Review: BERSERK Volume 21

BERSERK 21

by Kentaro Miura

Reviewed by JMD Reid

The built up torture and pain around Albion Monastery has combined with the wish of the Behleit Apostle. The negative energy surges through the refugees, consuming all who encounter it. Father Mozgus, transformed into a pseudo-apostle, sees himself as an avenging angel. He believes burning the witch will stop the madness.

Only problem, the witch is Casca.

Guts won’t let any touch the woman he loves. He has fought through so much pain to reach this moment. But Father Mozgus may prove too much for Guts to conquer. And even if he defeats the “angel” how can they survive the tide of darkness sweeping across everything, consuming all life it touches.

And at the heart, the Godhand watches on as something new is birthed into the world, the final wish of the dying Behleit Apostle.

Miura delivers one powerful ending to this volume. The action explodes across the pages. His art can depict the horror of the dark ooze dissolving all it touches to the titanic battle between Guts and Father Mozgus. The characters have to band together, helping each other. Guts can’t do it all on his own.

He’s gaining his own followers. Like before, he’s learning to rely on people. First Isidro, but soon others. And at the end, when the dust settles, we’re left wandering now what? Where does the story go from here?

Good thing we can keep reading.

Once again this series shows how amazing fantasy graphic novels can be. Any fan of fantasy will love this series. It brims with beautiful words, horrific monsters, and engaging characters. It has it all!

You can buy BERSERK Vol 21 from Amazon.

Reread of The Thousandfold Thought: Chapter Twelve

Reread of Prince of Nothing Trilogy

Book 3: The Thousandfold Thought

by R. Scott Bakker

The Final March
Chapter 12
Holy Amateu

Welcome to Chapter Twelve of my reread. Click here if you missed the Chapter Eleven!

Death, in the strict sense, cannot be defined, for whatever predicate we, the living, attribute to it necessarily belongs to Life. This means that Death, as a category, behaves in a manner indistinguishable from the Infinite, and from God

—AJENCIS, THE THIRD ANALYTIC OF MEN

One cannot assume the truth of what one declares without presuming the falsity of all incongruous declarations. Since all men assume the truth of their declarations, this presumptions becomes at best ironic and at worst outrageous. Given the infinity of possible claims, who could be so vain as to think their dismal claims true? The tragedy, of course, is that we cannot make declarations. So it seems we must speak as Gods to converse as Men.

—HATATIAN, EXHORTATIONS

My Thoughts

Interesting quotes. They are both about the limitation of knowledge. We, as living human beings, cannot see beyond our material world. We cannot understand what lies beyond the boundary of our universe because we can never observe it. We cannot understand what happened before the big bang because it precedes all cause. We cannot study parallel realities because we cannot leave our own. We cannot understand what happens after death because we are still alive.

The second quote narrows the limitations of knowledge further. You cannot know all the knowledge that every other human possesses, only your own. Which means any truth you declare may be voided by the knowledge another person has. Because of this (even the author of this passage is guilty of it by stating this to be a truth), we can never speak with one hundred percent authority on a subject.

Despite that, we fake it.

We pretend to converse as Gods with all the conviction of omniscience. Remember that next time you hear some speak with absolute conviction. Maybe they’re right, or maybe they’re idiots. Interesting quotes to proceed Kellhus’s first meeting with the Consult proper.

Both quotes are more profound since Achamian will be dealing with the death of Xinemus and his latent guilt for Inrau while Esmenet is confronted with the death of her relationship. That she doesn’t love Kellhus but worships him as a good. She can’t ever know Kellhus like she could know Achamian.

Early Spring 4112 Year-of-the-Tusk, Amoteu

Incû-Holoinas, the Nonmen had called it. The Ark-of-the-Skies.

After his victory over the Inchoroi, Nil’giccas had ordered a census of the vessel, the results of which were recorded in the Isûphiryas, the great annals of the Nonmen. Three thousand cubits in length, over two thousand of which were buried with the prow in the mangled depths. Five hundred in width. Three hundred in depth…

It was a many-chambered mountain, wrought in a gold-gleaming metal that could not be scored, let alone broken. A city rolled into the warped planes of some misbegotten fish. A ruin that the world could not stomach, that the ages could not digest.

And, as Seswatha and Nau-Cayûti discovered, a great, gilded crypt.

Seswatha and Nau-Cayûti wander the horrific Ark, finding crumbling bones of humans, Nonmen, Sranc, Bashrag, and others. Seswatha is having trouble comprehending the horror of the place. Intellectually, he knows he’s in the place where the “Inchoroi, in their wickedness, had gnawed at boundaries between the world and the Outside for thousands of years” but it still has him reeling. He can feel damnation nearby. The place had become a topoi, where “hard lines of reality had become shading.” He can hear inhuman moans and groans. They catch glimpses of thing that Achamian notices disturbs Nau-Cayûti. He keeps whirling to spot them but failing.

This is Achamian dreaming as Seswatha, relieving the past as he and Nau-Cayûti wander the “mouldering passage, wondering where his hope had at last guttered out.” Achamian ponders how they can escape even if they find their goal.

He could feel them, piling labyrinthine into the distances above and below him, the consuming hollows. IT seemed hell itself roared inaudible about them.

This place.

Nau-Cayûti thinks that they are passing bones. He’s hugging himself as “though shielding nakedness from blowing ice.” Achamian, as Seswatha, says that some believe the Ark was made of flesh and bone, that it birthed the Inchoroi. They call themselves “Children of the Ark” and Nonmen “Orphans.” Nau-Cayûti realizes that this place is a “dead womb.”

Nau-Cayûti peered through the surrounding gloom. “Obscenity,” he muttered. “Obscenity. Why, Seswatha? Why would they bring war against us?”

“To close the world,” seemed all he [Achamian] could muster.

To seal it shut.

