamian sometimes finds himself joking with Kellhus like nothing had changed, not even losing Esmenet. Invariably, something would knock him out of the illusion and Kellhus would become something like he were “a kind of lodestone made flesh, drawing things unseen yet palpable into his orbit.” Sometimes, during these moments, Achamian glimpses the halos.

To sit in his [Kellhus’s] presence was overwhelming enough. But to teach him the Gnosis?

To allow Kellhus to retain the protection of the Chorae for as long as possible, they start with everything short of actual Cants. All the language and philosophical pinnings that gird sorcerery. Normally, he would also teach the denotaries, basic Cants to develop a students “intellectual flexibility” first. He can’t with Kellhus because that will Mark him. So he starts with Gilcûnya, the Nonman tongue used for Gnostic Cants. “This took less than two weeks.”

To say that Achamian was astonished or even appalled would e to name a confluence of passions that could not be named. He himself had required three years to master the grammar, let alone the vocabulary, of that exotic and alien tongue.

He starts teaching Kellhus the philosophy of Gnosis, the Aeturi Sohonca (Sohonc Theses). Without these, the “Cants were little more than soul-numbing recitations.” Sorcery depends on meaning, and that depends on “systemic comprehension.” He explains how a word can have different meanings, or connotations, that can varied from person to person, and group to group. He uses love as an example. The feelings of love for a parent are different than for a lover or a friend. An older man and a teenage boy can both suffer heartbreak, but the “former is tempered by loss, learning, and a lifetime of experience, while the latter knows only lust and ardour.”

He [Achamian] could not help but wonder in passing what “love” had come to mean for him? As always, he dispelled such thoughts—thoughts of her—by throwing himself into his discourse.

Sorcery requires “preserving and expressing the pure modalities of meaning.” Kellhus realizes that this is why they use Gilcûnya as their lingua arcana. Kellhus figuring something like this out doesn’t surprise Achamian. He confirms that the “sheer otherness of Gilcûnya serves to insulate the semantics of sorcery from the inconsistencies of our lives.” He adds the Angogic use a debased form called High Kunna for the reason.

To speak as the Gods do,” Kellhus said. “Far from the concerns of Men.”

He explains about the Persemiota, a meditative technique not needed for the Mandate because of Seswatha inside them. Then he teaches the Semansis Dualis, the final step before damnation (at least until Kellhus came around). He talks about the two halves of sorcery, what you speak (the utteral) and what you think (the inutteral). “Since any single meaning could be skewed by the vagaries of circumstance, Cants required a second, simultaneous meaning, which, though as vulnerable to distortion as the first, braced it nonetheless, even as it too was braced.” Kellhus grasp this immediately, coming up with his own analogy. According to Achamian, thinking one thing and saying another is the hardest step, and why you can’t just hear a Mandate Schoolmarm speak his cants to steal the Gnosis.

Kellhus nodded. “Has anyone experimented with further inutteral strings?”

Achamian swallowed. “What do you mean?”

By some coincidence two of the hanging lanterns guttered at the same time, drawing Achamian’s eyes upward. They instantly resumed their soundless illumination.

Has anyone devised Cants consisting of two inutteral strings?”

Though Achamian has heard of a legend of the nonman Su’juroit the Witch-King using the “third phrase, Achamian lies and says it’s not possible. Achamian is frightened by the possibilities Kellhus could work and is reminded of the time he participated in an assassination, delivered the poison to slave which resulted in four people dying.

As always with Kellhus, Achamian needed only to gloss the various topics, and then only once. Within the course of single evenings Kellhus mastered arguments, explanations, and details that had taken Achamian years to internalize. His questions always struck to the heart. His observations never failed to chill with their rigor and penetration. Then at last, as the first elements of the Holy War invested Gerotha, they came to the precipice.

Kellhus beamed with gratitude and good humour. He stroked his flaxen beard in an uncharacteristic gesture of excitement, and for an instant resembled no one so much as Inrau. His eyes reflected three points of light, one for each of the lanterns suspended above Achamian.

So the time has finally come.”