Nau-Cayûti gets agitated, fearing for the life of his lover. Achamian lies that she’s still alive. They press on with Achamian (Seswatha) fearing they’re doomed. He follows after “the greatest light of the dynasty that called itself Anasûrimbor.”

The greatest light of men.

Kellhus thinks that he has crossed the world to reach his Father, following the Shortest Path. He plots out his next move, picturing the world beyond the manor house and it’s gardens. He imagines traveling over the Shairizor Plains. He is preparing to face his father when he something intrudes on trance.

Without warning, the drafts became humid with the scent of jasmine and feminine lust. He heard bare feet—her bare feet—pad over marble. The bruise of sorcery was plain, almost rank, but he didn’t turn to acknowledge her. He remained perfectly still, even when her shadow fell across his back.

“Tell me,” she said in ancient Kûniüric, both fluid and precise, “what are the Dûnyain?”

Kellhus bent his thought backward, yoked the legion that was his soul. Likelihood chased likelihood, some to fruition, others to extinction. Esmenet, entwined in boiling light. Esmenet bleeding, broken at his feet. Words, winding and forking, calling out apocalypse and salvation. Of all his encounters since leaving Ishuäl, none demanded more… exactitude.

The Consult had come.

Kellhus replies the Dûnyain are just men. Aurang, possessing Esmenet, doesn’t believe that. He watches as Aurang inserts fingers into Esmenet to draw out the seed Kellhus spilled in her earlier, tasting it, calling it bitter. Kellhus thinks it’s a provocation.

He [Kellhus] turned to her, drew her into the cauldron of his attention. Fluttering pulse. Shallow breath. Beads of sweat breaking into threads. He could smell he skin tingle in the night air, the residue of salt. He could even see the swelling of her breasts, the heat of her womb. But her thoughts… It was as though the string between her face and soul had been severed and resfastned to something both sleek and alien.

Something not human.

Kellhus, acting like a father, admonishes Aurang that he’s beyond the Consult’s power. Aurang asks how can Kellhus know that when he’s ignorant of Aurang. Kellhus notes pride as Aurang laughs, mocking whatever silver of knowledge Achamian possessed about the Inchoroi. Aurang says, “I’ve looked across the void and blotted your world by holding a fingertip.” As he speaks, Kellhus notes the lust that reminds him of a Sranc’s “rutting frenzy for blood” and skin-spies growing erect at violence.

So similar.

They were the template of their creations, he realized. They had implanted their own carnal longing, made their own appetite the instrument of their domination.

“So what are you, then?” Kellhus asked. “What are the Inchoroi?”

“We,” she cooed, “are a race of lovers.”

Kellhus expected this answer from Achamian’s descriptions. Kellhus feigns sorrow and asks if this is why the Inchoroi were damned. Aurang answers they were “born for damnation’s sake,” saying that they’re very nature is their sin. For enjoying sex, Aurang has to “heave and scream in lakes of fire?” Kellhus might not know how great Aurang’s intelligence is, but he understands that Aurang “counted grievances.” Just like all souls did, he put himself at the center of everything. Kellhus says that is the nature of the world.

Aurang mocks that Kellhus, as a prophet, can rewrite damnation. Kellhus says he can’t, it’s impossible. Aurang says there is a way.

“So you would destroy the world?” [asked Kellhus.]

She shuddered, her body afire with arousal. She lowered her buttocks, crossed her legs about her fingers. “To save my soul, hmmm? So long as there are Men, there are crimes. So long as there are crimes, I am damned. Tell, Dûnyain, what track would you follow? What would you do to save your soul?”

Kellhus picks up the word track, knowing Cnaiür has been tutoring Aurang. Kellhus regrets not killing Cnaiür. Aurang continues, talking about how sex is everything, the rest is a murmur farce to achieve it. “It all comes to love in the end.” Aurang saunters to Kellhus, talking how despite “love is the way,” the demons they call Gods to declare it a sin. Aurang wants to save its soul.

She reached out to trace his lips with a shinning fingertip. Esmenet, burning for congress. For all his breeding, all his conditioning, Kellhus could feel the ancient instinct rise… What kind of game?

He caught her wrist.

“She doesn’t love you,” she said, tugging her wrist free. “Not truly.”

The words jarred—but why? What was this darkness?

Pain?

“She worships,” Kellhus found himself replying, “and has yet to understand the difference.”

Kellhus wonders how keen was its intelligence while Aurang praises Kellhus for stealing the holy war. Kellhus realizes he’s being baited into boasting about how he claimed the Holy War. Kellhus says he needs the Holy War to defeat his father, given Moënghus’s thirty-year head start. Aurang doesn’t believe Kellhus, saying he’s his father’s heir instead. At the same time, sorcery fouling the air, it grabs Kellhus’s manhood. This confuses him. He wants to screw the possessed Esmenet and realizes he’s hiking up his own robe, letting Aurang touch him directly.

“Tell meeee,” she moaned again and again, and though Kellhus knew to be her words, he found himself hearing, Take me…

He lifted her with ease, spread her across the settee. He would pin her to the deep! He would plunge and hammer until she howled for release!

Who is your father? a voice whispered.

Aurang’s drawing him to Esmenet’s sex while asking what Moënghus’s plans are. Kellhus is unable to keep quiet and gasps, “To make manifest the Thousandfold Thought…” At that moment, he sees through the spell at the soul “old and hoary and rotted” lurking in Esmenet’s eyes.

Sorcery!

The Ward was simple—one of the first Achamian had taught him—an ancient Kûniüric Dara, proof against what were called incipient sorceries. His words racked the sultry air. For a moment the light of his eyes shone across her skin.

The darkness faltered and the shadow fell from his soul. He staggered back two steps, his phallus wet and chill and hard. She laughed as he covered himself, her voice guttural with inhuman intonations.

Bait it.

“Across the world in Golgotterath,” Kellhus gasped, still stamping out the coals of his manic lust, “The Mangaecca squat about your true flesh, rocking to the mutter of endless Cants. The Synthese is but a node. You are no more than the reflection of a shadow, an image cast upon the water of Esmenet. You possess subtlety, yes, but you haven’t the depth to confront me.”

Kellhus reflects on Achamian’s lessons, that Aurang would have its abilities restricted to glamorous and compulsions. “The great shout that was its true form, the Schoolman had said, could be heard only as whispers and insinuation at such a distance.” Angry, Aurang taunts Kellhus to kill it (and by proxy, Esmenet). Kellhus finds himself growing aroused as he retreats. He feels the past as a weight, drawing him into “the current of passing events.” Kellhus realizes that it is boredom and repetition that “rendered the aged immune to the press of events.”

Aurang keeps taunting, saying Kellhus can’t kill “this pretty shell.” He can’t kill what he loves. Kellhus draws his sword and, Aurang asks what man would kill his wife. “A Dûnyain,” answers Kellhus.

She stopped above the blade, close enough to pinch the tip between the toes of her right foot. She glared with ancient fury. “I am Aurang. Tranny! A son of the void you call Heaven… I am Inchoroi, a raper of thousands! I am he who would tear this world down. Strike, Anasûrimbor!”

Kellhus reached…

…and saw himself through the obscenity’s eyes, the enigma who would draw out his father, Moënghus. Kellhus reached, though with fingers lacking tips, palms without heat. He reached and he grasped…

Kellhus seizes Aurang’s soul, feeling its ancient memories of past atrocities. He learns the Inchoroi are a race with “a hundred names for the vagaries of ejaculation, who had silenced all compassion, all pity, to better savour the reckless chorus of their lust.” They have gone from world to world, plundering. It was a life so whole that only Kellhus and the Dûnyain were new and unprecedented. It wonders who the Dûnyain are and how they came from the shadow of Golgotterath. How could Kellhus enslave a holy war? The Consult especially hates that he’s an Anasûrimbor, their old enemy thought destroyed.

And Kellhus realized there was only one question here: Who were the Dûnyain?

They fear us, Father.

“Strike!” Esmenet cried, her arms back, her shining breasts pressed forward.

And he did strike, though with the flat of his palm. Esmenet sailed backward, rolled nude across the tiles.

Kellhus says the No-God speaks in his dreams, that the Consult failed him at Mengedda. Aurang calls it lies as Kellhus says the No-God comes for the world. Aurang begs Kellhus to strike or fuck her. This time, the “lustful glamour fell from him.” Kellhus declares Aurang defeated.

And for the first time she replied according to his anticipations.

“Ahhhh… but there are as many battlefields as there are moments, Dûnyain.”

Pause. The cycling of possibilities.

“You’re a distraction…” Kellhus said.

Kellhus realizes they are going after Achamian, willing to do anything to deny him the Gnosis. Aurang taunts that it is too late, Achamian is dead.

A skin-spy, appearing as Fanashila, steps out of a false panel in the wall, crammed in a space that had contorted her body. She kills Opsara, which arouses the skin-spy. Then she becomes Esmenet as she approaches Achamian’s quarters, tying a Chorae she carried about her neck. It enters Achamian’s room, hoping he was asleep.

He’s not. His wards had alerted him. It pretends to cry as it stands in the doorway. Achamian studies her, smelling terrified, asking if that’s Esmi. She lets her clothing drop away, revealing her naked breasts. He asks what she’s doing, saying Chorae are now forbidden. She claims Kellhus ordered her to wear it. He asks her to remove it. She does, dropping it, then steps into the moonlight, moaning that she loves him.

“No… this is wrong! He’ll know, Esmi! He’ll know!”

“He already knows,’ it said, crawling onto the foot of his bed.

She could smell his hammering heart, the promise of hot blood. There was such fear in him!

She keeps begging even as she crawls over him. Then her fist plunges down, crushing Achamian’s throat only for the illusion to fall away and reveal Captain Heörsa “thrashing in his very own death throes…”

The Dûnyain had outwitted them.

Traps within traps, the thing called Esmenet carelessly thought. So beautiful…

In what passed for its dying soul.

Someone calls Achamian as he is still dreaming of moving through the Ark with Nau-Cayûti, who is begging to know where “she” is. Achamian is worried his shouts will bring Golgotterath down on them while Nau-Cayûti calls him a liar.

That voice intrudes, speaking about Zin. Then Achamian comes awake and finds Proyas over him. He saying Zin is asking for him. Achamian, “without any real comprehension,” bolts out of bed. He still feels like he’s in the Ark and not Proyas’s tent. Proyas steadies him and they share a look, standing face to face. “For so long the Marshal of Attrempus had stood at their borderlands, guarding the frontier across which the doubt of one had warred with the certainty of the other.” Achamian realizes the distance between them was an illusion and clasps Proyas’s hand.

“I did not mean to disappoint you,” Proyas murmured.

Achamian swallowed.

Only when things were broken did their meaning become clear.

Kellhus is holding Esmenet as she sobs, crying out that she does love him. Outside, the Hundred Pillars are searching for the Synthese. Kellhus know all they will find is Captain Heörsa’s corpse. It played out just like Kellhus anticipated. They wouldn’t try to kill him. “So long as they knew nothing of the Dûnyain, the Consult were trapped in the pincers of a paradox: the more they needed to kill him, the more they needed to learn him—and to find his father.” So they went for Achamian.

Kellhus did not know if Esmenet would remember what happened. She did. She remembers speaking those words like they were her own, begging for him to believe her that she does love him. He agrees with her.

Quivering lips. Eyes parsed between horror and remorse. Panting breath. “But you said! You said!”

“Only,” he lied, “what needed to be heard, Esmi. Nothing more.”

“You have to believe me!”

“I do, Esmi… I do believe.”

She clutched her cheeks, scratched welts across them. “Always the whore! Why must I always be the whore?”