Achamian wants to teach basic Wards, but Kellhus wants the Cant of Calling. Achamian wants to objects, but knows he shouldn’t. He begins to teach the utterals for the Ishra Discursia, “the most ancient and most simple of the Gnostic Cants,” but finds himself unable to speak. Kellhus realizes Seswatha has stopped him, deducing that this is how the Mandate protected the Gnosis. Achamian looks helpless at Kellhus. He truly wanted to teach Kellhus, and now feels shamed that he can’t. It reminds him of Xinemus’s torture.

Kellhus wants to speak with Seswatha, which shocks Achamian. Then Kellhus draws a dagger which reminds Achamian of the type of knives his father used to debone fish. “For a panicked instant Achamian thought that Kellhus meant to debone him, to cut Seswatha from his skin, perhaps the way physician-priests sometimes cut living infants from dying mothers.” Instead, Kellhus hypnotizes Achamian by reflecting light from the dagger into his eyes in a captivating fashion.

He feels something inside of him that restrained him in a “manner more profound than chains or even inhumation.” He knows he speaks, but doesn’t remember what he says. He feels always on the edge of something and then he is out of it. Confused, he starts to ask Kellhus what happened, but is silenced. Kellhus tells him to repeat the spell. This time Achamian speaks the utteral and than the inutteral. Achamian is disoriented by how easy he spoke them then he waits, hovering “between hope and horror.” It took Achamian seven months to master speaking one thing and thinking another, and he started with the denotaries. He knows Kellhus will do it on the first try.

Silence, so absolute it seemed he could hear the lanterns wheeze their white light.

Then, with a faint otherworldly smile upon his lips, Kellhus nodded, looked directly into his [Achamian’s] eyes, and repeated, “Iratisrineis lo ocoimenein loroi hapara,” but in a way that rumbled like trailing thunder.

For the first time Achamian saw Kellhus’s eyes glow. Like coals beneath the bellows.

Terror seizes Achamian. He wonders what Kellhus’s limits are. “What did it mean for a prophet to sing in the God’s own voice.” He wonders if that would make Kellhus a shaman of old. Or was he a god.

Yes,” Kellhus murmured, and he uttered the words again, words that spoke from the marrow of existence, that resonated at the pitch of souls. His eyes flashed, like gold afire. Ground and air hummed.

And at last Achamian realized…

I have not the concepts to comprehend him.

My Thoughts

Have a call back to book 2 when Achamian and Esmenet gained a height to see the entirety of the Holy War. Kellhus has denied Achamian this just like he’s denied Achamian his wife.

We have Achamian musing on the truth any soldier knows. United in a purpose and thrust into dire circumstances binds men together. They have to work together for their survival, it’s one massive pressure on their behavior, and it forever changes them. Kellhus was then in the right position, thanks to his gamble with the Circumfix, to benefit from that united suffering binding the Holy war.

Further, we see this same level of suffering being used by Kellhus with the Great Ordeal on their march to Golgotterath, especially with the final march across the Fields of Appalling. And that last line, if Kellhus were to die… Well, we’ll see how that third and final series goes.

Achamian mistakes “good and evil” for “pure intellect and pure hunger” the two extremes of humans, both of which Bakker shows us are not “good” or “healthy” behaviors.

We can never know how true stress, true dangers, true survival will place on us. Those who seem strong will break and those who seem weak will withstand. Eleäzaras and Xinemus are examples of the former, two different forms of strength, one perceived as bad one as good, but both crumbled. Achamian and Esmenet would be examples of the later. And then some, like Serwë, just live in a dream world until they die.

Murder is about the only thing you can do to a person where you can’t make amends, can’t apologize, can’t try to do something to make it right. Achamian is giving Iyokus that chance to do that because, as always, Achamian is very self-reflective. He sees the selfishness of his action and can’t allow himself to embrace that sort of confidence retributive justice requires.

We witness the slow seduction of Achamian. How Kellhus would “seem as frail as the warlike men about him” at times, tugging on the compassion inside of Achamian. He is making Achamian see him as vulnerable, something that needs the sorcerer’s protection from the outside world. From the Consult. Kellhus needs Achamian willing to teach him, to surrender the Gnosis to him or he’ll lose against the Consult eventually.