He looked through her, past her bewildered hurt, down to the beatings and the abuse, to the betrayals, and beyond, out to a world of rank lust, shaped by the hammers of custom, girded with scripture, scaled by ancient legacies of sentiment and belief. Her womb had cursed her, even as it made her what she was. Immortality and bliss—this was the living promise all women bore between their thighs. Strong sons and gasping climax. If what men called truth were ever the hostage of their desires, how could they fail to make slaves of their women? To hide them like hoarded gold. To feast on them like melons. To discard them like rinds.

Was this now why he used her? The promise of sons in her hips?

Dûnyain sons.

He realizes that he can’t undo this hurt. As she begs to be held by him, he understands that this is the beginning of the pain she will bear because of him.

Achamian wonders why he doesn’t feel much when things are happening, but only later upon reflection, does he experience emotions. He reflects on when the Pederisk, the Mandate recruiter, came to his hovel to claim him as a boy. Achamian’s father refused, saying both they boy was a good fisherman and,”more importantly, Achamian was his son.” His father was beaten for his defiance while a selfish coldness, the type only “children and madmen are sometimes capable” grips him.

He [Achamian] had gloated

Before that day, Achamian would never have believed his father could be so easily broken. For children, hard-hearted fathers were elemental, more deity than human. As judges, they seemed to stand beyond all possible judgment. Witnessing the humiliation of his father produced the first truly sorrowful day of his life—as well as a day of triumph. TO see the great breaker broken… How couldn’t this transform the proportions of a young boy’s world?

“Damnation!” his father had screeched. “Hell has come for you, boy! Hell!”

Only afterward, as they trundled up the coast in the Schoolman’s cart, would he cry, overwhelmed by loss and delinquent regret.

Far, far too late.

He’s pulled from this thoughts by Xinemus’s weak, rasping words saying he sees where he’s going. Achamian asks what he sees, humoring him since Xinemus is blind. Xinemus sees nothing. Achamian says he’ll describe Shimeh “through the eyes of a sorcerer”

Sickness wreathes around Xinemus. Achamian kneels and wipes at his friend’s brow. He wants to flee the lung-plague killing his friend, fearing for his own safety. Xinemus coughs for a while, making unmanly sounds. Soon it passes, and Xinemus says the rules have changed between them. Achamian doesn’t understand. Xinemus explains once it was Achamian waiting for Xinemus to return from councils.

Again Achamian couldn’t think of anything to say. It was as though words had come to their end, to the point where only impotence and travesty could follow. Even his thoughts prickled.

“Did you?” the Marshal abruptly asked.

“Did I what?”

“Did you ever win?”

Achamian says no, but then adds, someday he may be Xinemus at Benjuka. Xinemus disagrees because Achamian tries to hard but is caught off by coughing, unable to finish his point. Then he starts ranting how he sees nothing. He gags, cough blood, thrashes. When it passes, he begs Achamian to leave.

“Leave… me…” his friend gasped. “Leave me… be…”

“This is no time for pride, you fool!”

“Nooooo,” the Marshal of Attrempus whispered. “This… is… the… only…”

And then it happened. One moment his complexion was mottled by the pallid exertions only the dying can know, and then, as quickly as cloth soaking water, it went purple-grey. A cooler air settled through the canvas spaces, the quiet of utterly inert things. Lice thronged from Xinemus’s scalp onto his brow, across his waxy face. Achamian brushed at them, twitched them away with the numb fastidiousness of those who deny death by acting otherwise.

Achamian promises to bathe Xinemus with Proyas in the river. He watches his friend, feeling the weight of this moment. The lice crawl onto his skin, finding a new host. He realizes Xinemus is dead and screams out his pain. “And though his cry reached out across the plains, it fell far short of Shimeh.”

Achamian remembers playing Benjuka with Xinemus in better times while Xinemus explains why he always loses. Achamian tries so hard. Achamian picks up the stone piece that doesn’t match the other silvers. It annoys Achamian to play with it.

Why do I get the stone?

Achamian doesn’t sleep. He’s summoned with Proyas to see Kellhus, but he refuses to go. He rebukes Proyas for doing it, using words so harsh guards draw weapons. Achamian flees into the night and wanders “the dark ways of the Holy War.” His thoughts drift through mundane questions, latching onto anything save “that which might drive the wedges of madness deeper.”

Then, as dawn brightened over the promise of Shimeh in the east, he made his way to the fortified villa. He climbed the slopes ad passed unchallenged through the gates, and finally found himself walking the overgrown garden, heedless of the burrs and claws that snarled his robes, of the nettles that inflamed his skin. He waited below the veranda that fronted the main apartments—where his wife moaned about the cock of the man he worshipped.

He waited for the Warrior-Prophet.

Kellhus, saying Achamian looks terrible, snaps Achamian out of his daze. He’s frightened for Esmenet and asks after her. Kellhus says she’s sleeping but suffered greatly. Achamian thinks Kellhus looks like Nau-Cayûti. Achamian’s anger crumbles “as a child’s might before a mother or a father.” He asks Kellhus why he didn’t heal Xinemus. This shocks Kellhus for a heartbeat, he recovers, but “Achamian’s ears roared with such violence that he heard nothing of Kellhus’s reply, save that it was false.” The awe Achamian once felt for Kellhus is gone. He sees only coldness in Kellhus.

How?

And somehow, unaccountably, Achamian knew that he was truly awake—perhaps for the first time. No longer was that hapless child in this man’s gaze.

Achamian pulled away—no horrified, just… blank.

“What are you?”

Kellhus’s gaze did not falter. “You filch from me, Akka… Why?”

“You are not a prophet! What are you?”

Achamian witnesses a change in Kellhus. Expression dies in him. Kellhus says, in a dead voice, “I am Truth.” Achamian struggles to understand, feeling panicked, horrified. Kellhus forces Achamian to stare at the rising sun. Achamian is choking, held up by the throat. He struggles. When he’s released, Achamian begins preparing cants to kill Kellhus and die in the process.