The Halos are more than a mass hallucination. They have to be. Kellhus is touching the outside in some ways. It’s bleeding into him, and those who believe in him see it. Achamian’s doubts keep him from wholly believing in anything. He’s always questioning, which might be way he’s only getting glimpses. He sees them for a moment then they’re gone. Kellhus might very well be a nascent god. Perhaps he will be a god, and since the gods stands outside of time ultimately, capable of seeing its beginning and end, this might just be a manifestation of that. At the end of the series while he died, he didn’t get captured by Ajolki. Kellhus’s soul escaped whatever bargain he made with the trickster god. We’ll have to see what Bakker does with this going forward in the third series.

Achamian never seeing Esmenet’s eyes is a subtle hint that she’s avoiding looking at him.

If you didn’t know it, you can train yourself to hate people. You can also do the opposite. Dwelling on something over and over again bends your thoughts and makes it a truth to your mind. Our brains are quite plastic and malleable.

Bakker again shows us that Achamian doesn’t just want Esmenet back out possessiveness, but he truly cares for her. He’s proud of her growth as a person even though it came at the expense of their relationship.

I think Achamian is coming down on himself too hard here. He doesn’t know the full picture of what Kellhus can do. How he can manipulate. He’s feeling like he deserve this now. That he’s blaming himself for what happened, shifting the blame away from Esmenet. He does this because he still cares for her and the alternative is to hate her. Better to hate himself. It’s a selfish action nonetheless, and these are the ones we always do and always regret.

Men don’t like thinking about the previous sexual experiences of their female partner. It’s a direct comparison of one man’s manhood to another. No guy wants to think his partner is wishing he was someone else. Then it also gets into the reproductive strategies human males employ. Due to the long development period of human children, a decade or so before they can start to be self-sufficient outside the 9 month gestation period, is longer than any other animal, especially when you compare us to species the same size. Elephants don’t take that long to reach independence and they have a lot of growing to do. This in the vast majority of human history (not the little sliver the industrial revolution has brought about in the last two hundred years) has required most women to be tied to the home to raise her children. She needed to a provider. Men responded with the strategy of peer-bonding, building a relationship with a woman as a long term strategy to ensure your offspring thrive. It’s why men can be very possessive about their women. In this case, knowing that you’re the last to ever bed her is important thought. You’ll see that men rarely seek divorce. Even men who cheat on their wives. As an aside, adultery is usually triggered, in men, by the second reproductive strategy: if a woman is offering sex and not asking for commitment, why not reproduce with her? It’s a very basic and primal instinct in men. A hard one for a man to avoid. For a single woman, that sort of behavior, in the past, was quite risky. If she has a child before establishing peer-bond, it makes it harder for her to find a man willing to build that commitment. Once a woman has that commitment, she might engage in a reproductive strategy of cuckoldry if she finds a more suitable man to have a child with and then trick her peer-bonded mate into raising another male’s child or even trading up to a better provider though divorce. (Now these are evolutionary pressures that affect us at a very subconscious and primal levels and we can exhibit self-control over them since humans can override many instinctive behaviors.)

Achamian goes through the various stages of grief, bouncing between them, trying to rationalize why Esmenet is with Kellhus, trying to bargain that if she just gave him one last chance, the anger at imagining Kellhus pleasing her more than him. It all burns through him. Until he hits on children. The one thing she gave Kellhus and not him. Because he never asked. He realizes then that he never fully committed to their relationship. So she always held that one thing back. The one thing that would fully entangle her with him.

“Simply speaking the name became something like twisting a tourniquet.” It would seem to Achamian that Kellhus’s name is both something painful but also life-saving. Having a tourniquet applied hurts, but it’s better than dying, or finding damnation and allowing the world to be destroyed by the No-God.

All the people Achamian loves are at Proyas’s fire. Kellhus isn’t there, just Esmenet, Proyas, and Xinemus. This laughter, this one moment of the past is all the remains of who the four used to be. Because none of them are the same people. They all changed by the burdens of the Holy War. Proyas, Achamian, and Esmenet found new strength, but not Xinemus…

Who does Esmenet want to fuck though? Kellhus, probably. Xinemus is calling her a whore as we see in his comment when she and Achamian leave.

Xinemus sees himself as the same man because of the Cants of Compulsion. The Scarlet Spire broke him by making him say things he would never say, but he believes he could. To Xinemus, he has an unbroken line of self from before his capture to now, but that’s not true. He’s like a computer program. A computer can’t understand that someone added new code to it that changed its behavior because it can’t understand that any tampering happened. Bakker is saying that’s really all humans are.

Biological machines with delusions of free will.

Esmenet blinking back tears. The truth hurts her because she still loves Achamian, but Kellhus is new, he swallowed up her life, and she has no perspective about anything. She will soon, though.

I remember Xinemus being eager to reach Kellhus earlier. He had such hope he’d get his eyes back. But Kellhus couldn’t heal him nor could stealing Iyokus’s eyes fix the problem. He’s disillusioned and that adds a little more doubt nibbling at Achamian. Kellhus is being spread so thin. He can’t keep deceiving everyone.

Further, the story that Xinemus tells is a parable about revelation. If Kellhus cannot heal, does that mean he cannot reveal? As we see in the Judging Eye, Achamian is still damned for being a sorcerer despite Kellhus’s “revelation” to the contrary.

Through Achamian, Bakker is showing something about humans. It’s so hard for us to care about what’s not in our immediate life. It’s hard to care about suffering in other countries, even in our own, if it doesn’t directly impact us. On an intellectual level, we can care, but on an emotional level which could motivate us to truly act, it scarcely touches us. It’s how we’re wired. Things are not truly real to us unless they’re in our immediate life. I know England is a real place, but do I believe that. Truly? Inside of me. I know it, but… Well, it’s the same with Achamian. Esmenet is right here, it’s hard to care about the Apocalypse when he’s hurting; when the woman he loves is with another man.

Esmenet reacts with anger to Achamian’s pain at losing her and immediately tries to justify it. She feels the guilt, which prompts her intellect to reason away her pain so she won’t feel it any longer. A very human reaction.

How Compulsion works in Bakker’s universe highlights one of the themes of the books: that free will is an illusion. And here is a concrete, irrefutable proof. Through Compulsion, a sorcerer steps into the darkness that comes before and guides it to affect you and you can’t tell the difference. To your mind, it responds that stimuli like any other and keeps up the facade of free will. Esmenet, surrounded by Kellhus, has had her eyes opened to free will to an extant, and thus doesn’t challenge this assertion by Achamian and doesn’t fearing what it means for her own decisions.

The moment Achamian admits what Xinemus said, he gets pity from Esmenet, proving the Scarlet Spire correct.

Achamian, I believe, was trying to tell Esmenet that she, ultimately, wasn’t special to Kellhus, no more than Achamian was. Because Kellhus knows everyone unlike Achamian, who cares only for her. He doesn’t know anyone but her. However, she says that Kellhus loves her (and in his own stunted way, Kellhus does love Esmenet). Note that she doesn’t say she loves Kellhus. Nor did she deny her feelings for Achamian. She even allowed herself, for a brief moment, to embrace him. She didn’t resist until after the kiss began. Then she’s angry. Like Achamian, she’s trying to use logic to justify why she’s with Kellhus and not Achamian, and can’t. Because love has no logic.

Over the rest of the book, we see her realizing the truth about who she really loves, not just who she was manipulated into caring for. However, that maternal part of her drives her to make the decision best not for herself, but for Kellhus’s child growing in her womb.

Kellhus has opted for dealing with Achamian by taking the noble, “This just sucks that while everyone thought you were dead (but really had no proof) we mourned you and then hooked up; I mean, it was like a month or two, and so that’s weird to swoop in so fast, but, I think this sucks, too” route. It’s effective against Achamian.

Not really surprising you can love your oppressor. After all, most of us love our parents.

This quote Achamian has that “Kellhus merely tolerated him out of courtesy, as a way to built trust with a formidable ally” is a very good sounding of who Kellhus truly is. Achamian is picking up on some of it. Perhaps Kellhus is stretching himself to thin and the observant Achamian is gleaming hints of Kellhus’s true nature. Perhaps it’s deliberate, to have Kellhus have a certain aloof air.