But the voice would not relent.

Does this mean the sun is empty?”

Achamian paused, turned his face from the grass and scree, squinted at the figure looming above.

Do you think,” a voice crackled across every possibility of hearing, “the God would be anything other than remote?”

Achamian lowered his forehead to the biting weeds. Everything spinning, slumping.

Or do I lie, in that, since I am all souls, I choose the one that will turn the most hearts?”

Achamian is crying, feeling like he’s a child before his abusive father, begging not to be hit. He is terrified, thinking he’ll be good. He feels the guilt of getting Inrau and Xinemus killed. He weeps for them while The Warrior-Prophet held Achamian’s hand

Tomorrow,” he [Kellhus] said, “we march on Shimeh.”

My Thoughts

What a way to start this chapter. To show us where Aurang comes from. With a dream of Seswatha and Nau-Cayûti delving into the Ark, the mighty spaceship that brought the Inchoroi to this world. It’s crash so disrupted them, they lost so much in the impact, that they couldn’t repair it. The Inchoroi, so it seems, who survived weren’t the engineers. They were the soldiers. That was why it took them forever to the No-God running. Needed humans to help them out there beyond the fact that they couldn’t find the right soul to power its operating system.

Cubits. Very biblical measurement there. Not sure what the length is in Bakker’s, but traditionally it was the length of the king’s forearm. So it wasn’t a precise standard of measurement.

There are some great, visceral passages about the Ark and its contents. What have the Inchoroi been doing to make all the bones and detritus? For thousands of years, they’d hoarded and lived in this crashed ship mostly buried in the ground. It’s accumulated not just waste, but literal suffering. What a terrible place to be taken. It makes you wonder what has driven Seswatha and Nau-Cayûti in here.

Why does Achamian, as Seswatha, feel shame during his conversation with Nau-Cayûti, because he’s lying to him. We get that later. He needs to save the world and to do that he has given Nau-Cayûti false hope that he can save his lover.

I think we get some fatherly moments with Seswatha and Nau-Cayûti in this passage since the following series hints pretty clearly that Seswatha may be Nau-Cayûti’s true father. He also sees him as the salvation of mankind when Nau-Cayûti is actually is damnation.

When Aurang arrives, Kellhus immediately contemplates killing Esmenet. It is the shortest path. If he’s focused on only killing his father, his mission as a Dûnyain, he shouldn’t even hesitate. But he instead realizes he has to be very careful here. He wants to protect. He sees beyond killing his father. He has a new mission now. The Circumfix has broken him from being a Dûnyain. He has felt emotions, if weekly. He needs Esmenet as more than just a breeder.

Kellhus has come to love her.

Where there are Men, there are crimes. This takes us back to the very start of the series. The opening with the last survivor of Ishuäl reflecting on it after the bard had raped him, wondering if there can be a crime when the world had ended. Right there is the Inchoroi’s goal. They don’t want to go to damnation and are unwilling to bend to the outside. So they will exterminate the collective unconsciousness that has birthed the outside. It’s very rare that you can find a group bent on annihilating a world and also have a motivation that makes sense.

What would you do to save yourself from eternal damnation if you knew it was your fate?

Right there, with that jar of pain on hearing that Esmenet doesn’t love him, something Kellhus knows, he is feeling that stirring of emotion. Pain and love. It’s faint, but it’s there. Perhaps for the first time, he recognizes it. He felt similar for Serwë once. They are stains of emotions upon Kellhus’s soul. It’s not much, but it’s what allows him to side-step the pure Dûnyain logic. Why he doesn’t side with the Consult like every other Dûnyain would.

Now we see the power of the Inchoroi’s enchantments and how they can get people so horny they cooperate even while being violated. The reek of sorcery gives us a clue how they inspire such lust in a person. As we saw at the end of the Warrior Prophet, it’s impossible for a normal human to resist. Now Kellhus is falling prey to it. Even knowing he’s being manipulated, he’s losing. He’s feeling true lust for the first time.

We’re witnessing the first battle of the Second Apocalypse right here.

Kellhus doesn’t have experience dealing with true lust. He’s feeling it for the first time, and he’s realizing his lack of repetition with it, with dealing with emotions, is a weakness of his. It’s something that will allow the events of the Unholy Consult’s climax to happen.

The No-God was probably speaking to Kellhus during the Circumflex. It’s possible the No-God still is talking to Kellhus. Perhaps the No-God senses Kellhus is a potential component to activate it, though not that he will activate it.

It takes Kellhus some time to decipher Aurang, but by the end, Kellhus is predicting how Aurang will behave. In one encounter, maybe 10 minutes, Kellhus has already understood how Aurang thinks. So don’t be surprised by what is found at Golgotterath at the end of the Unholy Consult.

And now we see the full trap. It’s a devious plan, sending a skin-spy to him as Esmenet. But one that Kellhus was prepared for. No wonder Achamian smelled terrified. Heörsa had to know what was coming.

Love how the skin-spy really doesn’t care that the trap fell. It got to kill somebody and watch them die.

Get a little tease on how Seswatha convinced Nau-Cayûti to go into Golgotterath.

What a poignant scene between Kellhus and Proyas, finally coming together as they both realize what they lost. It’s powerful in its understatement. The naked truth laid bare with that final line of his section.

And there we have Esmenet in denial that she loves Kellhus and it isn’t about worship. He confirms it with his lie to her. He told Aurang the truth, because Aurang knows it, too. He’s studied regular humans for a long time. He understands them. It’s Dûnyain that Aurang doesn’t understand.

Poor Esmenet. Always the whore. She can’t escape her past, try as she might. It’s the darkness that comes before her. I have so much sympathy for Esmenet. She did what she had to survive, she’s trying to escape that past, and it clings to her.