Who doesn’t like to be seen as someone admirable in the eyes of a man above you in social standing, someone who appears noble and good and caring and friendly. As Cnaiür says, the Dûnyain enslave you with love.

We get to see the requirements of seeing the halos from Achamian through those few times he glimpses them. It’s when he stops seeing Kellhus as a human being with whom he joked and laughed with and instead feels the divine, the Outside, shining out of Kellhus. I am convinced these Halos are a hint that Kellhus will ascend to some form of Godhood. If any soul could join the Hundred in power, it’s Kellhus. And since the Hundred see time in its entirety instead of just inhabiting the present, it’s possible that people see these almost topoi-like halos shining from Kellhus because they are glimpsing his future as an entity as close to deityhood as you get in the Three Seas. A being on par with Ajolki or Yatwer. For those who worship him, who align their souls into his sphere of influence and are drawn to him to be devoured the way the Hundred do to the souls of their worshipers, you get to see the halos.

The denotaries is why Inrau could use sorcery in book one even though he wasn’t really Marked. He was just about to step into that and apparently knew all the principals but left before every uttering one before that moment he killed the skin-spy. Perhaps he was struggling to master the utteral and inutteral and in this moment of fear, it all clicked for him.

Or it’s a plot hole and, like any good fan, I’m writing the story for Bakker.

If you ever needed more proof that Bakker has had a Ph.D. in philosophy, look no further into how he made it the central component of his magic system. Meaning is at the heart of philosophy.

There’s a reason the Greeks had four different words for love agape (unconditional love, universal love, like of God for his creation), Eros (sexual love or intimate love), Phillia (friendship, brotherly love), and Stroge (usually that parent/child love familiar love). English, however, put all our eggs into one word and it has to do a lot of work with so many shades of meaning to it.

Bakker’s not the only author I’ve seen use the ancient language to preserve the “pure modalities” of a word from the constant shift and slide of a living language. I know Butcher uses that in his Dresden Files Universe.

“To speak as the Gods do. Far from the concerns of Men.” This is the rabbit hole philosophers can fall down, lost in their own philosophy and losing sight of the day to day grind of living.

Achamian realizes what he is handing Kellhus in this moment. I wonder if this is why Seswatha balked and stopped Achamian from teaching Kellhus anything else. For it’s after this that Achamian can’t talk about the Gnosis. Maybe it was just teaching Kellhus the actual utterals and inutterals that did it, but Achamian didn’t have any problem teaching the philosophy underpinning Gnosis, something that the Mandate, thanks to Seswatha, has denied to the Angogic Schools even under torture. I think the Seswatha inside Achamian felt his fear and responded by locking down any additional information.

“He [Kellhus] stroked his flaxen beard in an uncharacteristic gesture of excitement, and for an instant resembled no one so much as Inrau.” In the last book, Kellhus identified Achamian’s relationship with Inrau, deduced the youth’s mannerisms, and then uses it to manipulate Achamian into teaching him. And here, at the cusp of learning the Gnosis, Kellhus pulls out all the bells and whistles to apply as much manipulation on Achamian as possible. Especially after he just freaked Achamian out with his question on the second inutteral.

And now Kellhus has the Gnosis. I always wondered what Kellhus said to the soul of Seswatha dwelling inside of Achamian. I have no doubts that it is the reason the dreams have changed for Achamian and no one else. The version of Seswatha inside of him knows that the harbinger has come. It unlocks information for Achamian after that.

Then we have the reveal, Achamian using the Cant of Calling, which I believe is the same one he uses for teleportation by adding a second inutteral. I suspect Kellhus has already figured this out, or has a theory about it based on his understanding of Gnostic Philosophy that Achamian taught him. He already sees the potential of the ability to teleport and wants it over any other. And even if he hadn’t know he could use it to teleport, he still chooses the ability that allows communication. Not defenses or attacks, but something that lets him speak to others.

Words, after all, are Kellhus’s deadliest weapon. And now he can wield them with an arcane edge.

If you want to read more, Click here for Chapter Seven!

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Review: Snapshot

Snapshot

by Brandon Sanderson

Reviewed by JMD Reid

Davis and Chaz are two detectives assigned to a very unusual division: the Snapshot division. Thanks to some sort of flobltinum, a psychic being can accurately recreate any day in the past. Davis and Chaz’s jobs are simple: to enter the snapshot and confirm details of crimes that have already happened to ensure the bad guys are caught.