I think this is where Kellhus realizes he loves Esmenet. Through this encounter, as he sees her pain from how he used her. He already felt the guilt of using Serwë, whom I think Kellhus loved ever since he witnessed her rape at the hands of Cnaiür, he just never noticed it. His passions are so weak, it’s only when he hurts them, like a nonman erratic, that he feels anything. When he uses them and sees the consequences is it enough for him to stir those stunted feelings.

It’s often on reflection that we can see things more clearly. That we can understand the import of what happened. When we’re in the middle of events, we don’t understand the significance. We can’t because the future hasn’t happened yet. We don’t know what the consequences are, what it meant. It can change how we felt.

Pederisk. There’s a Greek reference. It’s one that used to mean teaching young boys but got twisted through slander by the Spartans against the Athenians, suggesting it was a sexual relationship, too. Nothing in the text, here, however, suggest that save that Sorcerers and Whores are said to be similar. Like we see Esmenet, and women, are cursed because of their womb, sorcerers are cursed because they can see Creation a little more clearly.

It’s so heartbreaking to watch Xinemus die. He still has some of that pride, not wanting to be seen weak even as he’s utterly broken by the torture. A shell of a man dying of a sickness. Weakened and destroyed by events. Achamian is dealing with those selfish impulses we all have, those ones that hate being imposed upon as he tries to give comfort to his friend in these last moments. And then… it’s over.

Xinemus is gone, his last words talking about how in his final moments, he needed to be proud. To be who he used to be. That was the most important thing to him, to get back to whom he was before the compulsion. Nothing did it. Not vengeance. Not the Warrior-Prophet. Now it’s too late.

Nice call back to that game of Benjuka from Book One.

I think Achamian really surprised Kellhus with his question on why he didn’t heal Xinemus. It wasn’t what he was prepared to deal with, but to give comfort over a death. He recovers almost instantly. Maybe Kellhus is more shook up by this night’s events and realizing he loves Esmenet that he betrayed himself at that moment.

Achamian saw the truth of Kellhus, but Kellhus recovered. He embraced it. He realized he was unmasked, so he used it. He took the shortest way, acting like the remote, all-knowing God to keep Achamian on his side this time. But how much longer can he do that? Where can Kellhus go from here now that he’s abandoned the pretense to Achamian that he’s a soul who loves? Achamian knows it was all a deception.

A powerful chapter all around. One of the best in the series.

Hi, if you like my Analysis, you can connect with me on Facebook and Twitter, and you can pre-order my first fantasy novel, Above the Storm, from Amazon or purchase my short story collection! Also,  please leave any comments or criticisms below! They help keep me motivated!

Click her for Chapter Thirteen!

Review: Higurashi Time Killing Arc 1

Higurashi Time Killing Arc 1

Story by Ryukishio7

Art by Yoshiki Tonogai

Reviewed by JMD Reid

In 1985, two years after the Hinamizawa Disaster, a detective named Akasaka learns that the young child he met seven years ago on a case was murdered in the shrine the night before the volcanic eruption released the toxic gas that wiped out the village.

The story flashes back to 1978, when the village of Hinamizawa is in the middle of protesting the dam project that would see their village flooded beneath an artificial lake. A high profile politician’s son was kidnapped and the village’s protest group, known to be violent, is suspected. Akasaka is sent to investiage. There he meets Rika Furude, a little girl respected by the village. Akasaka isn’t happy to be on this assignment since his wife is in the hospital with complications from her pregnancy.

He gets to know Rika as he’s given a tour and learns about the village. They seem friendly and he has a hard time believing they could be behind the kidnapping. That is until Rika suddenly begins talking like an adult and warning him that he should leave before he regrets it. She predicts that the dam project will fail within the year and he’ll only find grief if he stays.

Undaunted, Akasaka soon learns that his cover is blown and he maybe in danger from the Sonozaki family. Will he stay, or will he leave?

This short arc provides a lot of the back story. It shows us there is something up with Rika. She’s shown herself to have a surprising maturity at times in the story, dropping her girlish act. Now we see her giving threats to Akasaka that have the young detective unnerved.

This arc has mystery and gives us clues, providing a great transition from the question section of the series and the answer part. We see that the Hinimizawa disaster and Rika’s murder happen in multiple timelines since the Oishi of this timeline doesn’t go missing in the woods while investigating Teppei Hojo’s murder like in the last arc. It’s a hint towards what is going on, though we are still struggling to understand it.

There is something evil in Hinamizawa. The question is this: is it Oyashiro’s curse or is there a human culprit working in the background. We’ve had both the Sonozaki family put forth as the human cause, and the curse punishing the wicked on the other end. But the story is murky, and like all good mysteries, nothing is what it seems.

The art is great. Young Rika is adorable and the artist captures her childish glee and enthusiasm. It has a mellow story, but the tension slowly builds as new information is revealed, leading us towards the ending driving us towards the ending.

What will Akasaka find with Oishi?

Higuarshi is an intriguing and engaging series. The characters are likable, making you feel for them when things go wrong over and over again. You are rooting for these characters to survive one of these summers. Will they?

You’ll just have to read this series to find out.

You can buy Higurashi Time Killing Arc 1 from Amazon.

Review: BERSERK Vol 20

BERSERK 20

by Kentaro Miura

Reviewed by JMD Reid

As the demonic goo rampages through Albion Monastery, the watching eyes, the Behleit Apostle, makes his appearance. As the torturous Father Mozgus and his minions are about to overwhelmed, they are given “holy powers” and assume the form of “angels.” But their piety hides what they truly are.

In the Monastery, Guts and his companions battle to survive and reach Casca, swallowed by the demonic ooze. It dissolves the flesh of all it touches. How can Guts defeat this and rescue the broken Casca?

Powers clash and new alliances form as survival takes over. A reflection is about to be cast upon the world. An egg verges on hatching that will change the world forever.

The pages flyby in this volume. It’s nonstop action. You will find yourself unable to turn away from the action or the tragic life of the Behleit Apostle, unique among all the demons out there. His will we’ll bring about a dream of a new world. But what sort of world will be born from him when he dies?