Only catch, they have to keep their actions from altering the recreation. Everything they do has consequences, creates divergences. If they do too much, they might never figure out what happened. And today, the stakes have never been higher.

They have a chance to catch a serial killer who’s doing all he can to evade the Snapshot program.

This short story is why I love Brandon Sanderson. He is always coming up with new and exciting stories to read. He’s not locked into one fantasy universe or even one genre. He’ll write in them all to share his imagination with us.

And Snapshot is no different. This time, he delves into the murder mystery with his own style. He’s put that Brandon Sanderson spin on this tale and makes it wonderful. This is a great one that will keep you reading through its various twist and turns.

For fans of speculative fiction, this novella is a must read!

You can buy Snapshot from Amazon!

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Review: Words of Radiance

Words of Radiance

by Brandon Sanderson

Reviewed by JMD Reid

Sanderson picks up the story where Way of Kings left off. Shallan, now awakened to her powers as a prospective Knight Radiant, must remember the truth of her broken family and tear away the lies she tells herself to keep her mind sane.

On the Shattered Plains, Kaladin has to adjust to his new life. No longer a slave, he’s now an officer in Dalinar’s army, charged with protecting the Highlord and his family. But his old wounds suffered at the hands of the nobility threaten to destroy his soul and shatter his bond with the spren Slyphrenia.

And Dalinar himself needs to unite his people because the Everstorm approaches. Time is running out. The warrior must become the statesmen and overcome the plotitng of his once friend now turned bitter rival, Sadeas.

If you thought Way of Kings was an amazing book, then prepare yourself for Words of Radiance. From the abusive past that has shaped Shallan into the damaged, young woman to Kaladin’s struggle to understand what it means to be a Windrunner and the power that is found in oaths he has sworn. The characters struggle against the circumstances of the world as day-by-day a disaster looms, a growing dread swells over the narrative.

Sanderson brings us back to Roshar, expanding the world even more and peeling back more of the layers. His writing is dense and packed with character growth. Ups and downs befall our characters as they all struggle against the world. This is epic fantasy at its best. This is the sort of fiction that can ignite the imagination.

The Stormlight Archive only gets better.

You can buy Words of Radiance from Amazon!

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Review: The Way of Kings

The Way of Kings

by Brandon Sanderson

Reviewed by JMD Reid

On the world of Roshar, the Heralds sent by the Almighty to guide mankind in their war against a great enemy have survived the war. Most of them. For the first time ever, they don’t have to return to Hell to be tortured. They could give it all up. They could life to mankind and tell them they won. The evil has been defeated.

4500 years later, the Heralds are myths. Their great lie has become a religion. Their magic lost to time, their followers reviled as traitors who failed to live up to the Herald’s name. But those followers, the Knights Radiant, are needed once more. For the great enemy stirs once again.

I know, it sounds like your typical epic Fantasy setup. But this one is so different. Brandon Sanderson has created a wealth of characters, all broken in someway, all needing something to change int hier lives. From Kaladin, the son of a doctor and once a highly respected soldier now sold into slavery and contemplating suicide, to Shallan, the daughter of a minor noble house plotting to steal from one of the most powerful women in the world to save her family. On the Shattered Plains, Dalinar receives cryptic visions as he struggles how to hold his dead brother’s fractious kingdom while feeling guilt for the crimes he committed in the past.

For letting his brother be murdered while he lay passed out drunk at a feast.

Sanderson brings to life the alien world of Roshar. A world where humans are interlopers, struggling to survive in a world wracked by storms that make our worst hurricanes look like spring squalls. Sanderson’s growth as a writer is on full display in this epic series as he writes something to rival the greats in this genre.

If you’re a fan of epic fantasy, this is a series you have to read. It is creative, full of believable characters who struggle and suffer and fight for a better life. You’ll find yourself rooting for them as Sanderson unveils his complex story layer by layer, peeling it back as he slowly guides you deeper and deeper into the mystery of his universe.

You can buy The Way of Kings from Amazon!

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