Miura’s art is amazing. It’s detailed. It’s powerful. The action is easy to follow. The characters emotions shine through the pages. The translation is great and the lettering adds more emotions to the story. This is some of the best fantasy out there to read. If you’ve never read a graphic novel but are a fan of fantasy (especially grimdark), then BERSERK is the perfect place to start.

You can buy BERSERK Vol 20 from Amazon.

Review: Higurashi Curse Killing Arc 2

Higurashi Curse Killing Arc 2

Story by Ryukishio7

Art by Jiro Suzuki

Reviewed by JMD Reid

The first volume, we have come to know Satoko. Keiichi’s surrogate big brother relationship was really sweet. But this is Higurashi, and the happiness between the friends can’t last. Doom falls on the gang in the form of the return of Satoko’s abusive uncle Teppei Hojo.

A vile man who abuses and degrades her. As Keiichi and his friends want to help the girl, they find out that even the adults in their lives are powerless. Their teacher has done all she can. The government finds no evidence of child abuse. Keiichi becomes more and more desperate as he sees Satoko swallowed up by pain and suffering.

And then he remembers Oyashiro’s curse. For the last four years, one person has been murdered and one person disappeared on the night of the Cotton Drifting Festival. Oyashiro, the shinto deity who protects the village, punishes those who try to harm it.

So why not Teppei Hojo this year?

Not wanting to relay on the nebulous “curse,” Keiichi plans to use the superstition to his advantage. He’ll save Satoko. He’ll murder Teppei Hojo.

This is one of the most heartbreaking stories to read. The artist and writer have captured the way Satoko crumbles beneath the abuse, how she tries to be strong, to pretend nothing is going wrong even as she grows more and more dead, wliting. The bubbly, happy, outgoing girl crushed beneath Teppei’s curelty. It crashes into the unfairness of the world. Into the grinding pace of a government bureaucracy. Into the limitations of modern life to defend your neighbors.

Keiichi’s transition from student to murderer makes sense. It flows down the path. You’re rooting for him, so it’s so tragic when it all goes wrong. And that ending. That gut punch at the shrine then the “disastor” only makes you have more question.

Just what happens in this village? What is going on wrong? Why did the disaster happen this time and not in the last scenario. Mion no longer seems to be in charge of the killings like she was last time. But once again, Tomitaki dies and Takano is murdered/goes missing. Only this time, we get something more with her. Something sinister.

For the most part, the art is better in this volume. The style fits the more depressing shift in the story. There were a few times it didn’t work, like with Takano. All in all, this was a powerful story. It leaves you hoping there is a way out for these friends, to survive the summer of 1983. This is the last of the question arcs. Up next is an arc to get some back story and set up the ending, and a filler one that gives us a spooky story set in the aftermath of this arc.

You can buy Higurashi Curse Killing Arc 2 from Amazon.

Review: BERSERK Volume 19

BERSERK 19

by Kentaro Miura

Reviewed by JMD Reid

Guts has arrived at Albion Monastery to find Caska, accompanied by the young Isidora. Though he finds Lucia and has a lead on Caska, he is too late. The cult who think Casca is their witch has already snagged her. Now he has to race against time to secure Casca before Farnesse and her Holy Iron Chain Knights raid the heretics lair.

Worse, night is about to fall and the evil spirits that swarm around Casca will be searching for hosts. Franesse, her knights, and Guts are in for a fight as demonic spirits surge. And through it all, the eyes continue to watch and the tortures led by Mozgus continue to brutalize their captives.

Evil builds at Albion as night falls. The trap has been laid and snaps shut.

19 is a wild ride. You are right there with Guts, so hopeful that he’s finally found Casca only for the cowardly Nina to ruin everything. Miura does a great job in this volume from the action, to Guts’s duel with Serpico on the ledge. The action is building as the various characters are all thrust into the crucible. Isidora shows his mettle, too.

Then the real action begins. Miura has our characters in peril. He has you wanting to read more. Volume 19 propels the story forward and leaves you wanting more. I want to dive right into volume 20! If you’re a fan of fantasy, you should check out the BERSERK graphic novel series!

You can buy BERSERK Vol 19 from Amazon.

Review: Higurashi Curse Killing Arc 1

Higurashi Curse Killing Arc 1

Story by Ryukishio7

Art by Jiro Suzuki

Reviewed by JMD Reid

Once again, everything has reset. Keiichi (newly moved to the village three weeks back) has just returned from that two day trip back to Tokyo. Things appear to be playing out the same as the last two times only now we’re focusing more on Satoko. Things have shifted, allowing Keiichi to get to know Satoko before.

She’s adorable beneath her hyperactive facade. She’s looking for love, abandoned by her family who have died or vanished. In Keiichi, she’s finding what she lost a year ago when her older brother Satoshi “transferred schools.” Satoshi and Keiichi have a great relationship. The playfulness and bit of sibling rivalry is capture well, along with a level of affection that will inform the second half of this story.

As always, Keiichi learns of the villages dark secret and Oyashiro’s curse. Clues are dropping as we, the reader, are struggling to understand what is truly going on. What leads to these “demonic” possession and the friends turning on each other in horrible ways.

Beneath it all lurks something nefarious. A woman has been found brutally murdered. The police are investigating. It’s something new to story. Is this the even that triggers off this scenario? How does these events relate. The questions are building and building.

The mystery of Hinamizawa continues.

Now, while the story is sweet and heartwarming (for now), there’s a problem using different artist for the scenarios. The last two produced some great, high-quality art, the characters looked great. This artist isn’t as skilled. The characters are little more cheaply drawn and less detailed. It’s a shame because I think the last artist could have really captured Satoko and Keiichi’s relationship better.

Still, this is a great series. The characters continue to be great, their personalities consistent (until things start going crazy). The clues to what is going on are scattered throughout, placed so well it’s only in hindsight that you can really make sense of the true story happening in the background.

If you’re a fan of mystery and horror, Higurashi is one of the best manga (and properties) in the genre. You can’t go wrong with reading the original visual novels, playing the game, watch the anime, or read the manga, you can’t go wrong.

You can buy Higurashi Curse Killing Arc 1 from Amazon.

Review: BERSERK Volume 18

BERSERK 18

by Kentaro Miura

Reviewed by JMD Reid

Guts is on the trail of the missing Casca. His lover, her mind broken by the brutality of the eclipse, has escaped from her refuge and wanders like a child. Abandoning his quest, Guts has realized what is truly important to him. What does killing Griffith matter if Casca suffers?

Around Albion Keep, refugees arrive, fleeing plague and war. The Kushan have invaded the midlands, the Easterners butchering all before them. Starving and needing sustenance, they turn to the church. But Mozgus, the inquisitor, has now sympathy for their plight. He is here to do Gods work, punishing the wicked and rooting out heresy. There is no forgiveness in his heart. All who are wicked are tortured, purified of their sins.

In Albion, horrors are performed in the name of God that would rival the acts of the demons of the world.

Farness and her Holy Chain Knights are keeping order while a group of prostitutes have taken in “Elaine,” as they call Casca. She’s in as much danger from the church as the demons as she wanders through the suffering in innocence. Can Guts arrive before tragedy strikes.

And what does such a gathering of people portend? Have the Godhand summoned them all for the slaughter.

The world continues to be brutal as we are shown just how much of a monster Mozgus is while doing “good.” He has found a way to justify his evil in the name of god. He has no compassion in his heart for the starving refugees. They should just do God’s work, even if it means dying. Because their reward will be found in the next life. He’s one of the most depraved characters in the book. If any one is a secret demon in this part of the story, it’s him.

And despite that, Miura shows a moment of humanity in him, like he has with many of the monsters. The count, Rosine, and now Mozgus. They don’t seem themselves as monsters even if their actions are horrendous.

Human weakness is on full display. Fear and lust, zealotry and flagellation. From Farness to Nina, we’re shown how circumstances bend and twist us. We all make decisions we regret. We all do acts that later horrify us. It takes a brave artist to bare that part of the human soul to the world.

This is why BERSERK stands apart from the other fantasy manga out there. It’s powerful and visceral storytelling that any fan of fantasy, especially grimdark fantasy, should read!

You can buy BERSERK Vol 18 from Amazon.

Review: Higurashi Cotton Drifting Arc 2

Higurashi Cotton Drifting Arc 2

Story by Ryukishio7

Art by Yutori Houjyou

Reviewed by JMD Reid

It’s the night of the Cotton Drifting Festival. Keiichi Maebara, newcomer to the village, wants to watch the ceremony, but Shion (twin sister of Keiichi’s friend Mion) wants to show him something. They find two individuals breaking into the sacred storeroom for the shrine. With everyone in the village watching the ceremony, it’s the perfect time to break in.

Inside, Keiichi learns the dark past of Hinamizawa. A history of human torture of those who break the rules. For the last four years, the village has been punishing those who supported the dam project that would have seen village destroyed.

This year, they’ll have to punish the four people who entered the sacred shrine.

As Keiichi realizes just how bad the situation is when he learns that the two people who broke into the shrine with him and Shion have been murdered. Worse, other people whom Keiichi and Shion confided in have gone missing. It’s clear the secret leadership of Hinamizawa is cleaning house. How much longer before they come for Keiichi?

While the first volume of this story is rather peaceful, things ramp up fast in here. Paranoia sets in and things get nuts. After the last volume, we saw that Mion and Rena were possessed by demons. It seems that same force is at work as we learn more about the history of the village. The tragedy plays out to the bitter end. The horror is intense.

But it’s all so tragic. Once again, close friendships have ended in bloody murder. The culprit is different, but the results are just the same. There is something wrong with this village. What is the truth of what is going on?

What will happen when the time resets for the next arc? As always, look for the things that stay the same. There are little clues for what is really going on.

This arc, while tragic, is well done in what it’s purpose is. Ryukishio7 has created a scenario that serves to fuel the mystery. The art is great. I especially like the color drawings at the start. I like how they use different artists for the arcs, matching them up with the corresponding answer arc.

You can buy Higurashi Cotton Drifting Arc 2 from Amazon.

Review: BERSERK Volume 17

BERSERK 17

by Kentaro Miura

Reviewed by JMD Reid

Captured by the Holy Cross Knights, Guts is in stocks and imprisoned as night descends. The demons and evil spirits his brand attracts will be here soon and being surrounded by a company of knights won’t be much protection. He needs to escape.

Farness, the female commander of the knights, is shocked by the events of yesterday. She’s caught a glimpse of something she’s never encountered in Guts, and it’s only going to get worse. Night is falling and she’s about to learn first hand why Guts has so many weapons. Why he’s left a path of carnage in his wake.

Guts might be a human monster, but he’s the only one capable of fighting the inhuman denizens about to fall upon the camp.

BERSERK 17 transitions us into the second half of this story. The first was all about how Guts became the Black Swordsman, now we’re moving past that. He’s had his two years of fruitless revenge on Griffith and things are changing. Something is building in the world. An evil is growing. What started on the eclipse is not over.

That was just the beginning for whatever plan the Godhand have for their newest member. As the world falls apart, a “savior” is needed.

Miura does a great job with this transition, showing us more of the world through the introduction of Farness and by jumping back to the characters we’ve met in early parts of the story at Windham. Momentous things are building, and Guts will have to face his decisions.

That moment when Guts realizes what he’s doing is the pivotal moment for his character. The last two years of rage have only transformed him into something like Griffith. Is that what he wants? It’s time for Guts to decide to keep being a coward, or to be a hero for the last person left he cares for.

BERSERK continues to be a great read! Powerful, full of deep and complex characters, with themes that make you reflect!

You can buy BERSERK Vol 17 from Amazon.